How To Pitch This American Life
Many writers dream of landing a spot on This American Life, the public radio show that features some of the best journalists and storytellers working today.
In a revealing “Ask Me Anything” interview on Reddit, This American Life host Ira Glass outlined how stories get selected on the show. In his long answer, he actually included a list of stories that were considered for a single episode–a daunting, but inspiring list. Check it out:
What we’re looking for: someone to relate to, a plot that’s surprising that leads to some idea about the world that’s also new or interesting or surprising. Those are the basic elements. Extra points for humor, charm or memorable details that you can’t get out of your head. A great story is like a great melody: it announces its inevitable greatness and you recognize it the first time you hear it. Most stories aren’t that. They do not announce their obvious greatness. 60% are in the limbo region where they might GET great or they might flop, and the only way to figure it out is to start making the story. So you launch in, hoping for that winning combination of great moments, charm, funny, and X factor. As a result, we go through tons of stories on our way to the few that end up on the air. It’s like harnessing luck as an industrial product. You want to get hit by lightning, so you have to wander around for a long time in the rain.

These days, writers aren’t just writers: They’re social-media mavens, seasoned public speakers, and one-person publicity machines. And they still have to find time to write their books!
Though it didn’t quite happen at exactly 10 AM EST as the National Book Foundation‘s website promised (10:12 by my clock, admittedly on the fast side) the people who bring you the National Book Awards (the nominees of which will be announced in Philadelphia on October 10 and co-hosted by Camille Paglia) have
In making the announcements, Harold Augenbraum, executive director of the Foundation, said, “These two women are icons in the literary world and their contributions are now legendary – Joan Didion as one of the keenest observers and finest prose stylists of our time and Terry Gross as one of the most intelligent voices on the airwaves and one of the few who devotes hundreds of hours a year to talking about books and literature. Both women are fearless in their questioning and their insights on the page and on the air have informed our understanding of America and of America’s writers for decades. Our Board of Directors is honored that they will accept these awards and grace our gala with their presence.”





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