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<title>New School - GalleyCat</title>
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<description>The First Word On the Book Publishing Industry</description>
<copyright>Copyright 2013</copyright>
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<title>Scene @ Granta Young Novelists Party</title>
<description><![CDATA[<p><img alt="grantaparty.jpg" src="/galleycat/files/original/grantaparty.jpg" width="320" height="240" class="alignleft"/>Typically, relying on a cameraphone to convey the <i>joie de vivre</i> at <strong>Cafe Loup</strong> last night after nine of <em>Granta</em>&#8216;s <strong>Best Young American Novelists</strong> read and spoke about their work at the <strong>New School</strong>&#8216;s Tishman Auditorium leads to blurry, non-specific photographs like the one to the left. But even if the persons captured are hard to identify (<strong>Nell Freudenberger</strong>&#8216;s in the center, that&#8217;s about all who is recognizable) those who attended both reading and afterparty generally had themselves a good time. I got to the reading on the late side, missing out on readings by <strong>Gary Shteyngart</strong> (whose oratory skills convinced at least one reader to pick up a copy of ABSURDISTAN), <strong>Olga Grushin, Akhil Sharma</strong> and <strong>Daniel Alarcon</strong> &#8211; handpicked by <strong>Ian Jack</strong> and <strong>Matt Weiland</strong> to read on the alleged grounds that they wrote non-American settings, or were born outside of America, depending on whom was asked (when I asked Jack and Weiland about it, each deferred to the other, which was actually pretty funny.)</p>
<p>The other five &#8211; Freudenberger, <strong>Jess Row, John Wray, Uzodinma Iweala</strong> and <strong>Gabe Hudson</strong> &#8211; didn&#8217;t read but took questions from the audience. One that elicited the most amusing answers was the old standby &#8220;why do you write?&#8221; Because, evidently, that&#8217;s all they can do or, as Shteyngart and Wray explained, they had been fired from any other job each tried.</p>
<p>An early beeline to Cafe Loup along with <strong>Lizzie Skurnick</strong>, <strong>Kathy Daneman</strong> and <strong>Rachel Grady</strong> (co-director of <a href="http://imdb.com/name/nm1823227/">JESUS CAMP</a>) meant exchanging greetings with <strong>Kate Lee, Elizabeth Spiers</strong> and S<strong>loane Crosley</strong>, who were having dinner with Whit Stillman. (I also thought I spotted <strong>Ian Spiegelman</strong> at the far end of the table.)</p>
<p> <a href="http://www.mediabistro.com/galleycat/scene-granta-young-novelists-party_b4389#more-4389" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Sarah</dc:creator>
<comments>http://www.mediabistro.com/galleycat/scene-granta-young-novelists-party_b4389#disqus_thread</comments>
<link>http://www.mediabistro.com/galleycat/scene-granta-young-novelists-party_b4389</link>
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		<category><![CDATA[Party Hopping]]></category>
		<category><![CDATA[Akhil Sharma]]></category>
		<category><![CDATA[Best Young American Novelists]]></category>
		<category><![CDATA[Cafe Loup]]></category>
		<category><![CDATA[Daniel Alarcon]]></category>
		<category><![CDATA[Elizabeth Spiers]]></category>
		<category><![CDATA[Gabe Hudson]]></category>
		<category><![CDATA[Gary Shteyngart]]></category>
		<category><![CDATA[Ian Jack]]></category>
		<category><![CDATA[Ian Spiegelman]]></category>
		<category><![CDATA[Jess Row]]></category>
		<category><![CDATA[John Wray]]></category>
		<category><![CDATA[Kate Lee]]></category>
		<category><![CDATA[Kathy Daneman]]></category>
		<category><![CDATA[Kimberly Burns]]></category>
		<category><![CDATA[Lizzie Skurnick]]></category>
		<category><![CDATA[loane Crosley]]></category>
		<category><![CDATA[Matt Weiland]]></category>
		<category><![CDATA[Nell Freudenberger]]></category>
		<category><![CDATA[New School]]></category>
		<category><![CDATA[Olga Grushin]]></category>
		<category><![CDATA[Rachel Grady]]></category>
		<category><![CDATA[Uzodinma Iweala]]></category>
<pubDate>Wed, 25 Apr 2007 08:19:32 +0000</pubDate>
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<title>Mary Gordon Wins Story Prize 2006</title>
<description><![CDATA[<p>Where there are literary awards, there is the <strong>Tishman Auditorium</strong> at the <strong>New School</strong>. And while the place wasn&#8217;t filled to full capacity, an enthusiastic crowd showed up for yesterday&#8217;s awards night, giving equal weight to bestowing its goblet prize and $20,000 cheque to winner <strong>Mary Gordon</strong> (for THE STORIES OF MARY GORDON) as to celebrating the short story. &#8220;It&#8217;s such an honor to accept an award for the short story, which is becoming somewhat of an endangered species,&#8221; Gordon said to open her acceptance speech, mentioning how many fine writers known for their story skills &#8211; like <strong>John Cheever, Katherine Ann Porter</strong> and <strong>Flannery O&#8217;Connor</strong> &#8211; all turned to novels because they were deemed to be the &#8220;real thing.&#8221;</p>
<p>But the readings by each of the three finalists and subsequent Q&amp;As with Story Prize co-founder <strong>Larry Dark</strong> demonstrated the story&#8217;s ability to be real to the point of naturalistic (in the case of <strong>Rick Bass</strong>, reading &#8220;Her First Elk&#8221; from his collection THE LIVES OF ROCKS) or comically absurd (demonstrated with continued hilarity by Gordon&#8217;s &#8220;My Podiatrist Tells Me A Story About a Boy and a Dog&#8221; and <strong>George Saunders</strong>&#8216; speculative tale of a verbally idiosyncratic teen named &#8220;Jon&#8221;.) The biggest laugh came when Saunders admitted, upon Dark&#8217;s probing, that he does indeed laugh at his own writing, &#8220;but I never like to admit it because it&#8217;s absurd. Here&#8217;s this balding, middle-aged man reading something he likes and &#8216;oh isn&#8217;t this funny!&#8217;. It&#8217;s ridiculous.&#8221; What wasn&#8217;t ridiculous was how close the vote was; we understand judges <strong>Edwidge Danticat</strong>, <strong>Mitchell Kaplan</strong> and <strong>Ron Hogan</strong> had their work cut out for them, trying to decide between three excellent yet radically different collections&#8212;at least they only had three to deal with, after they&#8217;d been culled from a shortlist of 65 story collections that, in Dark&#8217;s words, were extremely difficult to pare down. &#8220;I actually had to stop reading short stories about two months before Larry gave us the finalists,&#8221; Ron said about his approach to the judging process, &#8220;because there was so many great collections coming out that I couldn&#8217;t think of any other way I&#8217;d be able to look at the actual nominees with a fresh set of eyes, not comparing them to everybody else. Since I&#8217;ve already read these three books, the first thing I&#8217;m going to do this weekend is finally crack open <i>All Aunt Hagar&#8217;s Children</i> by <b>Edward P. Jones</b>, and then I&#8217;ve got at least six others lined up after that&#8230;&#8221;</p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Sarah</dc:creator>
<comments>http://www.mediabistro.com/galleycat/mary-gordon-wins-story-prize-2006_b3975#disqus_thread</comments>
<link>http://www.mediabistro.com/galleycat/mary-gordon-wins-story-prize-2006_b3975</link>
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		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Edwidge Danticat]]></category>
		<category><![CDATA[Flannery O'Connor]]></category>
		<category><![CDATA[George Saunders]]></category>
		<category><![CDATA[John Cheever]]></category>
		<category><![CDATA[Katherine Ann Porter]]></category>
		<category><![CDATA[Larry Dark]]></category>
		<category><![CDATA[Mary Gordon]]></category>
		<category><![CDATA[Mitchell Kaplan]]></category>
		<category><![CDATA[New School]]></category>
		<category><![CDATA[Rick Bass]]></category>
		<category><![CDATA[Ron Hogan]]></category>
		<category><![CDATA[Tishman Auditorium]]></category>
<pubDate>Thu, 01 Mar 2007 07:30:20 +0000</pubDate>
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