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Posts Tagged ‘Gareth Neame’

Last Lunch of the Year: Huma Abedin, Rikki Klieman and the Media Mob

LunchAtMichaelsThe artic temperatures and snow (It’s not even Christmas and we’re over it already!) couldn’t keep the faithful from 55th and Fifth today as the towncar set squeezed in the last Wednesday power lunch of 2013.

The usual contingent of media mavens (Connie Anne Phillips, Gerry Byrne), spin meisters (Tom Goodman) and fashionistas (Fern Mallis, Jaqui Lividini and LaVelle Olexa) were well represented, as there was plenty of air-kissing and glad-handing behind every poinsettia. After our own head-spinning schedule of sitdowns with A-listers of every description for our regular Wednesday confabs this season – along with a few “special” lunches (We’re still recovering from last week’s double bill of  “The Cosmo 100″ and a Thursday lunch with Downton Abbey executive creator Gareth Neame), I decided to go solo today after my date came down with the flu.

Diane Clehane with Michael McCarty

Diane Clehane with Michael McCarty

Making the rounds in the dining room gave me the chance to catch up with a lot of folks I’ve spotted as they’ve sailed past my table over the past few months. I just had to go over to Marie Claire editrix Anne Fulenwider‘s table to find out what she was wearing. “It’s Alberta Ferretti,” she told me as she petted her fabulous faux fur shrug. Maybe it’s just me, but I’d say Anne’s upped her own personal fashion quotient quite a bit since ascending to the top spot at the Hearst title. Well done!

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Special Edition ‘Lunch’: Downton Abbey Dish with Gareth Neame

Diane Clehane and Gareth Neame

Diane Clehane and Gareth Neame

I was joined at my usual perch at Michael’s yesterday by Downton Abbey‘s executive producer Gareth Neame and Hope Dellon, executive editor at St. Martin’s Press whose new book, Behind the Scenes at Downton Abbey, is the “official” and definitive behind-the-scenes look at the wildly popular series. Unless you’ve been living under rock, you have undoubtedly heard that series creator Julian Fellowes writes every word of each episode that Downton addicts devour every season, but you may not know it was Gareth who is truly responsible for bringing the series to the small screen.

Having worked in British television for over two decades, Gareth was, as he writes in the book’s foreward in which he chronicles the backstory of the creation of the series, “familiar with maids, footmen and aristocrats and historic houses that serve as inspiration for drama.” He was also a fan of Gosford Park, the film that earned Fellowes an Academy Award. Gareth approached Fellowes with the idea to do a television series set in a grand house during the Edwardian era, focusing equally on the lives of the servants and the aristocrats, but, as Gareth told me, “Julian was resistant at first to do it. He didn’t think lightning would strike twice.” Still, Fellowes sent an email a few days later outlining all the major characters and the plot revolving around an inheritance issue with a distant cousin, a male heir (Matthew Crawley), who comes into the world of a family living in a great house staffed with servants. “We didn’t know whether it would work,” Gareth told me. “But everything was there on the page.”

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