There are lunches at Michael’s and then there are lunches at Michael’s. Today I joined Isabella Rossellini at Table One and had a fascinating conversation with her about aging, celebrity, fashion and gay geese. Stay with me … these seemingly disparate topics are all connected.  Ostensibly there to talk about Mammas, her new series for Sundance Channel which looks at the ways different creatures use their maternal instincts in nature, Isabella did get around to the topic eventually. Yet, there was no feeling of the usual PR spin to the lunch which was attended by a handful of journalists who sat enthralled by her stories of her days as an actress and model and her charming tales of growing up in Rome as the daughter of iconic actress Ingrid Bergman and director Roberto Rossellini.

“The image I have of myself doesn’t correspond to the image people have of me,” she said. “I live on Long Island and I don’t go to fancy parties and premieres. I don’t like that aspect of celebrity. I never said, ‘When I grow up I want to be a celebrity.’” She didn’t have to.  Between her famous parents, ex-husbands (Martin Scorsese and model Jon Wiedemann), her celebrated career as a model and 14-year run as the face of Lancome before the brand dismissed her in 1996 for being ‘too old,’ and her unforgettable turn as tortured nightclub singer Dorothy Vallens in David Lynch’s Blue Velvet, she secured a permanent spot in our collective consciousness without employing any of the usual contrivances associated with modern celebrity.

Isabella Rossellini and Diane Clehane

When she showed up to join the small group of journos gathered to meet her (I was lucky enough to score the best seat in the house right next to the guest of honor!) the conversation first turned to fashion as Frazier Moore asked her who designed her understated ensemble of a wool tweed cocoon coat,  navy mandarin collared silk jacket, foulard blouse and simple slacks. She gamely removed her coat to reveal the impeccably tailored pieces designed for her by Christina Bomba in Italy. “It’s less expensive than Donna Karan or Dolce & Gabbana, and I like that I can pick the fabric and have it made just for me,” she said. Isabella told us she can’t relate to the fashion-celebrity complex which has turned the red carpet into big business. “When Mama got dressed for the Oscars, she wasn’t solicited by designers. She didn’t have a committee of business people telling her what to wear. She was loyal to one or two Italian designers, and, when they could no longer make dresses for her, the costume designers from her films created something unique.”

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Where to begin? This week at 55th and Fifth, the scene in the dining room provided whiplash-inducing people watching with a tasty mix of moguls on the menu (Harvey Weinstein, Jimmy Finkelstein) with a side of social swans (Sharon Bush, Patricia Kluge, Terry Allen Kramer).

Of course, it wouldn’t be a Wednesday at Michael’s without the random celebrity sighting. I was thrilled to hear that I would be sitting next to none other than Ali MacGraw today. The ageless actress, who catapulted into the pop culture hall of fame with her iconic performance (and preppy wardrobe) in the 1970 tearjerker Love Story, turned every head in the place when she arrived — which is quite a feat among this crowd. She was beyond gracious as diners (including yours truly) lined up for pictures. Several years ago, I worked with her on The Fashion Group International’s Night of Stars where she was honored with FGI’s entertainment award for her contributions to film and fashion. When I re-introduced myself, she immediately said, “Oh, I remember that night. It was so much fun!” and then proceeded to tell me this delicious bit of gossip from the evening: “I was standing next to Bill Blass when he saw Michael Douglas and Catherine Zeta Jones come in. And Bill turned to the person next to him and said, “Finally, some real movie stars!” She giggled, clearly delighted by the memory of the snarky diss from the designer.

Diane Clehane and Coppy Holzman

Speaking of the power of celebrity, I was joined today by Charitybuzz CEO and founder Coppy Holzman who dazzled me with tales of his work with the famous and philanthropic. His company, which he founded in 2005, is currently the world’s largest online charity auction site and is the go-to partner for every famous person with a charity looking to raise serious money for their pet causes.

It all started at a backyard fundraising party for The Clinton Library in Westport, Connecticut that Coppy attended where he met President Bill Clinton and Chevy Chase. “Isn’t there a way  for you to use your experience on the Internet to raise for the library?” the host of the party asked Coppy. On the spot, he came up with the idea of auctioning off a lunch with the former president. One year later, The Chevy Chase Earth Day Auction brought in $250,000 for the library, including $80,000 paid by one bidder to lunch with Clinton and Chase. Since then, Coppy has worked with Clinton on many different initiatives. “There is no bigger celebrity in the world,” he says. The top dollar paid to spend the day with Hillary’s husband: $255,000 in an auction last year.

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Last week,  it was all about authors and agents, and today it was television titans’ turn in the rotating cast of characters that is Wednesdays at Michael’s. Tonight when Liz Smith hosts her annual kick-off for her Literacy Partners’ initiative, the joint will be jumping with social types like Diane von Furstenberg (who, we hear, recently broke her shoulder skiing and is, no doubt, sporting a fashionable sling) and her Vespa loving hubby Barry Diller, Cynthia McFadden, Cornelia Guest, Calvin Trillin, Nan Talese and Gay Talese. We won’t be there to trade air kisses with the glitterati, because we’ll be chatting up our favorite Bravolebrities at their upfront party across town (Giggy, that means you!).

Today I was joined by Evan Shapiro, president of pivot (yes, with a lower case ‘p’) the new cable network targeting the all-important millennial audience  launched by Participant Media, the production company responsible for an impressive slate of projects, including An Inconvenient Truth, The Help and Steven Spielberg‘s Lincoln. Participant chairman and founder Jeff Skoll and CEO Jim Berk tapped Evan to spearhead the company’s expansion into television in May of last year. Prior to that, he had served as president of IFC and Sundance Channel where we was responsible for award-winning program, like the buzzed about Portlandia.

I could barely keep up with Evan, whose passion for his latest gig was evident from the moment he sat down. The incredibly youthful 45-year-old father of two teenage girls told me running pivot is his “dream job,” because he’s doing more than creating what he considers groundbreaking television. “Ten years ago I would have said my dream job would have been at NBC or CBS.  Today, it’s this job because we’re doing something that’s going to have an impact on the world.” Evan dismisses the notion of millennials as spoiled and entitled and instead compares them to ‘the greatest generation’ saying, “Like ‘the greatest generation,’ they have been handed a series of events not of their own making, and, post 9/11 and the Great Recession, they have a real sense of their place in the world and want to make a difference.”

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I was joined today by Woman’s Day editor-in-chief Susan Spencer and Hearst executive director of public relations Mimi Crume Sterling. Having never met these smart, savvy gals before, we bonded over a talk about our daughters. Susan, like me, is mother to an elementary-school-aged daughter adopted from China; Mimi has a little girl and is about to give birth to her first son any minute (we had our fingers crossed she’d make it through lunch!). We all agreed parenthood is an unending source of material.

Susan Spencer and Diane Clehane

Since joining the magazine in February of last year from Time Inc.’s All You, Susan has made some interesting changes to the magazine. “I’ve fallen in love with the reader,” she says. This is not your mother’s Woman’s Day, although Susan is mindful of the generational connection between readers of the 75-year-old Hearst title. “Some readers have been reading the magazine for 60 years, and now their daughters and their daughters’ daughters are reading it,” she explained. When asked just who is the Woman’s Day reader, Susan told me: “She’s the ‘Average Josephine’ — the receptionist, the administrative assistant, the teacher, the nurse. These are the women who I consider to be the backbone of America.” That doesn’t mean, however, these women (more than half work outside the home) are not interested in fashion and the good things in life. Just the opposite. “These women have a lot of joy in their life. They embrace positivity,” says Susan. “That’s why the title of the magazine is so perfect for them. It’s about her day and the joy she gets out of it.” To tap into that, Susan retooled the fashion pages focusing more on value in all its iterations. “Our reader doesn’t want to see a great shoe and then find out it’s $300 or even $150. It has to make sense for her life.” In fact, “Value Tags” appear throughout the magazine to highlight steals, deals and all-around great ideas.

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I was joined today by SELF vice president and publisher Laura McEwen and the magazine’s director of public relations, Lauren Theodore. It was a fortuitously timed lunch (isn’t it always?), because the newly reinvigorated title is on a roll. Even before our lunch, the colorful cover of the March issue featuring starlet of the moment Julianne Hough caught my eye. It turns out, the issue debuted a new, more “extroverted” all-black logo which seems to capture the forward motion of the Conde Nast title perfectly. Since its launch in 1979, the magazine has been the bible for young fitness-focused women. Now, says Laura, the title has stepped up its mission and embraced a more encompassing philosophy of “Body/Looks/Life.”  ”They are all inseparable today,” explains Laura. “When it first launched, SELF started a movement but now it’s a way of life that has gone mainstream.”

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I couldn’t imagine what yet another reality competition series about fashion could bring to the party, but when I watched the screener of the premiere episode in anticipation for our lunch I was pleasantly surprised. Aside from its stellar production values, The Face has some serious fashion cred thanks to executive producer and supermodel coach Naomi Campbell’s considerable star power (along with fellow coaches Karolina Kurkova and Coco Rocha) and unrivaled sense of what works. As host, Nigel Barker is a commanding yet reassuring presence. Everything on the show has an authenticity that real fashionistas will appreciate, while giving ‘civilians’ a true glimpse into what it really takes to make it in modeling. The most refreshing twist the series offers is in its approach to working with the 12 hopefuls vying to be the new face of ULTA Beauty. The contestants also get some major opportunities in the course of the show, including photo shoots with the legendary Patrick Demarchelier and challenges with W magazine. Celebrities Wendy Williams and Amare Stoudemire make appearances as guest judges.

Coco Rocha and Diane Clehane

The three supermodels act as mentors to their respective teams and took their roles very seriously. Even though the show wrapped months ago, Naomi, Karolina and Coco forged such strong bonds with their ‘girls’ that all of them remain in touch with the wannabe models, offering career advice whenever the need should arise. “I really worry about my girls,” Naomi told me. “It’s funny, when I’m working in New York or Paris, I always feel like I’m going to miss everyone when the week is over, but after a few days you get on with it. When we finished shooting the show, I felt a little sad. I still talk to my girls and I’m texting them all the time. I really grew quite fond of them.”

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“I loved doing the show,” she told me. “Everyone was so welcoming and great about everything. I was amazed that no matter what the weather — because it rained a lot when we were shooting — they all went on as if the sun was shining. They were wonderfully professional.” Her character, Martha Levinson, appeared in only two episodes but left quite an impact on viewers — particularly when Martha sparred with Violet, the Dowager Countess played by the legendary Maggie Smith. “That was one of my favorite days on the set,” Ms. MacLaine told me of the scene where she and Ms. Smith sat for hours in a church pew waiting for the ill-fated wedding of Lady Edith to begin. “We spent eight hours talking about life, and we never ran out of things to say.” I bet. Before she dashed out the door — she only stayed long enough to say her hellos — I asked whether she’d be returning to the series and she said, “Yes. We start shooting soon. I’m looking forward to it.” So are we.

Liz Smith with her party pals and her armadillo cake

Now, back to Liz’s lunch (described as a “southern confab”), which Hearst’s Deb Shriver put together with scribe Julia Reed and ‘Mayor’ Joe Armstrong. Deb was putting the finishing touches on the table, which included a bouquet of yellow roses arranged in Joe’s Texas bronzed boot and a specially designed menu (fried chicken, collard greens and corn bread) featuring a photo of Liz at a year old. Liz and Joe have a long friendship that dates back to 1968 when Joe first arrived in New York and met the fellow Texan. They forged an unbreakable bond. “I didn’t know one person when I came here and found out she was raised a block from where my mama grew up in Fort Worth. She was the only person I met who I thought didn’t talk with an accent.” The two have been great pals ever since.

Shirley MacLaine stops by Michael’s

Southern belle Deb, who has written two fabulous books on New Orleans including the gorgeous Stealing Magnolias: Tales from a New Orleans Courtyard, surprised Liz with one of the most unusual birthday cakes ever served at Michael’s or anywhere else for that matter, and had a Brooklyn baker recreate the Steel Magnolias armadillo red velvet cake. Ms. MacLaine, as you might recall, was one of the stars of the 1989 film, and she arrived with the film’s screenwriter Robert Harling to jazz up the festivities. They departed before Michael’s staff paraded through the dining room with the life-size armadillo on a platter, raising  more than a few eyebrows. Clearly thrilled by the gesture, Liz was served the head of the baked beast while the rest of the guests dug into the ‘carcass.’ Mmm… yummy.

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Every time I think it can’t get anyone more Fellini-esque at 55th and Fifth, another Wednesday at Michael’s proves me wrong. All that was missing today was a lion tamer and clown shot out of a cannon. There were so many ‘acts’ going on simultaneously I hardly knew where to look.

While I dined with Food Network star Sandra Lee (and tried my best to hear her over the roar of the crowd even though we were sitting next to each other), there was an intimate party of 20 for Hoda Kotb being thrown by her Today show co-host Kathie Lee Gifford.  The gals were celebrating the release of Hoda’s new book, Ten Years Later: Six People Who Faced Adversity and Transformed Their Lives (Simon & Schuster).  Hoda and Kathie Lee, who spend more time together than most married couples, looked fresher than springtime in Crayola colored (sleeveless!) dresses and were the first to arrive for the noontime fete. Minutes later, the back corner of the front room was jammed with members of the Today show, as well as plenty of well-dressed gals who were there to toast Hoda. The gang was really whooping it up and, of course, a camera man was there to capture it all for posterity or, more likely, for tomorrow’s fourth hour of Today.

I arrived a few minutes before noon to meet Sandra Lee and she came right in the door behind me. After spending just a few minutes with her, it’s easy to see why the creator of the phenomenally successful Semi-Homemade brand is one of the Food Network’s biggest stars. She’s the in-the-know girlfriend who everyone wishes they had.  Within minutes, we were trading tips on our favorite places to shop for bargains. For cake decorating, hers is New York Cake & Baking  on 22nd and Sixth for the most divine sugar roses — “You can get a whole batch for under $10!”

Diane Clehane and Sandra Lee

She arrived laden with proofs for the next issue of her new magazine with TV Guide Magazine named — what else? – Sandra Lee. They’ve already published a Christmas issue, and the January/February “Love” issue is out now. EIC Sandra is in the midst of editing the Easter issue and told me she was trying to explain to a male staffer earlier today why birds’ nests made from shredded coconut should be dyed green instead of brown. It’s all in the details. As the faithful viewers of Semi-Homemade with Sandra Lee (now in its 15th season!) know, no one does holidays like her. (“I am working on my latest Cher incarnation. Every Halloween I have to do Cher!”) The Emmy winner covers it all  from the recipes to the cocktails to her trademark ‘tablescapes’ (my personal favorite) to help viewers enjoy entertaining at home without the heavy-handed pretense, over the top expense or work intensive preparation that no one has time for anyway. When I asked her where he love of holidays came from she told me, “When I was a child we didn’t celebrate holidays so when I was 18, that was it. It was Halloween, Christmas and Easter every day.”

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I was joined today by Anne Fulenwider who has plenty to celebrate these days having  “come home” to Marie Claire in September. She was tapped for the top job after Joanna Coles departed for Cosmo when Kate White left to write her best sellers full-time. I know, you need a score card for all this, but do try to keep up. Anne’s extraordinary rise to the top of the masthead is a master class on how to succeed in publishing by being very smart, working hard and staying grounded amid all the glitz and glamour (yes, to civilians and the uninitiated this is a glamorous business). The Harvard graduate came to New York in the mid-nineties and landed her first job in magazines working for David Lauren at Swing. An internship at The Paris Review turned into a gig as research assistant to George Plimpton when he was working on his book on Truman Capote. Anne got quite an education diving into boxes of fascinating transcripts, fact checking scores of Plimpton’s interviews and, occasionally ”chopping carrots” at his home and pitching in whenever needed. All in a day’s work.

Diane Clehane and Anne Fulenwider

When the book was done, she went on to become senior editor, moved to Vanity Fair where she was editor of the magazine’s popular “Fanfare” section, and wound up editing the work of Leslie Bennetts, Buzz Bissinger and Dominick Dunne. Except for a brief sojourn to San Francisco, she spent a decade at the magazine where, she said, she “grew up” and was “inspired” by Vanity Fair’s great reporting and writing and learned that “maintaining quality” and upholding the highest journalistic standards (“There were armies of fact checkers and researchers!”) were critical to the vitality and relevance of a successful magazine.

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School is back in session! The faithful have returned to Michael’s and the place was buzzing with activity as the media mavens, talking heads and social swells sailed into the dining room. Table One (Cynthia McFadden, Lesley Stahl and a host of other power gals) was the center of gravity, while the rest of the dining room was a tasty mix of spinmeisters (Gil Schwartz),  fashionistas (Julie Macklowe) and literary types (Long time no see, David Hirshey).

I was joined today by two of the stars of Bravo’s Gallery Girls, the freshman reality series chronicling the professional lives of seven ambitious New York gals toiling in the “cutthroat environment” (according to the show’s press release) of the New York City art world.  Oh, the pressure! Kerri Lisa and Claudia Martinez are not your average Bravo-lebrities. The two gorgeous — and tall! — young women were downright earnest in describing their experience as twentysomethings in the city and their commitment to their careers. ” I don’t like drama. I’m pretty even keeled,” Kerri told me. “I think I have an inspiring story. I’ve built this little life for myself that shows if you work hard and are passionate about it, you can do it.” As for Claudia, she wants to concentrate more on “philanthropic” works in the coming years. Not exactly a page out of Nene Leaks’ handbook.

Kerri Lisa, Claudia Martinez, Diane Clehane and Julia Nietsch

Having filmed the series over the course of four months last year, both Kerri and Claudia agree it’s a bit difficult watching themselves now on the show. “I can’t even listen to myself on my answering machine,” Kerri told me. “It’s interesting, because you rarely get the chance to see yourself the way other people might see you,” said Claudia. Even if the producers went for the most Bravo-esque snippets of otherwise everyday scenarios, she continued, “I said everything and did everything they showed and I’m comfortable with that.”

Kerri, who grew up on Long Island and graduated from Syracuse University in 2009, says the series showed just “the tip of the iceberg” when it comes to how hard the cast works in real life. Unlike some of the other women on the show, Kerri didn’t know anyone from the cast and was pretty much on her own when it came to dealing with the rest of the women. “I didn’t trust anyone in the beginning and still don’t,” she told me. Having gone to college fully expecting to follow in the footsteps of her family members that work in investment banking, Kerri told me her eyes were opened to other possibilities during college internships in public relations and at a luxury concierge service.  She changed her major to entrepreneurship and landed in the art world. “I want to work for myself s0meday.” Doesn’t everybody?

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I was so excited about today’s lunch, because I was meeting the woman responsible for greenlighting one of my favorite shows, Mad Men. Christina Wayne has had an amazing career  – she also is responsible for getting Breaking Bad on air — and I found her story fascinating. Had it not been for Christina’s spot-on instincts, Matt Weiner‘s script, which had been floating around for eights years at that point, might not ever have seen the light of day.  The former AMC senior vice-president of scripted series and mini-series is now president of Cineflix Studios and executive producer of the new BBC America series, Copper — but I’m getting ahead of myself.

A born and bred New Yorker who grew up on the Upper East Side, Christina decided to move back after 12 years in Los Angeles for personal reasons in 2005 (“There was no one left to date!”) and after receiving a call from a friend asking if she’d be interested in working with AMC. Up until that point, the network was pretty much airing nothing but old movies. “I had no idea what AMC was. I thought he was talking about the movie theater chain,” said Christina. Back then, the basic cabler was looking to develop scripted content; Christina signed on as a consultant as the net’s “creative voice,”  but didn’t want to tell her screenwriter friends since, at the time, working in television seemed like a step down and “an embarrassment.”

She started by calling everyone she knew in L.A. and wound up with the script for Broken Trail, a huge hit starring Robert Duvall that got the greenlight in eight days. When she read the script for Mad Men on a flight back from Los Angeles, she knew she had something special. AMC wasn’t able to get a studio to pick it up, so the pilot was self-financed for $3.3 million and the rest, as they say, is television history. Without a huge marketing budget, Christina attributes a lot of Mad Men‘s buzz to the nonstop coverage it received in The New York Times who covered the show from every angle possible. “The show was their lovechild,” she said. And still is, I’d say.

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I was joined today by Janis Provisor and Debi Wisch, the dynamic duo behind Janis Provisor Jewelry whose business cards boast the tagline “wildly eccentric beaded collectibles.” They are also just gorgeous. Janis, an accomplished artist and painter whose work has been shown all over the world, including at the National Gallery and the Brooklyn Museum of Art, got into the jewelry business by accident. “It started out as a hobby, turned into a job-y, and now it’s a full-fledged business!” Janis told me.

It all began in 2006 when Debi, a former marketing consultant and publicist, got Janis to do a trunk show in Debi’s Manhattan home.  Janis and Debi had met a decade before when they were both living in Hong Kong and Janis, who was developed a carpet collection, showed up at Debi’s home with a swatch. Years later, over lunch, both women were wanting to do something new and came up with the idea for Janis to make one-of-a-kind necklaces from the stones she’d collected from her worldwide travels. Voila! Janis’ oversize beaded necklaces, luxurious lavalieres and chunky chokers (all boasting unexpected pairings of precious and semi-precious stones) were an immediate sell-out among the stylish set. “Our customers are smart, independent women with their own money,” Debi told me. “Rarely do I hear, ‘I have to ask my husband’ before someone buys something.” And it’s a good thing. Entry points range from $1,400 for earrings to $4,000 to $7,000 for a necklace. Not exactly something you could pass off with the usual, “Oh no, this isn’t new. I’ve had it forever.”

While most of the collection is sold at invitation-only trunk shows at swanky locales (If you happen to be in Kona in August, you might want to drop in on the next show at Seaside Luxe, but do RSVP first ), the luxe looks are also sold at Julianne in Port Washington and Gail Rothwell in East Hampton. Janis also has an exhibition of the jewels at Winston Wachter Gallery in Chelsea. By foregoing the usual retail route, the partners have been able to build the business (“People just find us”) carefully offering one-of-a-kind pieces and other collectibles to a very discriminating clientele. (CNN’s Alina Cho is a fan) ”The goal is to make only what we’d want to own, and that’s what we continue to do,” said Debi, who was adorned with several of Janis’ dazzling designs today.

Janis told me she often sits with the artisans in China while the pieces are being made to personally describe her vision for the design (“I don’t cast”), and she works with the craftsman in Bali where her 22kt gold work is done. “I am very hands-on,” she said, “with everything.” I’ll say. The company is 100 percent self-supported, and the women wouldn’t have it any other way. It seems to be working. Janis Provisor Jewelry will be moving into a brand new studio salon this summer where Janis and Debi hope to put together small groups of “interesting women” to exchange ideas, network and, of course, buy some serious jewelry.

Here’s the rundown on today’s crowd:

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While waiting for my lunch date, I chatted with my Greenwich neighbor Kathie Lee about her kids (son Cody Gifford is graduating from USC Film School and Cassidy Gifford is graduating from high school). We both agreed that kids today are under more pressure than ever before and are being buried under mountains of homework (my first grader gets an hour’s worth every night). Kathie Lee told me her honor student daughter has passed up numerous opportunities to pursue her love of acting in order to keep her grades up in school.  But Kathie Lee has always made a practice of taking her kids out of school when there was an opportunity to experience something not found in books.  “I think that’s so important for kids. Some of the most important things I learned as a child I learned outside the classroom.  We’re not letting kids be kids.” I couldn’t agree more.

When Kathie Lee went off to join her pals, I watched the dining room fill up with plenty of boldface names, including Harold Ford Jr., Star Jones and late arrival Carl Bernstein. I grabbed Harold before he sat down to lunch to ask him what he thought of the heat the president is getting from his opponents for his secret trip to Afghanistan on the anniversary of the killing of Bin Laden. “I think the race will pivot on the issues of the economy and jobs,” he told me. “But I’m all for defining what the ten year plan with Afghanistan will be. If there’s one thing that both republicans and democrats agree on it’s getting out of Afghanistan. If the media wants to blow up one issue, that should be it.”

I was joined today by Bernard Clair, one of Manhattan’s most sought after divorce lawyers among the one percenters. Bernard grew up on Long Island, attended Adelphi University on an athletic scholarship, and graduated from St. John’s University School of Law. Bernard and his law partner penned what came to be regarded as the definitive book on the legal issues facing couples who decide to live together, Love Pact.  In a bit of fortuitous timing,  Bernard met famed matrimonial attorney Marvin Mitchelson whose claim to fame at that moment was creating ‘palimony’ and found himself handling the Mitchelson’s New York based cases by the ripe old age of 30.   Bernard, who has consistently been named one of the city’s “Best Lawyers” by New York magazine, has handled plenty of headline-making cases, representingCarolyne Roehm, Georgette Mosbacher and Jocelyn Wildenstein (aka The Cat Lady) when their marriages imploded.

There’s been so much talk about celebrity hookups and uncouplings lately that I hardly knew where to start, so I decided to jump in with deconstructing the upcoming Brangelina nuptials. “I’m sure there’s a 500-page pre-nup,” Bernard speculated, ”which makes sense when there’s 1,200 kids in the mix. I have no doubt in the world that the timing for the wedding will depend on when the prenup is executed.” On the Kim Kardashian-Kris Humphries 72-day publicity stunt wedding, Bernard offered this: “She’s not necessarily upset it’s being held up because of his claim of fraud that he was bamboozled. It’s keeping her name in the papers.” As for the hapless basketballer’s hopes of getting his $2 million ring back, he can forget it. “You never get the engagement ring back.” Oh, well. Better luck next time.

In this 24-7 media age, there are a whole new set of issues when it comes to celebrity divorces, Bernard told me. Namely, the unwanted attention these cases draw to the children of high-powered couples. “Most courtrooms are open to the public. The idea is Jeffersonian, but divorce law was not part of Thomas Jefferson’s ideals. Today, the open courtroom brings kids into the fray, because the media covers every aspect of these cases and that includes kids. Everything is grist for the mill.” Bernard’s suggestion for a legal remedy: “I think we should revisit the idea of closed courtrooms for the most contentious divorce cases.”

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I was joined today by Kelly Langberg, who I met at Michael’s last month when she was celebrating her birthday at Table One with her nearest and dearest. When I got a gander of the fabulous jewelry she was wearing, I just had to go over to get a closer look. It turned out that Kelly had designed the pieces herself and had a thriving  business selling the beautiful bling to her well-heeled clients. At today’s lunch, Kelly explained how her jewelry inadvertently served as a launch pad for her now four-year-old business as the makeover maven to Manhattan’s chic set.

Having had a successful career pre-motherhood in investment banking and commercial real estate, Kelly was looking for something new that would allow her to have more time to spend with her children when they were little. Some years ago while on vacation at a swanky resort,  not one, but two different women who she’d run into over the course of her stay and admired her personal style asked her if she’d accompany them (separately) to the hotel’s pricey jewelry boutique to pick out something fabulous. “It was so random,” Kelly recalled, “but I did it for fun and wound up having things made for them at a fraction of the price. I thought to myself, ‘I think I found a business.’”

In no time at all, Kelly found herself advising her jewelry clients on everything from their hairstyles and makeup to plastic surgery options. “I’d show up at apartments to talk about jewelry and a client would say, ‘What do you think about my neck? What should I do with my hair?” said Kelly.  ”In 20 years in business, people have shown me just about everything you could imagine. I’ve seen it all.”

The enterprising Kelly decided to turn her exhaustive knowledge of the beauty business (“The best doctors, stylists, makeup artists — I know them all”) into a bonafide business. Today, she works individually with every client, listening carefully to their desires and needs (“A lot of this is therapy”) and even accompanies them to doctor’s offices and salons to ask the tough questions or just give her honest opinion on what works and what doesn’t.

While Kelly advises the creme de la creme of Manhattan on the very best places to go for those big ticket items like plastic surgery (she’d just come from a surgeon’s office with a client) and cosmetic dentistry, she is completely obsessed with helping clients find the perfect hairstyle. ”It all starts with the hair,” Kelly says. “You could have a great smile, terrific posture and a great wardrobe. If your hair is wrong, it’s all wrong.” As if on cue, proprietor Michael McCarty came by (he and Kelly go way back) to say hello, and we complimented him on his new, shorter locks which we decided made him look downright boyish. He told us his wife Kim McCarty had suggested he try her stylist who recently relocated from London to Malibu, where the couple lives. “I have a great person for you here in town, because you need one when you’re here,” Kelly told him. “I’m taking you over there. Let me know when you want to go.” And that was that.

Here’s the rundown on today’s crowd:

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New Career Opportunities Daily: The best jobs in media.

I was just about to sit down with my lunch date, producer Thierry Daher to talk about his new film, God Save My Shoes and the film’s publicist Miriam Driot when producer Beverly Camhe came over to introduce me to Shawn Bercuson who, she noted, “was the talk of Sundance.” It turns out that Shawn, one of the original members of the team that started Groupon, launched a new site last year  perfect for the new ways we watch movies. Prescreen.com is a curated video on demand platform designed to promote and showcase premium content. Shawn tells me the site is the first to provide long form premium content through Facebook Open Graph intergration in the U.S. When he was at Sundance, he discovered there was no platform for aggregating the festival’s trailers and viola! Now there is. When I introduced him to Thierry, they had plenty to talk about, and by the time the group adjourned to our respective tables everyone had each other’s business cards. Who needs Los Angeles?

I was eager to hear the story behind Thierry’s latest documentary which explores the fascinating relationship between women and their shoes. His previous release, Just for Kicks, explored the sneaker phenomena and the origins of Nike Air Force One and Air Jordans. “It’s not the athletes that make these shoes so popular,” Thierry told me of his discovery. “It’s the hip hop and rap stars.” To wit: Just For Kicks featured Reverend Run, Missy Elliot and Grandmaster Caz. In light of the fact that this was his second documentary on footwear, I just had to ask him  if he had some kind of a foot fetish. Nope, he said. “I’m very curious about other people’s obsessions.” As a recovering Manolo Blahnik addict, I was more than intrigued. Its turns out the idea for God Save My Shoes came to Thierry while he was making Just For Kicks. When he learned that Damon Dash owned hundreds of pairs of sneakers, the thought occurred to him: If this is what the guys have in their closets, God only knows what their wives own. Clearly, he was on to something.

Thierry told me he spent a year writing the film’s treatment during which time he unearthed just about anything ever written on the subject and sought out women to bare their soles. The film features interviews with Kelly Rowland, Fergie of The Black Eyed Peas and Dita Von Teese who bare all about their devotion to shoes. Celebrated poker player Beth Shak, who owns over 1,000 pairs, opened up her extraordinary closet.  He also features another ‘star’ who was literally born to wear high heels: Barbie. (I won’t spoil it for you, but you’ve just got to watch). Designers Christian Louboutin and Manolo Blahnik weigh in on their cult following and the curious bond between women and shoes.

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New Career Opportunities Daily: The best jobs in media.