The What To Give & What To Get guide features 37 big writers explaining which books they want for the holidays and which books they will give as gifts. Some highlights:

Wall Street guru Michael Lewis is staying a million miles away from gloomy financial books this holiday season–giving Philip Pullman’s mystical series His Dark Materials to his friends while asking for Malcolm Gladwell’s Outliers as a gift.

At the same time, Julia Alvarez is giving her family Can’t Remember What I Forgot: The Good News from the Front Lines of Memory Research by Sue Halpern and hoping somebody will give her a copy of Dreams from My Father by Barack Obama. (Via Jacket Copy.)

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Da Capo also published Browne’s recent rock tome, Goodbye 20th Century: A Biography of Sonic Youth. A prolific music journalist, Browne also wrote the biography, Dream Brother: The Lives and Music of Jeff and Tim Buckley.

This Rolling Stone contributing editor explained how the deal came together: “My agent Erin Hosier went for it right away, and Ben Schafer, my editor at Da Capo, which did a very nice job with Goodbye 20th Century: A Biography of Sonic Youth, wanted to work with me again, so it all came together pretty fast.”

Browne explained why the 1970s might speak to contemporary readers: “The parallels between then and now are uncanny: OPEC was essentially created in 1970, the Weather Underground had its ‘greatest hits’ (so to speak) that year, and thanks to an unpopular war, the country was heading into a recession. One of the things we can learn is that tumultuous times really do make for great art, and we can also learn that for every ending is a new beginning (Think of all the great work Paul Simon, Neil Young, John Lennon and others did after this period). Crashes can be as good for art as for rebuilding an economy.”

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In these strange times, one writer used Amazon Kindle to re-configure his career. A few months back, horror novelist Aaron Ross Powell uploaded his Mormon-influenced zombie story, The Hole, to Amazon Kindle. In a recent essay, he explained that step-by-step process for anybody interested in adding content to Amazon’s Kindle.

His post joins today’s news about the upcoming release of the Kindle 2. From uploading tips to formatting to pricing ideas, the essay is a good place for aspiring digital book authors and editors to look for ideas:

“I set the price at $3.49. Amazon knocked twenty percent off to $2.79. That put the book firmly in the impulse buy category. The novel has sold relatively steadily since publication, with a slight bump in October (people like to buy horror stories around Halloween, oddly enough).”

(Via.)

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The article includes quotes from HarperCollins publisher Jonathan Burnham, retired Viking publisher Al Silverman, and Holt editor-in-chief Marjorie Braman. Most industry insiders bemoaned the loss of these creative expenses. Norton editor Bob Weil gave an insider glimpse at how lunches work:

“[M]eals regularly yield projects that end up being important to him, such as the collection of short stories by previously unknown physician Terrence Holt that he bought from Nicole Aragi six months ago after hearing about it over dinner. Also [Weil added]: ‘Someone at The New Yorker recently gave me a tip on someone who’s a boxer and a philosopher–that came from a lunch!’”

Bonus points: Any guesses on the identity of that philosopher-boxer?

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The first photos of the next generation of Amazon’s Kindle digital reader were confirmed yesterday–including that October photo from Boy Genius Report.

According to that site, Kindle 2 will be charged with a USB cable, rather than the current generation’s special charger. Experts speculate that the new machines will be available “early next quarter,” along with a student version which will arrive next year as well. (Via.)

In related Kindle news, the Nieman Journalism Lab reports that the NY Times has 10,000 subscribers paying almost 14 bucks a month to read the paper on the Kindle–estimating these subscriptions gross $1.68 million a year. In the end, they don’t believe the current incarnation of the Kindle can succeed. What do you think?

“I think for the Kindle to reach mainstream success, it’ll have to shift its focus from being an ebook reader with a junky mobile web browser to being a great mobile web browser with an ebook reader attached. It’ll have to become something more like the iPhone with a bigger screen and better battery life,” wrote the Journalism Lab. (Via.)

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Over at Slashdot, a young writer asked videogame experts: “I’m an enthusiastic hobby gamer with a real passion for well-developed games. But there’s very little guidance out there on getting exposure as a writer in this world … How can I get involved in writing for the game industry?”

That question resonated, generating nearly 150 responses–some from industry professionals. One writer advised: “[P]ut together your portfolio. In the case of games, you’ll want to have some dynamic media – sketched storyboards (art shouldn’t matter too much, so keep it simple), play or movie scripts, and/or, ideally, game mods that have your name in the writer-line.”

Another videogame writer listed a crowded resume that will sound familiar to any writer cobbling together a living in the 21st Century. The entry also included helpful bibliography:

“I did as much writing and design as possible, in whatever areas I could get my hands on: news writing, graphic design, web design, and the creation of a fake fast-food franchise run by ninja named Ninja Burger. When the time came to get into video games, all that experience helped immensely. Design is design; writing is writing. The more you do of each, the better you get at it. I wrote about games, I designed games… I even co-wrote and co-designed an [online game], but my time spent designing church bulletins, editing news columns, writing copy for a comic book catalog and doing technical writing all helped me learn not just the ropes, but all the knots as well.”

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And SharedBook’s collaborations aren’t limited to publishing houses—the company has also created affiliate relationships with independent bookstores like Tattered Cover (Denver, CO) and Capitol Book and News (Montgomery, AL) as well as websites like Grandparents.com and Kidmondo.

Vanderlip also filled us in on the most recent developments with Book It!, the newest version of the former “Blog2Print” widget, a tool enabling readers to select content from any participating site, save it to a clipboard, then create a book around it. “Content owners are showing as strong an interest in that as the consumers,” she told us, as we delved into the potential applications for academic coursework and the ways in which the prepared content could be further personalized before publication. See, in a similar vein, last year’s “Create-a-Cookbook” project… one of several new ways of packaging and selling content that Vanderlip optimistically predicts will help transform the economics of the publishing industry. “We’ve had some good luck with people who finally understand what our tools can do,” she said of the past year’s developments. “There’s been an enormous research effort to find more and more ways to enhance the product… digital innovations with value propositions to the end user. Some companies are more limited in what they’re willing to do than others, but I think that’s always the case.”

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Johnson was proud of the award: “I’m not feeling remotely grumpy about it. I know that men with literary reputations to polish might find it insulting … but if you’ve had a book published in the year any attention is welcome, even if it’s slightly dubious attention of this sort.”

Heavy-hitting nominees on the shortlist included John Updike, Russell Banks, and Paulo Coelho. Updike won the lifetime achievement award after being nominated four times over the course of his career. Here’s a link to Updike’s shortlisted passage from 2005 Bad Sex nominee, Villages:

“Faye leaned back on the blanket, arranging her legs in an M of receptivity, and he knelt between them like the most abject and craven supplicant who ever exposed his bare a** to the eagle eyes of a bunch of crows.”

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From the release: “Cookstr is a chef-based recipe search that provides recipes from cookbooks written by over 200 of the top chefs and cookbook authors, such as Mario Batali, Jamie Oliver, Nigella Lawson, Alice Waters, Daniel Boulud, Eric Ripert, Daisy Martinez, powered by a sophisticated search engine.”

The foodie site features a different food writer or expert every day, and according to the NY Times, the business model “ultimately, is to sell copies of these authors’ books.” Today’s featured writer is Nava Atlas–who wrote the book Vegan Soups and Hearty Stews for All Seasons for Random House.

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Over at the Millions, C. Max Magee argues that paperbacks “could save paper and space and entice younger readers for whom $25 for a hardcover and $14 for a paperback is too much money to risk”–citing Harper Perennial’s new Olive Editions (pictured) as a good example. What do you think?

The gold-era of the bestselling paperback books traditionally required a certain kind of story–hardboiled crime, bodice-ripping romance, gory horror, or Beatnik poetry. As you ponder, here’s an excerpt of Thomas Pynchon’s upcoming private detective novel, Inherent Vice. We grabbed this excerpt from the Penguin catalog, it’s a paperback waiting to happen:

“She came along the alley and up the back steps the way she always used to. Doc hadn’t seen her for over a year. Nobody had. Back then it was always sandals, bottom half of a flower-print bikini, faded Country Joe and the Fish T-shirt. Tonight she was all in flatland gear, hair a lot shorter than he remembered, looking just like she swore she’d never look. ‘That you, Shasta? The packaging fooled me there for a minute.’ ‘Need your help, Doc.’”

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The most serious consequences, however, will probably be in terms of HMH’s suport of new literary voices. “I’ve got a short story collection from a debut author on submission there,” one agent told us last night. “I guess I know how that will turn out.” Janet Reid of FinePrint Literary Management took a more skeptical view. “I think it’s smoke and mirrors,” she said of the announcement. “If they want something, they’re going to get it.” She pointed out that some HMH editors were known, even before yesterday’s freeze, for extremely judicious buying practices, and questioned how much less they could acquire (other than, of course, nothing). As for the reduction in the HMH frontlist, which the Wall Street Journal estimated as more than 15 books a month, one editor at a rival house told us “a lot of other houses ought to do that.”

“This is a whirlwind blown out of proportion to what it really is,” Reid continued, calling yesterday’s buzz a consequence of “the first huge economic downturn in the age of transparency.” Within moments of the announcement items had been posted to sites like GalleyCat and PW and people started talking about it on Twitter: “We were all on it in five minutes,” she noted.

Other agents expressed surprise that HMH had chosen to go public with its non-acquisition policy, speculating that other houses would probably start buying fewer books as well and just not tell anybody outside their office; one theorized that the decision wasn’t so much a reaction to the current economic climate as a way to deal with the huge debts racked up in the merger of the two publishing houses last year.

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Conversational Reading got the scoop via the Penguin catalog. Aficionados of Thomas Pynchon‘s hardboiled spy novel, V, or his conspiratorial detective-work in The Crying of Lot 49 can give thanks this weekend.

Here’s a catalog sample:

“It’s been awhile since Doc Sportello has seen his ex-girlfriend. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It’s the tail end of the psychedelic sixties in L.A., and Doc knows that ‘love’ is another of those words going around at the moment, like ‘trip’ or ‘groovy,’ except that this one usually leads to trouble … [Pynchon] provides a classic illustration of the principle that if you can remember the sixties, you weren’t there . . . or . . . if you were there, then you . . . or, wait, is it . ..”

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Although, strictly speaking, if we’re a “literature” blog, by virtue of the fact that we talk about the book business, there really ought to be room on that list for publishers like Chad Post of Open Letter, who’s been blogging about the realities of independent publishing (and publishing world literature) at Three Percent. Maybe there’s a blog or two on that list that only covers books intermittently we could bump to make room for Post… or for another great book blog we haven’t even thought of yet, that you’ll tell us about in the comments section…

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“My father killed himself in 1991, and when I got the news I thought, ‘Oh, no, that’s impossible. He would never do that.’ And at the same moment I thought, ‘Of course.’”

That’s Joan Wickersham describing her long and difficult struggle to write about her father’s suicide. In this exclusive video from the National Book Awards, Wickersham talks about her ten-year struggle to write about that family crisis. Her book, The Suicide Index: Putting My Fathers Death in Order, was a finalist for the National Book Award for Nonfiction.

During that prestigious evening last week, GalleyCat also had video interviews with NBA Young People’s Literature winner Judy Blundell, Nonfiction winner Annette Gordon-Reed, Poetry winner Mark Doty, former finalist Joshua Ferris, and finally, Sex and the City author Candace Bushnell and finalist Salvatore Scibona discussed poor writers.

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