The suit was filed in the U.S. District Court for the Northern District of Illinois. Along with Laurie R. King, Klinger edited A Study in Sherlock: Stories Inspired by the Sherlock Holmes Canon. He was working on a new collection called In the Company of Sherlock Holmes with stories by Sara Paretsky, Michael Connelly, Lev Grossman and more. He made his case, in the release:

The Conan Doyle Estate contacted our publisher … and implied that if the Estate wasn’t paid a license fee, they’d convince the major distributors not to sell the book. Our publisher was, understandably, concerned, and told us that the book couldn’t come out unless this was resolved … It is true that some of Conan Doyle’s stories about Holmes are still protected by the U.S. copyright laws. However, the vast majority of the stories that Conan Doyle wrote are not. The characters of Holmes, Watson, and others are fully established in those fifty ‘public-domain’ stories. Under U.S. law, this should mean that anyone is free to create new stories about Holmes and Watson.

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The judging panel included American writers Francisco Goldman, Lev Grossman, Heidi Julavits, Paul La Farge and Bonnie Nadzam. Prior to establishing his career as a writer, Fountain worked as an attorney.

Here’s more from the release: “Fountain has received the PEN/Hemingway Award, the Barnes & Noble Discover Award for Fiction, a Whiting Writers Award, an O.Henry Prize, and two Pushcart Prizes, among other honors and awards. Billy Lynn’s Long Halftime Walk was shortlisted for the National Book Award this year”

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Kyle Simons, a Korean education student, has raised more than $14,000 for his fantasy RPG game called Magicians.  Inspired by Lev Grossman‘s The Magicians, this smartphone game was designed to help users learn the Korean language.

Grossman himself has endorsed the project via Twitter. In addition to the game itself, there will be a 120-page softcover Magicians book. We’ve embedded a video about the project above–what do you think?

Here’s more about the project: “Magicians is about having unlimited creativity without complexity. The only thing that restrains you and your character is your own knowledge of the language because the magic system in the game is a language. Doing away with the necessity of a teacher or even dice, all you need is your smartphone and a few hours a week to game with friends to have fun telling a great story and to learn a language along the way.”

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Jacob Silverman created a Tumblr site dedicated to archiving The Collected Blurbs of Gary Shteyngart, collecting the author’s praise for books by authors ranging from Molly Ringwald to Adam Wilson to Lev Grossman. You can also follow Shteyngart on Twitter.

Check it out:  ”The Shteyngart blurb has become almost a seal of approval that, while comical in the sheer amount of books he’s actually blurbed, are actually really good ways to tell if you’re going to like a book or not … The Collected Blurbs of Gary Shteyngart, Live brings together John Wray, Rachel Shukert, Adam Wilson, Gideon Lewis-Kraus and Karolina Waclawiak (as well as a few words from Silverman), all authors blurbed by Mr. Shteyngart, for a night of readings and tribute to the Russian-born oligarch of back cover quotes..” (Photo via Mark Coggins; link via Sarah Weinman)

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Writers G. Willow Wilson and Lev Grossman will be appearing at the powerHouse arena. See them on Tuesday, July 17th from 7 p.m. to 9 p.m. (Brooklyn, NY)

The powerHouse Arena will be hosting “A Night with Brooklyn Indie Lit Mags.” Join in on Wednesday, July 19th from 7 p.m. to 9 p.m. (Brooklyn, NY)

The “How I Learned…” reading series is sponsoring a storytelling event called “STORYTIMES.” Check it out on Thursday, July 19th at the Happy Ending Lounge starting 7 p.m. (New York, NY)

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The pilot script was written by Ashley Edward Miller and Zack Stentz, the writers who worked on X-Men: First Class and Thor. Nevertheless, hope is not lost for a show.

Here’s more from the post: “From here the way forward for the show gets rockier, obviously. We’re going to take the script to cable networks. We’re also going to renew talks on the feature-film side. I can’t say I’m bitter about it. I wouldn’t have played my cards differently — we got exactly the right people and exactly the right script. It would have been incredible. It still will be, if we can get it to go somewhere else. But no question, it’s a big disappointment. We had a really good shot this time, and it didn’t work out.” (Via Shelf Awareness)

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Here’s more from the announcement: “Whether you’re getting back into the practice of writing or already a dedicated daily scribe, these prompts will push you to work on the range of your craft, focusing on character, setting, dialogue, personal essay, verse, and more. (And we’ll feature occasional prompts from some of our favorite professional authors like Lev Grossman, Curtis Sittenfeld, and Dana Goodyear!)”

Figment Daily Themes will run from January 2nd until March 30th. To sign up, enter your contact information in the box at the bottom of the blog announcement.

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Tor.com spotted the title in Grossman’s annual holiday newsletter, buried in news about this year’s release of the second book in the series, The Magicians. The author also added this note in the newsletter: “We may never come back here again,” hinting that the series could end with the third book.

Here’s more from the newsletter: “Mostly I’m just outlining it now, and taking a lot of notes. Inspiration is coming from a lot of different places, some new, some old. The Magician’s Nephew is a big part of it, as is The Last Battle. (It’s not a coincidence that those books tell the story, respectively, of the beginning of Narnia and the end of Narnia.) I’m rereading The Tempest and The Phantom Tollbooth and P.G. Wodehouse and the great Bond novel Casino Royale. I’m also rereading The Lord of the Rings, which oddly enough I’ve never really thought of as an influence before.”

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In the essay, Grossman described one of our favorite pieces of writing music, “Bolero,” by Maurice Ravel: “It’s one of those melodies that’s so obviously perfect you can’t understand how one human being could have come up with it — it’s sounds like the product of a 1000-year-old folk tradition (I imagine Ravel doing what Paul McCartney did after he wrote “Yesterday” – he went around asking everybody if they’d heard the melody before, because he could swear he’d stolen it from somewhere). It’s great to write to because it doesn’t have any words, which are always distracting, and it whips you up into an intensely excited state in which you feel like a genius even when you aren’t one.”

Follow this link to get a Spotify invite for the free service. Once you have an account, check out our Thomas Pynchon Spotify playlist, our Ann Patchett Spotify playlist and the new Lev Grossman Spotify playlist.

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Senior editor Chris Schluep had this statement: “This is one of the best seasons for literary novels to come along in several years … We’ve highlighted Murakami and Eugenides in our Amazon Editors’ Top 10, as well as three of the finest debuts–by Amy Waldman, Erin Morgenstern, and Chad Harbach–to come across our desks in a long time.”

We’ve listed all the books below–what books are you looking forward to this fall?

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Here’s more from the article: “If anything, anecdotal evidence suggests that most fan fiction is written by women. (They’re also not all writers. They draw and paint and make videos and stage musicals. Darren Criss, currently a regular on Glee, made his mark in the fan production A Very Potter Musical, which is findable, and quite watchable, on YouTube.) It’s also an intensely social, communal activity. Like punk rock, fan fiction is inherently inclusive, and people spend as much time hanging out talking to one another about it as they do reading and writing it.”

Why not read some fan fiction to celebrate the release of Harry Potter & the Deathly Hallows Part 2? There are nearly 420,000 Harry Potter stories archived at FanFiction.net. Author J.K. Rowling encourages fan fiction–perhaps her new Pottermore website will support these writers?

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Gaiman explained: “The first book was very much about the grifters and the lowlifes, and you don’t really get to see much of the new gods and you don’t really get a sense of those gods who are doing incredibly well in America. In the second book, I definitely want to go into both of those things.”

Gaiman (pictured, via) released the 10th anniversary edition of American Gods on June 21st. This edition (the author’s preferred text version) contains 12,000 additional words–expanded chapters, essays and interviews.

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Here’s more about the contest: “The Amazon Breakthrough Novel Award brings together talented writers, reviewers, and publishing experts to find and develop new voices in fiction … Each winner received a publishing contract with Penguin, which includes a $15,000 advance.”

The judges for the YA fiction category included YA author Gayle Foreman, G.P. Putnam’s Sons Books for Young Readers publisher Jennifer Besser, and literary agent Julie Just. The judges for the general fiction category included novelist Lev Grossman, G.P. Putnam’s Sons editorial director Marysue Rucci, and literary agent Jennifer Joel.

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Stern joined Viking in 1995, and most recently served as both editorial director of fiction and executive editor at the Penguin Group imprint. She acquired many titles, including Lev Grossman‘s The Magicians and Koren Zailckas‘ Smashed: A Story of Drunken Girlhood.

At Crown, Molly will supervise general interest hardcover trade fiction and nonfiction publishing programs. Crown publisher Maya Mavjee announced the news in a memo; a copy is embedded below.

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Hudson runs 65 full-service bookstores around North America, but sells books in over 350 Hudson News stands in airports and transportation hubs. This year the company sold $93 million worth of books. Here are the fiction winners, a list with only a single National Book Award nominee on it. The best nonfiction, business, and young adult books follow after the jump…

Best Fiction: “The Year of the Flood” by Margaret Atwood, “Little Bee” by Chris Cleave, “Spooner” by Pete Dexter, “The Magicians” by Lev Grossman, “The Lacuna” by Barbara Kingsolver, “Fool” by Christopher Moore, “The Song is You” by Arthur Phillips, “Lark & Termite” by Jayne Anne Phillips, “The Help” by Kathryn Stockett, and “Cutting for Stone by Abraham Verghese.

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