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Posts Tagged ‘Wired’

Land $1.50 a Word (and Up) at Wired

Over 70 percent of Wired is freelance written, and, once you’ve scored a byline, you’re well on your way to landing more assignments. Senior editor Sarah Fallon urges writers to think of Wired‘s coverage as a continuum: “Science leads to technologies. Technologies spawn businesses and whole industries. Businesses flourish and end up influencing and changing culture,” she said.

Based in San Francisco, Wired has a laid-back but focused West Coast feel and a sensibility that welcomes everyone from the worldly generalist to the Vine junkie. There’s plenty of room for freelancers, too, so long as you’re pitching fresh meat. “We want to cover stories that you wouldn’t find in any other magazine,” Fallon explained. “If you’re going to pitch something mainstream, make sure you have a unique angle.”

For more info, read How To Pitch: Wired.
ag_logo_medium.gifThe full version of this article is exclusively available to Mediabistro AvantGuild subscribers. If you’re not a member yet, register now for as little as $55 a year for access to hundreds of articles like this one, discounts on Mediabistro seminars and workshops, and all sorts of other bonuses.Land $1.50 a Word (and Up) at Wired

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“Vine: Create Quick Social Video to Market Your Brand” Webcast

Bring your Twitter efforts and information to life with this popular video app. Find out how in our Vine webcast taking place tomorrow, June 19 from 4-5 pm ET. Gemma Craven (left), EVP, New York group director of Social@Ogilvy, will discuss how her team has created interactive videos for brands to get their message heard. Register today.

Hacker Goes To Hollywood: Did The MPAA Pirate Its Anti-Piracy Info?

744px-Pirate_Flag_of_Rack_Rackham.svg.pngWired magazine reports the Motion Picture Association of America promised a young hacker “money and power” if he betrayed his BitTorrent friends as part of the MPAA’s anti-piracy crusade:

In an exclusive interview with Wired News, gun-for-hire hacker Robert Anderson tells for the first time how the Motion Picture Association of America promised him money and power if he provided confidential information on TorrentSpy, a popular BitTorrent search site.

According to Anderson, the MPAA told him: “We would need somebody like you. We would give you a nice paying job, a house, a car, anything you needed…. if you save Hollywood for us you can become rich and powerful.”

The info Anderson provided was at the heart of a copyright-infringement lawsuit against TorrentSpy. Also, it may have been stolen. Which is kinda ironic in a piracy case, no?

Burning Man’s Burning Man Spills

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ValleyWag has an exclusive interview with the Burning Man early bird arsonist but no one seems very interested. Paul Addis, the terror of tent town, turns a nice phrase:

Burning Man had degenerated into a postindustrial disco.

Wired also has an “exclusive” Q & A,which is pretty much the same stuff.

Scott Beale has all the background, in case you’re thinking of pitching a feature about this.

(photo from Laughing Squid)

Wired Goes Negative

chrisanderson.jpgWired magazine is perhaps the most positive, life-affirming publication on the planet. If someone threw a rock at their window, someone there would write a cover story about how shards of glass will save humanity.

So it’s a bit amazing to hear Wired editor Chris Anderson declare that “the age of the blockbuster is over.”

Anderson pronounced his hypothesis while pimping his book, The Long Tail: Why the Future of Business Is Selling Less of More, at NATPE‘s 2007 Conference & Exhibition in Las Vegas.

He says that media outlets have become so fragmented, no one can truly strike gold anymore. One glimmering exception: YouTube.

Per the Hollywood Reporter:

Anderson also noted the success of user-generated site YouTube, saying that Barry Diller was wrong when he said that “people with talent won’t be displaced by 18 million people producing stuff they think will have appeal.” In fact, Anderson said, videos on YouTube are generating “network-sized audiences for the kind of content that TV isn’t making. … There’s going to be a battle between these two markets.”

Unabashedly breathless enthusiasm for the questionably successful? That’s the Anderson we know and love.