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Posts Tagged ‘David Measer’

Thursday Morning Stir

-David&Goliath alum David Measer has joined CP+B’s L.A. office as group planning director and will lead the latter’s Microsoft Windows account.

-New York/Minneapolis-based prodco Twist has welcomed Cosmo Street alum Alissa Liebert as associate producer.

-Subaru gets some love from both up north and here in the States as DDB Toronto has rolled out the “Forester Family Rally” campaign (above) while Carmichael Lynch brings us a “Backseat Anthem,” which you can view here.

-DDB Worldwide chief creative officer Amir Kassaei will lead the Integration jury for the 2013 London International Awards. link

-Time to trade in that Galaxy Note II as Samsung is reportedly bringing us the Galaxy Mega. link

-One marketing intelligence company has downgraded its own global ad spending forecast. link

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Thursday Morning Stir

-Cheil UK has welcomed Fallon vet Duncan Cargill as creative director and Saatchi & Saatchi X alum Emma Perkins as its first shopper marketing CD.

-The New York Times profiles a nifty new pad designed by David&Goliath director of strategic planning, David Measer. link

-A couple of agency creatives including CP+B alum Tim Geoghegan address marriage equality with a Brand Equality Tumblr. link; link

-After spending a quarter-century in sound, former Eleven EP DJ Fox has moved on to VFX/editorial, joining up with Santa Monica-based Butcher Editorial.

-Oxfam America is taking aim ahead of Easter at Mondelez and urging the brand to do right by women farmers via a new ad campaign (example above). link; link

Let’s Go Back to the Future Once Again with Blake Griffin

The Deadpan Dunker is at it again, traveling back in time for two new spots with his faux-DeLorean Kia Optima. In this latest series from David&Goliath, Blake Griffin targets his younger self in 2006 and 2002 to impart wisdom on lifting weights and wearing sunblock. He listens to a little Sean Paul. And he wears the genius red jumpsuit with the griffin logo.

One of the best campaigns on TV continues with more quality spots. Most athletes can’t act, but Blake’s straight-faced delivery and self-deprecation puts him ahead of every competitor out there. He also listens to Eiffel 65 and used to wear jean shorts, so there’s that. And if you need proof of commitment to the brand, he won the 2010 NBA Slam Dunk Contest by dunking over a Kia Optima as a gospel choir serenaded the crowd. Cliff Paul’s mustache can’t compete with that. Credits and the second ad after the jump.

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Kia’s Electronica-Obsessed ‘Hamstars’ Bring the Party to the 18th Century

Love ‘em or hate ‘em, but Kia’s break-dancing over-sized hamsters must actually be selling units of the Soul. How else do you explain this nonsensical 90-second spot from David&Goliath, which looks like it cost an awful lot of money to make (probably the equivalent of thousands of Kia Souls).

In the announce, we’re told, “The commercial – “Bringing Down the House” – highlights the emergence of electronic music, which has quickly found its way into the mainstream and some of today’s biggest musical acts. This, combined with a trend where young artists are increasingly incorporating classical music and instrumentation into their music, comes together to create a modern-day remix of new and old.” I don’t quite know how clearly that message will come across to the average consumer, or if it really needs to. In fact, I would argue you could send the hamsters back to almost any time period with the same effect.

But, it seems that D&G is sticking by the old mantra, “If it ain’t broke, don’t fix it.” Sure, it’s stupid, but it’s working. So, you can hate on the hamsters as much as you want, or you can join them in dancing to Axwell’s remix of Ivan Gough and Feenixpawl’s “In My Mind.” It’s no LMFAO, but it’ll do. Credits after the jump.

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Kia’s Super Bowl Spot: Models, Metal and Meaty Sandwiches

For the all screenshots I’d seen of a scantily-clad Adriana Lima holding a checkered racing flag, I didn’t have very high expectations for Kia’s Super Bowl spot. But, I was wrong, and David&Goliath definitely delivered on this :90 vacation to a fantasy world driven by the Optima.

What happens when a man is accidentally given access to the sweetest of sweet dreams? He enters a world of super models, Mötley Crüe, giant sandwiches, fire, rhinoceros rodeos, MMA fighting (featuring a cameo from Chuck Lidell) and, of course, fast cars. But, even a perfect world can’t stand in the way of this hero and his significant other. With his Optima, he breaks into his lady’s dream, “rescuing” her from a white horse-riding hunk who looks dull compared to our protagonist. It’s the kind of “manly” everyman story that beer brands somehow continue to fail at telling with each new ad campaign.

Going into the Super Bowl, the majority of hype is undoubtedly surrounding VW’s sequel to last year’s “The Force” and Honda’s homage to Ferris Bueller’s Day Off. After the big game, we hope to see Kia and D&G receive due credit for producing a commercial better than those from their more talked-about competitors. Credits after the jump.

Update: For a play-by-play on how this spot came to life, see D&G copywriter Justin Bajan’s blog post on Adpulp.

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