I was joined today by my good friend ‘Mayor’ Joe Armstrong who I first met (where else?) in this very dining room seven years ago. Joe has introduced me to countless interesting folks over the years including Carl Bernstein, Elton John and the late Elizabeth Edwards. He’s had a long and storied career in journalism having been at the top of the masthead of Rolling Stone and New York Magazine as publisher and has served as a trusted advisor to ABC News. These days when he’s not holding court here at Michael’s or dispensing invaluable advice to his faithful friends in the media biz, he’s a tireless champion of many worthwhile causes and institutions including the Harry Ransom Center at the University of Texas at Austin where he sits of the board of directors. Back in the day, Joe was editor in chief of the Texas Law Forum at the University of Texas School of Law. (Harry Ransom was his beloved mother’s English teacher — “Everything comes full circle!”) Today, he invited me to join the Center’s film curator Steve Wilson, Alicia Dietrich, public affairs representative and Jennifer Tisdale director of public affairs who dazzled me with fascinating stories about the Center’s extensive collection of Hollywood memorabilia among many other types of cultural and literary artifacts — just in time for the upcoming Oscars.
The gang was in town to meet with various news outlets to discuss the Center’s upcoming ’The Making of Gone With the Wind” exhibition, timed to coincide with the 75th anniversary of one of the most iconic movies of all time. The exhibition will run from Sept. 9 through Jan. 4, 2015 and is a must-see for film buffs. Gone With the Wind was the most nominated film of 1939, scoring 13 Academy Award nominations, including a nod for Hattie McDaniel, the first African-American to be nominated and win for Best Supporting Actress. No small feat since that year was truly one of Hollywood’s best with Wuthering Heights and The Wizard of Oz also competing for little gold men that year. Among the 300 items drawn from the Center’s collection from David O. Selznick‘s archives that will be on view: rare audition footage, storyboards from the film and three original gowns worn by Vivien Leigh as Scarlett O’Hara, including the famous “green curtain” dress, marking the first time these costumes were on view together in 25 years. A gloriously illustrated exhibition catalog of the same title was published by the Center and University of Texas Press last fall with a foreword written by Turner Classic Movie host and film historian Robert Osborne.