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Posts Tagged ‘Steven Zeitchik’

LAT Entertainment Journos Talk to ASU Students About the Job at Hand

Talk about an informative field trip stop. Last month, a group of students from Arizona State University’s Walter Cronkite School of Journalism and Mass Communication came to LA and got to listen to the following LA Times entertainment journalists panel March 12: Steven Zeitchik, Amy Kaufman, Chris Lee, John Horn, Mary McNamara, Meg James, Scott Collins and Dawn Chmielewski.

The event was part of an ASU west coast swing titled “Covering the Business of Entertainment,” which has also encompassed visits to studio lots. From the Reynolds Center report about the panel discussion:

Kaufman said that reporters have to be careful about what information is on and off the record. It’s not a good idea to ruin a relationship with a publicist or contact, she added.

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Personal Essay Writing: Master Class

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LA Times Tandem Will Break In During Oscar Commercials

The LA Times, as you might expect, has a gaggle of reporters set to cover the Oscars on Sunday. In the press room will be Amy Kaufman (after live-streaming the red carpet for The Envelope), Yvonne Villareal, Jessica Gelt and Jasmine Elist; Rebecca Keegan will be roaming around elsewhere backstage; and Steven Zeitchik will be sitting in the audience and later at the Governor’s Ball.

And… live from the paper’s downtown newsroom, film critic Kenneth Turan (pictured) and columnist Robin Abcarian will break in during each Oscar telecast commercial block to comment on what just transpired. The stream will be available on the LAT home page, at The Envelope and via latimes.com/Oscar. It’s the first time the paper has attempted this experiment for any telecast. During the actual show, the stream will feature Oscar tidbits, trivia and stats.

Sunday’s Calendar section will include four Oscar preview covers designed by artists Chris Gall (Tucson), Jody Hewgill (Toronto), Joe Morse (Toronto) and Adam Simpson (London). The artwork will also be downloadable for paywall subscribers.

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For Now, Larry Ellison’s Daughter Prefers Twitter Oracle

Megan Ellison, 26-year-old daughter of the third-richest man in America, has so far refused all interview requests. Nevertheless, LA Times reporters Ben Fritz and Steven Zeitchik have managed to put together a solid profile of the moneyed indie producer, beginning with these fabulous first two paragraphs:

She’s a 26-year-old former party girl with social anxiety issues, a motorcycle-riding iconoclast who dropped out of USC and attends meetings in Led Zeppelin T-shirts.

Megan Ellison is also the most powerful new producer in Hollywood, running a burgeoning movie company from her $33 million compound in the hills above the Sunset Strip — and giving a critical boost to the kinds of adult dramas the major studios have all but abandoned.

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Audiences Steer Clear of The Beaver

Last November, we wondered: “Will Audiences Give a Dam About The Beaver?” The answer, based on this weekend’s limited release opening box office, is not really.

While the Mel Gibson drama scored fairly well on RottenTomatoes.com, it likely lost what little chance of success it had by coming out in the midst of Fast Five and Thor. Today, Steven Zeitchik over at LA Times blog “24 Frames” tries to make sense of The Beaver‘s $4,727 per-screen average:

To put that in lay terms, that means that in the markets the Jodie Foster film opened, very few people came out to see it. To put that in other lay terms, the average was lower than that for the recent opening of Atlas Shrugged, a movie so unpopular it prompted its producer to contemplate retirement

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Blogging Cannes

cannesposter.jpgWish you were in France? (Us neither). But just in case you want to keep up, here’s a list of local pubs who have sent bloggers over for a vie en film:

The Hollywood Reporter: Steven Zeitchik is live blogging Cannes.

Los Angeles Times: Kenneth Turan brings his cranky old man schtick to France. We bet the French eat it up.

Los Angeles Times: And Sheigh Crabtree is there, too.

Perez Hilton: No, he’s not really there. But that’s never stopped him.

Variety: Anne Thompson gets all the good gigs.