Beginning next month, Nikki Finke‘s tireless film editor will divide his time equally each month between Long Island and Los Angeles. It’s a big change for Fleming, one he wants you to know is not an indication of troubles at the mother ship:
I think Deadline is thriving despite a recent batch of articles implying otherwise, and it pisses me off when journalists cheap shot us (I disagree with New York Times’ reporter Brooks Barnes and his assessment that Deadline has grown bland. The only thing that concerns me is Barnes could teach a master class on how to write blandly, so he’s as close to an authority as you’ll find on the subject).
Ha ha. Fleming goes on to share all sorts of great recollections: how his showbiz reporter career began accidentally in connection with a project involving Ralph Macchio, Emilio Estevez and Peter Bart; how a Long Dong Silver porn tape threw Variety parent company execs for a loop; how a trial run living in LA was ended by his wife’s ultimatum; and how Disney learned to live with his Jessica Rabbit revelations.