Rachel Adams

Washington, DC USA
Contact

Professional Experience

I've worked as a writer and editor for more than ten years, focusing on issues involving education, foreign affairs, art and architecture, design, the environment, and history, among other subjects. I am currently the editor of a bimonthly academic journal and quarterly magazine at an advocacy nonprofit in Washington, DC. I also edit a quarterly literary journal and run a small press. You can find out more about me at www.rachelcloudadams.com.

Expertise

Copy Editor
10 Years
Editor
10 Years
Writer
10 Years

Specialty

Arts & Humanities
9 Years
Education
3 Years
Books & Literature
9 Years

Industries


Academia Teaching
4 Years
Magazine - Large Consumer/National magazines
4 Years
Nonprofit
10 Years

Total Media Industry Experience

9 Years

Media Client List (# assignments last 2 yrs)

Preservation Magazine (3-5), Urbanite Baltimore (1-2), Lady Charlotte Magazine (1-2), Current History (journal) (1-2)

Other Work History

Editor, The Child Welfare League of America Managing Editor, Demokratizatsiya: The Journal of Post-Soviet Democratization Managing Editor, Change: The Magazine of Higher Learning Assistant Editor, Preservation Magazine

Computer Skills

InDesign, Word, Excel, Photoshop, Dreamweaver, HTML, Windows XP

References

Mindy Kay Bricker, Senior Editor, Foreign Policy: mbricker@gmail.com Linda Spears, Vice President, Policy & Public Affairs, CWLA: lspears@cwla.org Margaret Foster, Associate Editor, The American Scholar: mfoster@theamericanscholar.org

Associations

Society of Professional Journalists

Showcase

General

This article deals with the moral and geopolitical questions raised when art objects are removed from their original homes in order to be displayed in foreign museums.
The Society for Moving Images About the Built Environment (SMIBE), based in California, hosts an annual short-film contest. The 2009 competition, "Story About a Place," involved constructed space and the way that we interact with it.
In 1951, a tiny Renoir painting disappeared from the Baltimore Museum of Art. In 2010, it resurfaced at a West Virginia flea market. Upon its rediscovery, the painting became the focal point of an intensive -- and often confounding -- ownership dispute.
In the Brewer's Hill area of Baltimore, an architecture firm transformed a vast historic brewery into its modern, dynamic office space.