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Posts Tagged ‘This American Life’

Everything You Haven’t Read About ‘Serial’

serialOn Thursday I wake up to a bunch of WhatsApp messages from my London-based friend. Turns out the career woes we Skyped about earlier in the week are moot — there’s a new episode of “Serial” to listen to.

I won’t go into what “Serial” is, because if you don’t know by now, where have you been? But will you be let down because of all the hype? No. If anything, you have around 8 hours to listen to. It will be like that one time you signed into Netflix and hit play on “Orange is the New Black.” See  you on Monday. As a radio junkie, I was waiting for “Serial,” I heard the teasers, I was ready for it. I didn’t know I would become obsessed or that I would be sending text messages across the Atlantic Ocean begging for no spoilers!

We posted this article from the Washington Post on our Facebook page, and Facebook notified us this morning that it’s been performing better than any of our other, original, posts this week. Thanks a lot guys. So I’m going to give you what you want on this frigid Friday morning. Read more

Mediabistro Course

Get a Literary Agent

Get a Literary AgentWork with a publishing consultant to find the right agent for your book and write a query that will get the deal done! Starting December 3, learn the best methods for finding a literary agent, how to choose the right agent for your book, the etiquette of seeking literary representation, and how to stand out among the numerous queries agents receive daily. Register now!

Get Your Stories Featured on This American Life

ThisAmericanLife.jpgI’m sure you’re a great writer, but did you ever consider radio?

It doesn’t matter if you don’t have experience in the AM-FM field. This American life, the weekly public radio show that reaches more than 500 stations nationwide and is home to Ira Glass, wants your story. But none of that generic “my first marathon” stuff — think funny, dramatic, or surprising when pitching.

“The show started as a place where writers and performers could broadcast their stories and a place for journalism that wasn’t following the big news,” says founding producer Nancy Updike. ”After 9/11, we started doing more journalism, including sometimes tackling whatever was in the news in a given week. That shift wasn’t a conscious decision; it just worked out that way as people on staff followed their interests.”

And get this: 60 percent of the show’s content is freelance generated. Find out where to direct your perfect pitch here.

– CLAIR PHILLIPS