I was joined today by Anne Fulenwider who has plenty to celebrate these days having  “come home” to Marie Claire in September. She was tapped for the top job after Joanna Coles departed for Cosmo when Kate White left to write her best sellers full-time. I know, you need a score card for all this, but do try to keep up. Anne’s extraordinary rise to the top of the masthead is a master class on how to succeed in publishing by being very smart, working hard and staying grounded amid all the glitz and glamour (yes, to civilians and the uninitiated this is a glamorous business). The Harvard graduate came to New York in the mid-nineties and landed her first job in magazines working for David Lauren at Swing. An internship at The Paris Review turned into a gig as research assistant to George Plimpton when he was working on his book on Truman Capote. Anne got quite an education diving into boxes of fascinating transcripts, fact checking scores of Plimpton’s interviews and, occasionally ”chopping carrots” at his home and pitching in whenever needed. All in a day’s work.

Diane Clehane and Anne Fulenwider

When the book was done, she went on to become senior editor, moved to Vanity Fair where she was editor of the magazine’s popular “Fanfare” section, and wound up editing the work of Leslie Bennetts, Buzz Bissinger and Dominick Dunne. Except for a brief sojourn to San Francisco, she spent a decade at the magazine where, she said, she “grew up” and was “inspired” by Vanity Fair’s great reporting and writing and learned that “maintaining quality” and upholding the highest journalistic standards (“There were armies of fact checkers and researchers!”) were critical to the vitality and relevance of a successful magazine.

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You know those grunt assignments that nobody else wants? Take ‘em. They’re like little learning boot camps, said Marie Claire features director Lea Goldman, who found unique value in a notoriously tedious task.

“When I started out, transcripts and fact checking were the most useful things I did because they taught me how to put together a story,” she remembered. “I often just copied the source with the head of an organization and add that name and number to my Rolodex like, ‘OK, that’s a source. Now, I know if I’m ever working on a story like this, I can call that person.’ So they’re very useful and they shouldn’t be dismissed as just scut work.”

To find out how other magazine veterans got promoted, read How To Become an Editor-in-Chief.

This article is one of several mediabistro.com features exclusively available to AvantGuild subscribers. If you’re not a member yet, you can register for as little as $55 a year and get access to these articles, discounts on seminars and workshops, and more.

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Next, Geraldine Sealey has joined Marie Claire as an Editor-At-Large. Sealey was previously with Whole Living, where she worked as its Deputy Editor, Features. Her first day is October 26.

Finally, Lea Goldman, Deputy Editor at Marie Claire since 2008, has been promoted to Features Director.

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Edmond and Nersesian-Solé begin the roles immediately.

Prior to joining Marie Claire, Edmond had been creative/fashion director at Harper’s Bazaar since 1997.

Nersesian-Sol&eacute comes to Marie Claire from Women’s Health magazine, where she spent the last year as senior editor. She conducted celebrity interviews and generated ideas on health, sex and marriage.

Meantime, Marie Claire recently promoted Lea Goldman to deputy editor. She served as features editor at the fashion periodical since joining in 2008.

New Career Opportunities Daily: The best jobs in media.