- HarperCollins gets the UK rights to Andre Agassi‘s memoirs. (PN)
- Sceptre gets UK dibs on Michael Chabon‘s NYT-serialized adventure novel GENTLEMEN OF THE ROAD. (PN)
- Arcadia pays largest-ever advance for biography of London mayor Ken Livingstone. (The Bookseller)
- Ali Gunn gets Jenny Colgan a 1 million pound-plus deal for her next novel. (PN)
- Kim Scott Walwyn Prize created to honor women in publishing. (The Guardian)
- Random House gets Exporting Nibbie. (PN)
- And according to the LBF Guide, we’re in the Year of the Potato. Awesome. (WFHIT?)
Posts Tagged ‘Michael Chabon’
Former Dallas Morning News book critic Jerome Weeks brings to light what may seem like a major upcoming headache for both book editors and publishers: a plethora of major literary works crammed together between April and June. “There are so many significant authors with novels coming out in the space of about 9 weeks that when I proposed reviewing Don DeLillo‘s post-9/11 novel, FALLING MAN, to one editor, I was told there was already too many fiction reviews booked for May through June,” Weeks explained. “When DeLillo can’t catch a break, you know it’s crunch time.”
No kidding, what with impending releases by Nathan Englander, Haruki Murakami, Michael Chabon, Michael Ondaatje, Susanna Moore, Armistead Maupin, Chuck Palahniuk and Khaled Hosseini. But the craziest publishing day for fiction has to be June 5, as new bestseller staples by Clive Cussler, Robert B.Parker, Jeffery Deaver, Laurell K. Hamilton, Ann Brashares and Nicola Kraus & Emma McLaughlin are released that Tuesday. Calling it a dogfight is probably an understatement…
Once Michael Chabon finishes up his adventure-themed novella for the New York Times Magazine, Ian Rankin will start his own multi-week serial for the paper, the Independent reports, thereby becoming the first non-American to have a specially commissioned work serialised by the Gray Lady. “Since previous “serial providers” have included Patricia Cornwell, Michael Connelly, Elmore Leonard and Michael Chabon, the offer was hard to turn down,” said Rankin, who was approached by the NYT to write the story late last year.
He spent all of January writing the novella at a 2500-word-a-day clip. “It was quite intense but not bad at all,” he said to the Scotsman. “I had the idea and I just ran with it really. It’s hard to try and think about it right now because having sent the copy over to the paper I immediately settled down to the next Rebus novel so now my head is full of him again.” And don’t expect Inspector Rebus, who’ll make his final appearance (unless he makes cameos in future novels, as rumored) in book format later this year, to figure in the story.