There are two major strands running through Allison Hope Weiner‘s plea to Hollywood to take Mel Gibson off the industry blacklist. One is the idea of forgiveness, redemption and atonement for one’s sins; the other is how journalists writing about subjects like Gibson rarely get to truly “know” their subjects.
Weiner explains that after writing damning pieces about Gibson for outlets such as the New York Times and EW, she gradually came to know him as someone very different from the 2006 PCH incident that launched TMZ. Even more unlikely is the idea that this journalist-Hollywood star friendship could be cemented after Gibson’s second major public transgression in 2010:
I was on vacation with my family when Gibson called me. During his breakup with [Oksana] Grigorieva, he’d gone through a terrible emotional breakdown and struggled to get healthy, gain joint custody of his infant daughter and deal with the fallout from the publication of those awful tapes. He was in a very bad place and we talked for some time about how difficult it was for him to deal with the pain he’d inflicted on his family — his ex-wife Robyn and his seven children, his infant daughter.