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WGA 07 Strike Week 2

AMPTP bravely soldiers on, despite heavy fog of uncertainty.

Deadline Hollywood Daily, where Nikki Finke sees a glimmer of hope.


Doris Egan
of House, writes on writing for a living.

James Surowiecki, in the New Yorker, explains the whole thing, sort of:

The paychecks and the profit-and-loss statements may indicate that the writers and the producers should be able to resolve their dispute quickly. But in labor relations the bottom line isn’t always the bottom line.

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