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Posts Tagged ‘John le Carre’

In Praise of Philip Seymour Hoffman

PhilipSeymourHoffmanAMostWantedManReaction to John le Carré‘s essay in this Sunday’s New York Times is cascading forth on Twitter.

From San Francisco, Nelle Engeron opines that the piece is “the brilliant and heartbreaking obituary he [Philip Seymour Hoffman] deserves.” In Madison, Wisconsin, Dave Martin dubs le Carré’s “Staring at the Flame” the “best read of the week.” And from London, singer David Albury calls the article: “Touching and honest. And sad.” They’re all correct.

From le Carré’s essay:

No actor had ever made quite the impact on me that Philip did at that first encounter: not Richard Burton, not Burt Lancaster or even Alec Guinness. Philip greeted me as if he’d been waiting to meet me all his life, which I suspect was how he greeted everyone. But I’d been waiting to meet Philip for a long time.

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‘An Ordinary Spy’ Goes Hollywood

me3_tmp.jpgFormer CIA agent-turned novelist, Joseph Weisberg recently had his exciting, unusual spy novel optioned by Paul Haggis and Michael Nozik with Hwy61 Films, based at Paramount.

The LAT calls An Ordinary Spy “a modern spy novel that doesn’t tell the reader who the characters are, where the story takes place or even the kind of food they eat.”

“All of these details are heavily redacted, marked by extensive blacked-out sections of type in the book, which switches back and forth in time. … The author didn’t delete all these facts as a writer’s trick. As a former CIA officer, Weisberg would have been required to submit his novel to the agency, and he solved this literary dilemma by creatively censoring his own material.”

FBLA talks with Weisberg, a John le Carre fan, about the CIA and Hollywood and everything in between. Here is the part of the interview that we’re allowed to show you:

1. When did you work for the CIA? 1990-1994.

2. Why would you have had to submit a novel to the CIA for approval? Or is this work more fact than fiction? When you join the CIA, you’re required to sign a secrecy agreement. Among other things, this agreement obligates you to submit anything you write about intelligence matters to the CIA for review. The CIA then determines if what you’ve written contains any classified information, and if it does, you have to take it out.

Fiction and non-fiction both have to be submitted. Non-fiction is held to a tougher standard, meaning they’ll let you write some things in a novel that you cannot write in a memoir or an editorial. But a fair number of things can’t be written about in any form.

What constitutes classified material is in itself a complicated question, and I think the best answer is, nobody really knows. Classified does not mean secret. In fact, most of what the CIA had me take out of my book was information that is widely known. It’s classified not because it’s secret, but because they don’t want the information confirmed by an ex-Agency employee.

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