If you ask me, our table was having the most fun because I was joined by two of my favorite Gotham power gals Leslie Stevens and Susan Malinowski. We’ve known each other since preschool (not really, but you get the picture) and our paths have crossed in interesting ways throughout the years through various jobs and clients. Back in the day, Susan, now vice president of marketing at Wacoal America, was my boss at Danskin-Pennaco Hosiery. Leslie, who helms her own PR firm, LaForce + Stevens, with partner James LaForce, worked with us as a consultant. Today, Susan is shaking things up at Wacoal America and Leslie’s agency is handling spreading all the big news about what’s happening with the brand. Read more
Posts Tagged ‘Alice Mayhew’
Another Wednesday, another “Bravolebrity.” For the final leg of this month’s reality-show trifecta, I was joined today by LuAnn de Lesseps (the “Countess” to you), fresh off her trip to Chicago for an appearance on The Steve Harvey Show where she made over a few fashion-impaired civilians with oh-so-stylish looks from her new clothing line, the Countess Collection. (It will debut on Shop HQ, formerly known as Shop NBC, in May.) LuAnn is a regular contributor to Steve’s show, weighing in on all kinds of haute topics, from text etiquette while dating to how to dress like a million bucks without breaking the bank. When I lunched with her last summer, the conversation focused mainly on her role on Real Housewives of New York City and her fledgling music career. But these days the clever and stunning LuAnn, who clearly knows when to say when, has scaled back her presence on the Bravo screechfest (she’s now being billed as a “special guest star”) and is focusing primarily on “brand-building” her eponymous lifestyle brand, which, she says, is founded on the principle of “chic made easy.” After six seasons on Housewives and one of only two of the original New York City cast members left standing (tabloid favorite Ramona Singer is the other), LuAnn says, “I’m grateful for the platform the show has given me. I came into it with no preconceived notions. I didn’t watch reality television and I didn’t know what I was getting into. I signed on to do “Manhattan Moms” and thought it was going to be this nice little family-oriented show, but it turned into something else. I’m fearless and have always had a real sense of adventure.” I’ll say.
LuAnn’s pre-Bravo life already read like something out of a Danielle Steel novel. The Connecticut native and nursing student who dabbled in the pageant circuit went to Europe to try her hand at modeling, but when that didn’t work out, a series of whirlwind events landed her a gig on Italian television even though she didn’t speak a word of the language. ”I was a big star — the Vanna White of Italy — paired with a man that was like their Bob Hope. Twelve million people a week were tuning in!” By the time she left three years later, she was fluent. Between bites of her crab cakes, she told me when she met her now ex-husband, Count Alexandre de Lesseps, it was “magic.” As for her much-discussed title as a result of her marriage, LuAnn thinks it’s ridiculous that people assume it’s some trumped up affectation. “The de Lesseps have played a very important part in French history,” she explained, citing her husband’s descendant Ferdinand de Lesseps as the architect of the Suez Canal and the man who played a huge role in gifting the Statue of Liberty to the United States.
When I first made my date to have lunch with Carole Radziwill some time ago, I was looking forward to talking to her about her first novel, The Widow’s Guide to Sex & Dating (Henry Holt) as well as her astonishing best-selling memoir, What Remains, in which she chronicled the aftermath of her husband’s death in a deep, affecting and intricately personal way. It was fascinating to me to see that she had approached the earth-shattering event of losing her husband, Anthony Radziwill, from two diametrically different perspectives and chosen to write about young widowhood twice. While her memoir came first, published six years ago, Carole told me the novel was ten years in the making. “It started percolating around that time, but I wasn’t in that state of mind. The novel was written in a much more whimsical state of mind.” But she made headlines in the tabloids this morning for another reason — a fellow castmate of The Real Housewives of New York City, Aviva Drescher, wrongly accused her of hiring a ghostwriter for What Remains, detonating the requisite explosion (this one dubbed “Bookgate”) that fuels the Bravo squawkfest, which Andy Cohen clearly lives for.
Here’s a primer on “Bookgate.” If you’re not a regular viewer, try to follow along: When Carole joined the show last season, Aviva could not have been more fawning, going so far as to tell her that What Remains inspired her to look at her own life differently. Fast forward a few episodes and this season, Aviva and Carole have become full-fledged enemies (the women didn’t know each other before the show), mainly because Carole deals in what is actually going on, while Aviva seems to be hell-bent in doing whatever it takes to stay relevant on Housewives. In this case, Aviva first asked Carole to vet a ghostwriter she was going to use on her book (and now denies she even used one) and then somehow turned the whole thing around by telling the other women on the show that “word on the street” was that Carole used a ghostwriter for What Remains. Said Carole: “There’s always one housewife on every show that’s completely contrived and that’s her. Everything she does, she does for the show.” And then of the subsequent blow-up: “If I’ve helped Aviva sell books, I’m sure my thank you note is in the mail. This is supposed to be a reality show, so I’m interjecting some reality here. I’m honest about my life.” Got it?
We’re serving up a low-cal version of “Lunch” today because the catastrophic events in Harlem kept us from doing our scheduled interview at the appointed hour. Despite the transportation disruptions in and around the city, it was business as usual for the mavens, moguls and strivers who turned up at Michael’s for their weekly Wednesday confab. Keep calm and carry on indeed.
I was joined today by Liz Kaplow, president and CEO of the eponymous marketing communications firm she started in 1991. Kaplow’s client list is full of industry leaders, including Target, Unilever, Timex, CVS and Laura Mercier. I’ve known Liz forever and seen her in this very dining room presiding over many a power lunch — the last time with Microsoft executives who were meeting with her to talk about the latest technological innovations from Skype, another client. We chatted briefly that day and realizing we’d never had a proper sit down, decided then and there to make a date. So here we are. In preparing for our lunch, I did a quick read through of Kaplow’s website and was blown away by the awards and accolades that Liz and her team have collected recently. The New York Observer ranked Kaplow No. 13 on their inaugural PR Power List last year. Kaplow’s “Branded Journalism” program with Skype was named one of the top global PR campaigns of 2013 by The Holmes Report (which also named Kaplow Consumer Agency of the Year in 2011). And to think all this started because, Liz told me, “I wanted to have more flexibility to be with my kids” when her two daughters were growing up.
Liz opened her own agency in 1991 with the costume jewelry company Monet as her first client and quickly added to that list with forward-thinking strategic planning. By the mid-90s, Kaplow ventured into the technology sector with iVillage as a client. “We didn’t have the technical background, but we understood women and how to reach that consumer — we won the business while we were in the room doing the pitch.” Over the past two decades, Liz has become one of the most respected women in PR and is known for her approach in developing and executing marketing and public relations campaigns across all platforms that connect her clients’ brands with consumers through, as she likes to say, “the art of storytelling.” As she explained it: “Every brand has a different story to tell and today they want to tell it through all different platforms.” With that as a guiding principal, Kaplow has focused on integrating social media and emerging technologies with well-established media platforms to ensure clients’ get the maximum impact from their PR campaigns. “PR has to be much more holistic today,” she told me. “Traditional print media is still very, very important as a third party and ‘earned’ versus ‘paid’ media. Clients say the power of influence comes in very different ways. There is not a one-size-fits-all strategy. Every client needs a customized approach.”
We understand that the deadline for Oscar voters to send in their ballots is today, but we’re still more than a little miffed that we missed seeing Leonardo DiCaprio, Bruce Dern and Richard Gere by a day. A little birdie told us Paramount threw a schmoozefest in the middle of Michael’s dining room yesterday to drum up some Academy love for its pictures — the overly long and ridiculously profane The Wolf of Wall Street and the absolutely brilliant Nebraska. Having a slew of Tinseltown A-listers in their midst gave the regular folks (it’s a relative term, I know) a chance to do some serious stargazing. “It was a bit surreal,” one diner told me. It seems only fitting to us that Hollywood took over the dining room on a day when the rest of Manhattan was in a deep freeze straight out of a disaster movie. The Day After Tomorrow, anyone?
Well, it is Wednesday, after all, and we wanted to start our new year of celebrity confabs off on the right foot so who better to whip us into shape than none other than Dr. Mehmet Oz, the Emmy-Award winning daytime television host, author of seven New York Times Bestsellers and dispenser of daily doses of helpful medical tips on 1010WINS.
And oh, yes, he’s also a renowned cardiothoracic surgeon at New York Presbyterian Hospital, who somehow manages to find the time to perform about 100 heart surgeries a year (he has office hours on Thursdays if you’re wondering) and a part-time superhero who goes around rescuing New Yorkers in peril all in the course of an average day. At lunch he told me of another tale of being at the right place at the right time which occurred the same month he came to the aid of the woman who was seriously injured when she was hit by a cab on Sixth Avenue. During a trip to Salt Lake City, a fellow marathoner literally fell in Dr. Oz’s path when the man went into distress due to a heart problem. Of course, Dr. Oz was able to put him in an ambulance, visit him the next day and has stayed in touch to stay apprised of his defacto patient’s recovery.
The good doctor is launching his own lifestyle magazine in partnership with Hearst titled Dr. Oz The Good Life, and this afternoon he brought along a retinue of bigwigs and handlers from his various projects and his charming wife Lisa Oz, whose CV includes a career in television and her own slew of bestsellers (the couple co-authored their You series together; Lisa wrote Us solo and as a result, says Dr. Oz, his wife has “one more bestseller than I do!”).
We’re going to file this week’s lunch in under ‘The more things change, the more they stay the same.’ Aside from a dining room full of the usual Wednesdays at Michael’s suspects, comprised of moguls (Barry Diller), media mavens (Bonnie Fuller, Connie Anne Phillips) and money men who keep the lights on all over town (Alan Patricof), I had an illuminating chat with Donald Albrecht, curator of architecture and design at the Museum of the City of New York and the editor/contributor of the new book, Gilded New York Design, Fashion and Society (The Monacelli Press). We were introduced by Dan Scheffey, who, in his past life, has handled public relations for Disney, Miramax and most recently toiled at Conde Nast. Dan is currently working on Monacelli’s fall book list and is gearing up to launch the Spring 2014 list with Ellen Rubin. When he mentioned Gilded New York to me some months ago, I immediately wanted to know more. Donald, an independent curator specializing in the decorative arts and architecture, joined us to talk about his work on both the exhibition and the book on New York’s Gilded Age of the late 19th century.
By way of introduction to the period he explained, “The city’s old and new money used architecture, interior design, fashion and events — even lunch and dinners — as markers of status.” See where I’m going with this? I thought you might.
Donald, who traded his career as an architect to focus on curating exhibitions and writing (“I found working solely in architecture really boring”), explained his love of curating exhibitions as a way of producing “visual culture.” His current exhibition (which shares the same name of the companion book) “Gilded New York” runs through the end of next year and features a stunning collection of objects that lend a window into the fascinating lives of the early swells of New York City whose great fortunes built the vast Fifth Avenue mansions during what was arguably city’s most glamorous era. Among the relics of this bygone age visitors to the museum can see: an ”Electric Light” dress by couturier Charles Frederick Worth dress once worn by Mrs. Cornelius Vanderbilt. The gown (which didn’t really light up) earned its name from the glittering crystals that illuminated the bodice (a newspaper at the time breathlessly reported it had been trimmed in diamonds), Tiffany & Co.’s Bon Bonniere, a miniature purse designed to hold bon bons or small pieces of candy to be discreetly carried so it could be enjoyed while dancing, and a swan-billed flask crafted from engraved glass and silver. The funny thing is I have no doubt any one of the artifacts would be right at home worn by Sarah Jessica Parker or carried by — dare we say it – Kanye West — at the Met Ball, no?
After being felled by a brutal bug (which I picked up in my doctor’s office while waiting for my flu shot) last week, I was glad to be back at 55th and Fifth today where I embarked on the second leg of my own personal trifecta of reporting on every aspect of my television obsession, Downton Abbey. I interviewed cast member Lesley Nichol two weeks ago and am planning a very special Downton lunch for December (No spoilers here! It’s top secret for now). Today I was thrilled to dine and dish with Harry Herbert, the second son of the 7th Earl of Carnarvon, who was in town on a whirlwind three-day visit to New York to meet a few Upper East Side swells and talk to them about his glamorous and highly successful racehorse syndication business, Highclere Thoroughbred Racing. As the company’s founder, Henry puts together racing syndicates — small groups of people with deep pockets — to share in owning a racehorse. So what’s Harry’s Downton Abbey connection, you ask? Harry’s ancestral home is none other than Highclere Castle, the stunning setting — and very much its own character — on Downton Abbey. I kid you not.
If you’re like me and have watched the specials that have aired on Highclere on PBS and HG-TV, you’ve seen Harry’s sister-in-law Fiona, the 8th Countess of Carnarvon, who is married to his brother George, the 8th Earl of Carnarvon, giving behind-the-scenes tours of the great house and talking about what it’s like to have your home taken over by the cast of one of Britain’s most popular television programs. (They actually live in another home on the sprawling estate) Harry painted a fascinating picture for me of the real life cast of characters who have populated Highclere, worthy of their own PBS series. It turns out his parents’ love story mirror the one which plays out on Downton between the elder Grantham’s British-American union. Harry’s mother, Jeannie, was 19 years old when he journeyed from her home in Wyoming to England to visit friends and met his father, Henry. When she went back to the states, says Harry, ”He chased her to Wyoming and wound up marrying her.” Read more
It was the usual head-spinning scene at Michael’s today as the decibel level rose to epic levels in every corner of the dining room throughout lunch. But all was tranquil (at least for the moment) when I arrived shortly before noon. There, I was greeted with the sight of two minions from Bonnie Fuller‘s office at Hollywoodlife.com who were arranging seating cards and ordering Pellegrino for Bonnie’s monthly schmoozefest. The power gals-in-training stayed just long enough to change into their high heels and shepherd the overflowing group of media mavens and social swans (and Dylan Lauren!) into the lounge for a round of air kissing before they finally settled into their perch in the bay window at Table One. Oh, to be young and ambitious.
I was joined today by two of my favorite Michael’s regulars who I met, of course, in the dining room many moons ago: producer and Democratic booster Joan Gelman and Robert Zimmerman, founder and partner of Zimmerman/Edelson Long Island’s leading public relations and marketing firm, who somehow also finds time to appear on CNN, Fox and MSNBC as a political commentator. On-air (and in conversation, of course) Robert offers well reasoned arguments against the extremists on both sides. “Too much attention focuses on being quotable, not credible. Too many commentators operate in a fact-free environment. Ann Coulter has become the Larry Flynt of political literature. Both live in a world of exploitation and filth,” said the Democratic National Committeeman (now in his 13th year in the position). Come on Robert, tell us how you really feel.
I always look forward to our bi-annual Michael’s lunches because besides being two of the nicest – and funniest people in the room — Joan and Robert can always be counted on for some tasty dish on what’s really going on in any number of social, business and political circles in New York.
While some of the juiciest dish is off the record, we did cover a lot of ground on the current political scene. I had to ask Robert what he thought of the two biggest headaches plaguing the Obama administration that are getting plenty of media coverage. On the Obamacare website woes, Robert offered this: “If it were up to my Republican friends, we would have given up on NASA, Social Security and Medicare because each of them had difficult launches. Medicare took six years to establish after President Roosevelt it signed into law. The website will be fixed. The bigger issue will be if people are getting a better deal in terms of cost and coverage. That will determine the future of Obamacare and, to a large extent, Obama’s legacy.” Read more
It was wall-to-wall mavens and moguls at Michael’s today with EICs of those swanky design books (Architectural Digest, House Beautiful and Veranda) holding court in one corner of the dining room (I guess living well really is the best revenge), while the usual bold-faced names and social swans exchanged air kisses in the other. I was joined today by Paul Caine, CEO of audio content syndicator Westwood One, one of the nicest and most successful guys in the media biz (and I’m sure I don’t have to tell you just how rare a description that is around here). Paul has had himself one heck of a year having joined Westwood One (back when it was known as Dial Global — more on that later) in March from Time Inc., where he was EVP Chief Revenue Officer and Group President.
Since joining the newly christened Westwood One, Paul has been doing what he does best — positioning his brand in the best possible light for prospective advertisers. It was clear from talking to him he’s found a new calling as an audio content advocate. I had to begin by asking Paul why he left the Time Inc. mothership after 23 years and ahead of Time Inc’s planned spin-off after having had such a successful tenure and largely considered one of its rising stars. He had been responsible for global ad revenue for all of the company’s magazines, including People and Sports Illustrated, while spearheading new initiatives to roll out new ad products across all platforms. His name had been floated in several published reports as a possible successor to Time Inc.’s former CEO Laura Lang (coincidentally the man who got the job, Joseph Ripp, was seated on the other side of the dining room), but Paul told me that when he was first approached in January about his current job, “Initially, I wasn’t interested. I was not looking to leave.”It was only after talking to advertisers when, during conversations, the question ‘What about radio?’ came up time and again that Paul began to seriously consider making a move.” I had a great time at Time Inc.,” he told me. “The brands are fantastic. (Time Inc. editor-in-chief) Martha Nelson is fantastic and I’m optimistic about their future.” As far as the prospects after the spin-off: “What I know from afar is that they are uniquely positioned to succeed. Print is healthy.”
But audio content is what the future is all about, says Paul, and Westwood One has got over 225 million listeners a week to prove it. “We spend one third of our day listening to audio content — music, talk radio, sports, news.” The company is the only broadcast medium with exclusive rights to the NFL, NCAA, the Masters and EPL (English Premier League soccer) as well as serving as home for the radio broadcasts of John Tesh (who just celebrated ten years with the company), Charles Osgood, Dennis Miller and Billy Bush. Read more