Breaking into the literary dream that is New York magazine means you’ve got to offer something new, an interesting angle or exclusive access into a little-known subcultural scene in the city (or anywhere else in the world).

“A freelance pitch that provides unusual insight and access into a slightly more hidden world or scene has a better chance of becoming a story here,” said editorial director Jared Hohlt in How To Pitch: New York [sub req'd]. “Features that trend to get approved are narrative-focused and designed to engage the reader in good old fashioned storytelling.”

David Haskell, the magazine’s feature editor, agrees — but he needs more than just a good anecdote.

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