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Posts Tagged ‘Joe Meno’

Unstuck Sponsors Micro-Lit Writing Contest

The new literary journal Unstuck is sponsoring a free micro-lit writing contest to promote its first issue. Submissions should focus on the theme of “Lovemarks.”

We’ve listed the unique submission guidelines below to help you format your entry. Here’s more: “we’re interested in work that explores ideas like: ‘respectful, intimate, committed, trust-based love relationships’ between human beings and corporations; corporate personhood; corporate mythology; corporate empathy; brand/product/design fetishism; and the mystery and ‘sensuality’ of logos and other everyday symbols.”

The annual journal will focus on “literary fiction with elements of the fantastic, the futuristic, the surreal, or the strange,” publishing work by Aimee Bender, Joe Meno and many others.

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Mediabistro Course

Personal Essay Writing

Personal Essay WritingStarting October 28, work with a published journalist to draft, edit, and sell your first-person essays! Jessica Olien will help you to workshop your writing so that it's ready to pitch to editors. You'll learn how to tell your personal story, self-edit you work to assess voice, style, and tone, and sell your essays for publication. Register now!

Joe Meno on Publishing Conglomeration and the Recession

Author Joe Meno read from his new novel at McNally Jackson Books in Manhattan last night, packing the bookstore’s coffee shop with readers despite the gloomy weather. GalleyCat caught up with Meno for this video interview, getting his passionate take on the recession and publishing conglomeration.

The new novel is entitled The Great Perhaps. Meno is also the award-winning author of other novels like “The Boy Detective Fails” and “Hairstyles of the Damned.”

Here’s Meno describing the book in a Largehearted Boy interview: “The music I kept going back to, while working on the novel, was the Beatles’ White album. I wanted the book to have the same kind of absurdity and complexity, the same breadth and span, the same sense of earnestness and humor. I wanted the writing to be dynamic, moving from quiet intimate moments to large, exaggerated ones.”