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Posts Tagged ‘Joe Meno’

Unstuck Sponsors Micro-Lit Writing Contest

The new literary journal Unstuck is sponsoring a free micro-lit writing contest to promote its first issue. Submissions should focus on the theme of “Lovemarks.”

We’ve listed the unique submission guidelines below to help you format your entry. Here’s more: “we’re interested in work that explores ideas like: ‘respectful, intimate, committed, trust-based love relationships’ between human beings and corporations; corporate personhood; corporate mythology; corporate empathy; brand/product/design fetishism; and the mystery and ‘sensuality’ of logos and other everyday symbols.”

The annual journal will focus on “literary fiction with elements of the fantastic, the futuristic, the surreal, or the strange,” publishing work by Aimee Bender, Joe Meno and many others.

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Mediabistro Course

The Art of the Book Review

The Art of the Book ReviewStarting August 4, learn how to get paid to write reviews that will influence the publishing landscape! Taught by a Publishers Weekly book critic, you'll learn how to recommend a book to its audience, write reviews of varying lengths, tailor a review to a specific publication and more! You'll leave this course with two original reviews and a list of paying markets for book reviews. Register now! 

Joe Meno on Publishing Conglomeration and the Recession

Author Joe Meno read from his new novel at McNally Jackson Books in Manhattan last night, packing the bookstore’s coffee shop with readers despite the gloomy weather. GalleyCat caught up with Meno for this video interview, getting his passionate take on the recession and publishing conglomeration.

The new novel is entitled The Great Perhaps. Meno is also the award-winning author of other novels like “The Boy Detective Fails” and “Hairstyles of the Damned.”

Here’s Meno describing the book in a Largehearted Boy interview: “The music I kept going back to, while working on the novel, was the Beatles’ White album. I wanted the book to have the same kind of absurdity and complexity, the same breadth and span, the same sense of earnestness and humor. I wanted the writing to be dynamic, moving from quiet intimate moments to large, exaggerated ones.”