Raise your hand if you’re surprised by this: “When Donna Campiglia learned recently that a genetic test might be able to determine which sports suit the talents of her 2 1/2 year-old son, Noah, she instantly said, Where can I get it and how much does it cost?
Archives: November 2008
Not that long ago people were scoffing at the use of Twitter as viable tool for journalism. Well maybe not so much anymore! The terrorist siege in Mumbai over the weekend has proven once again how useful the mirco-blogging platform can be for reporters. Both the Times and the WSJ have run pieces on it in the last few days (during the height of the attacks we noticed the Times‘ Brian Stelter reaching out to anyone in Mumbai via Twitter). Jay Rosen noted (via Twitter) that the WSJ had managed to do the “Mumbai-on-Twitter story without all the “is this journalism?” hysteria.” Per the Times:
At the peak of the violence, more than one message per second with the word “Mumbai” in it was being posted onto Twitter, a short-message service that has evolved from an oddity to a full-fledged news platform in just two years.
Those descriptions and others on Web sites and photo-sharing sites served as a chaotic but critically important link among people across the world — whether they be Hasidic Jews in Brooklyn tracking the fate of a rabbi held hostage at the Nariman House or students in Britain with loved ones back in India or people hanging on every twist and turn in the standoff while visiting relatives for Thanksgiving dinner.
Barry Blitt, the cartoonist responsible for the New Yorker‘s controversial terrorist fist-jabbing cover, among others, returns this week to “vet” Barack Obama. Of course this time around “Vetting” refers to the all important decision of picking a “first” puppy — thus far we know they want a mutt, but that it needs to be hypoallergenic and won’t be a girly dog. The cover may not be all that far off the mark, actually, turns out the original meaning of the word “vetting” was to to “submit an animal to examination by a veterinarian.”
Who knows where they got their info, but regardless, a few possibilities include:
“Paper Hearts” – First up is a film that almost no one has heard about until now. The feature filmmaking debut of Nicholas Jasenovec, the film is an unconventional comedy which is being described as “part-documentary, part-scripted comedy” about Michael Cera’s real-life relationship with Charlyne Yi (“Knocked Up”). Not much else is known about the film, but indie insiders are already predicting that it will be this year’s Sundance break out hit ala “Napoleon Dynamite.”
An Education – “Italian For Beginners” director Lone Scherfig‘ helms the first screenplay by About a Boy/High Fidelity novelist Nick Hornby. Adapted from a memoir by Lynn Barber, published in literary magazine Granta, the film tells a coming-of-age story about a teenage girl in 1960s suburban London, who has her life turned inside out after she meets a 35-year-old sportscar-driving Brit. The film stars Emma Thompson, Rosamund Pike, Peter Sarsgaard, Dominic Cooper, Alfred Molina, Olivia Williams and Sally Hawkins.
“Brooklyn’s Finest” – Training Day director Antoine Fuqua‘s cop tale about three unconnected Brooklyn cops who wind up at the same deadly location after enduring vastly different career paths. The film stars Don Cheadle, Richard Gere, Ethan Hawke, <a href="http://www.mediabistro.com/Wesley-Snipes-profile.html”>Wesley Snipes, Ellen Barkin, Jesse Williams and Lili Taylor.
“I Love You Phillip Morris” – Adapted from Steve McVicker’s 2003 novel, and based on a true story. Steve Carrey plays Russell, a criminal who falls in love with his cell mate, Phillip Morris (Ewan McGregor). After Morrisâ€™ release from prison, Russell attempts a variety of bizarre prison escapes in hopes of reuniting with the love of his life. The movie was apparently pitched as “Catch Me if You Can meets Brokeback Mountain”. The screenplay was written by the team who did “Bad Santa.”
When Liveblogging Gobbles Too Far|AP Up in Arms|Third Time’s a Charm, Except if You’re Fox|Everybody Wants to be a Radio Star!|A Crash Course in Crisis Economics
Politico: Obama’s Third Presser: NPR, NYDN, CNN
Well it’s been a rather glum few months leading up to this year’s Thanksgiving — with the small exception of one historical Presidential election! — filled with seeming endless layoffs and foldings. Of course, four days of turkey and leftovers does tend to make everything feel slightly less dire. Also! We still have a thriving job board, and classes, and panels etc. In the meantime, happy holidays, safe travels, and for your viewing enjoyment our favorite television Thanksgiving moment. The full episode is after the jump for those of you who may need a longer break from the dinner table sometime tomorrow afternoon: “As God as my witness, I thought turkeys could fly!”
The New York Observer is running a profile on “Blogger, professor, and media consultant” Jeff Jarvis (parts of which, having to do with Bill Keller, Jarvis apparently has some issues with). Here’s some of his advice regarding how media people might approach and uncertain, quickly-changing future:
We should embrace change…Instead, too often we fight change. That’s the nature of organizations and institutions that hold power. Change might mean losing power. The great and magnificent irony of online — this would really send [Ron] Rosenbaum’s spine up — is that in my blog, in what I call Jarvis’ Law, is that I say if you give people control, we will use it. If you don’t, you lose us. The counterintuitive way of the Internet age is when you give up control, you win. The old way was to maintain control to win.
Last night we dropped by Thrillist‘s 3rd anniversary party at a packed club somewhere on Varick St., which we identified a few blocks away based on the hordes of people standing outside waiting to get in. Somehow we slipped the line only to discover that there were hordes of people on the inside too! Thrillist is very popular! They also happen to be the folks who flew us to Vegas for 36hrs last June. Viva etc.
Blockbuster, which always seems poised to dive into bankruptcy, is taking arms against a sea of video troubles with Netflix, Amazon and Apple by offering technology that will bring DVD-quality videos from the Internet for next to nothing, the Dallas Morning News says.
In the video wars parlance, this is very much like a throwdown.
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