TVNewser FishbowlDC AgencySpy TVSpy LostRemote PRNewser SocialTimes AllFacebook 10,000 Words GalleyCat UnBeige MediaJobsDaily

Posts Tagged ‘Mark Harris’

A Ripp-Roaring Time Inc. Yarn

There are more than a half-dozen standout quotes in the dog-days-of-print examination by Gabriel Sherman in this week’s New York magazine. Two of the zingers belong to Time Inc. CEO Joe Ripp and, in both cases, connect the company’s august history with the disruptive challenges currently being sorted through.

NYMagTimeIncHeadline

“If you have a church and nobody shows up, it doesn’t work so well,” Ripp tells Sherman at one point, referring to the appointment of Norm Pearlstine as chief content officer and a new reporting structure that has removed the wall between church (editorial) and state (advertising). Later on, when the specter of company co-founder Henry Luce is brought up, Ripp has this to say:

“You know the great thing about Henry Luce? He didn’t have to worry about what Henry Luce would have done. He wasn’t held to his past.”

Read more

Mediabistro Course

Food Blogging

Food BloggingTurn your culinary passion into a successful food blog! Starting October 27, Carissa Chesanek, the Miami Editor for Zagat Miami, will teach you the fundamentals of food writing including establishing tone, sensory details, and highlighting taste. You'll create an engaging food blog complete with a mission statement, posts, and content plan for success. Register now!

Mark Harris on the Inanity of Early Oscar Buzz

There’s something extra special about this year’s marathon Oscar handicapping season being kick-started at Telluride and Toronto by a drama titled 12 Years a Slave. Because in recent years, the once organic and more tempered process of advance film buzz has become a slave to an endless 12 months of town-cried Academy Awards prognostication.

Not that film journalists are alone in this behavior. Tom O’Neil, the grand master of Gold Derby, rightly likes to point out that many other realms besides film awards season (ex: the 2016 U.S. presidential race) lead to early and heavy odds-making by so-called media experts.

Nevertheless, on the Oscar side, it seems to get a little worse each year, amplified by social media and the return in 2012-13 of more robust studio marketing budgets. Enter Mark Harris. In a Grantland piece titled “Is 12 Years a Slave Really a Best Picture Lock?,” he makes a number of resonating observations:

The recent compulsion to anoint a Best Picture favorite around Labor Day, a full 17 weeks before the end of the eligibility period for movies, represents the convergence of several factors… [including] an infection of festival coverage by Web-driven “First!” culture.

Read more

Awards Season Journo Tries to Grit and Bear It

Movie City News mayor David Poland offers a great snapshot history of online Oscar punditry and how it has devolved from the trades, to bulletin boards, to a select group of journalists, to everyone. Since technical web know-how and even domain registration fees are no longer barriers to entry, it’s now the Mild Mild West. Just in time for something like the Coen brothers remake of True Grit.

In fact, per Poland, things may have come full corral circle, with someone bylined at The Hollywood Reporter sounding more like an everyman. Writes Poland:

I like Tim Appelo a lot… MCN has happily linked to his work for years… But his Grit screening piece had all the earmarks of someone who was new to the Oscar beat and suffering from being part of the cluster.

Read more