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Jane Fonda Doesn’t Want Murdoch to Buy Time Warner

jane fonda GGood news for those of you who desire more media commentary from Jane Fonda: She has given her thoughts on Rupert Murdoch potentially buying Time Warner. In short, she think it’s a bad idea.

“I think it would be a catastrophe,” the 76-year-old actress told The Wrap. “If that happens I’m going to be so angry at the FCC. They cannot let that happen.” FCC, you’re officially on notice.

Fonda wasn’t done there. She went on to explain that Murdoch uses his media outlets to spread bad politics. “It’s no secret that Rupert uses his media outlets for political reasons,” said Fonda. “And he is not neutral. And he, you know, his news outlets do things that are unconscionable. And it just cannot happen that he becomes that much of a dominant force in American media.”

We imagine Fonda and Murdoch won’t be getting together for afternoon tea anytime soon.

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In Face of ‘Capitalist’ Criticism, Michael Moore Remains Silent for Now

MMFlintTwitterPoint Web browser to @MMFlint… Refresh after seeing no recent tweet(s)…. Repeat.

That’s been our intermittent routine here at FishbowlNY HQ (a.k.a Chris & Me) as we await Moore’s comeback to a massive amount of media and public criticism. The details of the filmmaker’s messy divorce battle, first reported by The Smoking Gun, were picked up with a vengeance this week. It turns out MM owns many more homes in Michigan and New York than most people were aware.

The right-leaning press especially has been relishing this news. For example, the headline over at United Liberty reads: “Socialist Weasel Michael Moore Hates Capitalism So Much That He Owns 9 Homes.”

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Newspaper Reporter Explains the Reasons for His Departure

KevinSabanKevin Sablan (pictured), one of the Orange County Register journalists who recently took a buyout, has blogged today about how that decision was reached. He devotes a great deal of his post to what were, for him, the better Register days:

During my first eight years at the paper, I worked on advancing our digital efforts. I started as a slightly glorified Web monkey, part of a team that got stories online and made sure the site’s many moving parts were updated throughout the day.

Freedom. It was a great time. There weren’t enough bosses to review everything that published online, and standards were still being set. I could experiment without fear of losing my job. I threw in some fancy CSS and JavaScript trickery. I did things like embed a tour of the Rose Parade (a Google Map that could be navigated with custom buttons) into an article. I made tables sortable. I never had to ask for permission…

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Weird Al’s Early Jobs Included ‘Accordion Repo Man’

ShutterstockAccordionIt’s been a long time since a comedy album topped the Billboard 200 charts. Today, Weird Al Yankovic, the man responsible for that feat, sat down for a radio interview with KFI AM 640′s Bill Handel.

Yankovic started off the conversation by talking with Handel about his earliest jobs. He reminded that while studying architecture at Cal Poly in San Luis Obispo, he went by the DJ name of “Al Matthews” for an off-campus, paid radio gig.

The man born Alfred Matthew Yankovic also, hilariously, talked about being an “accordion repo man.” He was a teacher at a music school, and when students discontinued their lessons, it was often up to Yankovic to show up at their door and request that they return the loaned musical instrument. “They were more than happy to give it back, for some reason,” Yankovic deadpanned.

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Paul McKenna on What Makes a Great Interviewer

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Paul McKenna has worn many hats during his eclectic, impressive career. He’s an international best-selling author, a hypnotist, a self-help guru and, now, a TV host.

On his new show McKenna (currently streaming on Hulu) he interviews media moguls like Simon Cowell, Ryan Seacrest, Harvey Weinstein, Rachael Ray and Randy Jackson to find out “what makes them tick.” In our latest So What Do You Do column, McKenna gives advice to up-and-coming media pros and shares his thoughts on what makes a great interviewer:

I’m not a journalist. So I haven’t come from conventional journalistic training, which is to go for the jugular, you know, sneak one question in under another, try and get the other person [to] expose something. I’m just fascinated and curious. I think 25 years in the trenches, working with the most challenged of people you can imagine, has given me an ability to have a politely inquiring manner, I hope. I think you get more from people if they feel that they’re being genuinely listened to and understood, and that they don’t need to be on guard.

For more from McKenna, including how a chance encounter on Simon Cowell‘s boat resulted in his latest gig, read: So What Do You Do, Paul McKenna, Best-Selling Author, Hypnotist and Host of Hulu’s McKenna?

Nikki Finke Cranks Out Her Best New Story Yet

JeffBlakePicWhy did Nikki Finke return to the Internet airwaves, under threat of litigation from her former boss Jay Penske? So she could continue sharing stories like this one.

Finke’s behind-the-scenes account of what led to this week’s forced exit of Sony Pictures Entertainment vice chairman Jeff Blake (pictured) expertly triangulates his fate with the politics of a conglomerated studio lot, the machinations of Dan Loeb and the actions of Blake’s scrambling, fearful bosses (Amy Pascal, Michael Lynton). It’s a must-read and, best of all, is only Part One.

Finke reveals that Blake was almost scapegoat-fired last summer following a secret July 4 meeting. She notes that when it all, almost came crashing down last year, Blake, a longtime box office source, shared an unusual request:

I loathe those calls I sometimes have to make telling Hollywood bigwigs they’re in danger of getting axed. To my surprise, Blake verbally shrugged it off except to say “Water rising here”.

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Hardcore Pawn Stars: ‘We’re Not Actors’

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Viewers of reality TV often want to know if they’re watching actors or real people.

Recently, we got a chance to ask the people who might know, the starts of truTV’s Hardcore Pawn Les and Ashley Gold.

While Les told MediabistroTV he’s an actor inasmuch as a good salesperson needs to be an actor, the two assure us what you see on the show is real.



Part Two: Why are Pawn Shop Shows so Popular?

Part One: Five Weirdest things Pawned

Bill Maher Sees Dead Cable People

SteveDoocyPicPer a guest column in this week’s Hollywood Reporter, the host of Real Time has a bad, sick-sense feeling about the possible takeover of Time Warner by News Corp. What’s good for the Doocy, the acerbic TV host imagines, will not be good for the Maher:

There’s a terrible price to pay for this. (I mean besides the terrible price I personally will pay when Rupert takes over HBO and my show becomes Paste-Eating Time With Steve Doocy.)

Maher may have it wrong. It seems to FishbowlNY that the more likely Fox News morning show host to be gifted with some extra Friday Real Time would be Elisabeth Hasselbeck.

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Maria Russo Rejoins the New York Times

RussoHeadshotAfter a long run in Los Angeles, veteran journalist and editor Maria Russo is headed back to New York City. Starting August 4, she will be the children’s book editor for the New York Times Book Review.

Here’s the memo from TBR editor Pamela Paul and deputy editor David Kelly:

Maria is a veteran of TBR, having filled in as a preview editor under Chip McGrath, and a native New Yorker. She was first brought in as a freelance book reviewer by Dwight Garner, whom Maria succeeded as books editor at Salon. Maria is also a former features editor at the New York Observer.

Despite all her New York cred, for the past 10 years, Maria has been working in Los Angeles, where she was most recently the editor in chief of Pasadena magazine. Before that, she was an editor in the Calendar section of the Los Angeles Times. Maria has also published widely as a freelancer, writing for the Magazine and the Book Review, among other venues.

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AFAR Media’s Trajectory: Self-Funded, Bi-Coastal, Profitable

In 2009, AFAR Media was launched with a focus on travel and a combined $20 million investment from Joe Diaz, Greg Sullivan and Ernie Garcia. This summer, at the five-year anniversary mark and with the August/September issue having just hit newsstands, AFAR has arrived at profitability.

Branded content currently accounts for a third of AFAR’s revenues. In the latest print issue, starting on page 19, there is for example “Artisans Inspired.” Part of a year-long partnership with The Ritz-Carlton, the three-page feature is anchored around quotes from surfer Lon Klein, New York Botanical Gardens curator Karen Daubmann and international travel excursions leader Sean Nelson.

AFARMediaRitzCarletonContent

“This is a multi-dimensional, multi-platform branded content program that lives in print, mobile and on desktop,” says Diaz during a recent telephone conversation with FishbowlNY. “How we try to approach branded content is – it’s really all about what is the core idea. What are the hooks, what are the elements that are going to get people excited.”

“We don’t care if it’s paid [content] or if it’s editorial,” he adds. “Our philosophy is that the content always has to be good. And we’re not shy about making sure everybody knows that this is paid for. The whole idea of the campaign is that artisans inspire and let’s help bring those rich values and characters to life, through the eyes of the people on the ground.”

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