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Posts Tagged ‘Putnam’

The Help Trailer Released

The official trailer for an upcoming adaptation of Kathryn Stockett‘s The Help has been released. The film will hit theaters in August 12th.

We’ve embedded the video above–what do you think? According to Deadline, the film stars Easy A actress Emma Stone as Eugenia ‘Skeeter’ Phelan and Doubt actress Viola Davis as Aibileen Clark. Tate Taylor served as both director and screenwriter.

On her site, Stockett explains her research process: “Once I’d done my [library research] homework, I’d go talk to my Grandaddy Stockett, who, at ninety-eight, still has a remarkable memory. That’s where the real stories came from, like Cat-bite, who’s in the book, and the farmers who sold vegetables and cream from their carts everyday, walking through the Jackson neighborhoods.”

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Sarah Landis Joins HarperCollins

Sarah Landis has been named senior editor at HarperCollins’ Children’s Books. She will work primarily on teen fiction titles and report to editorial director Farrin Jacobs.

Landis served as an editor at Hyperion Books/Voice for almost five years. Prior to this, she held positions in editorial and marketing at Penguin Group (USA).

At Hyperion Books/Voice, Landis edited several novels including The Monsters of Templeton by Lauren Groff, The Day the Falls Stood Still by Cathy Marie Buchanan, The Beach Street Knitting Society and Yarn Club by Gil McNeil. Some of the memoirs she has edited include Perfection by Julie Metzmoir and Just Who Will You Be? by Maria Shriver.

Random House Revolving Door Widens Editorial and Marketing/Distribution Dichotomy

Last week’s post about Daniel Menaker‘s exit and the larger implications for Random House served as unwitting inspiration for Sara Nelson‘s column in this week’s issue of Publishers Weekly. After recapping what she terms (and I concur is) a “stunning” number of job switcheroos at Random House, Nelson wonders if all the gossip and chatter misses the overall point: that none of the departing RH executives, going back to Don Weisberg, the COO of RH North America who left in February, were replaced with external hires:

That…suggests that Random is indeed shifting focus, but not necessarily in fiction. At worst, the piling on of new jobs to longtime staffers with already full plates is a form of downsizing; at best, it might be that Random, like most publishers, will soon move its emphasis from the acquiring/editing side of the business to the less sexy but increasingly important distribution and marketing side. Editors and authors will always matter-somebody, after all, has to create all that “content” that will be disseminated in forms perhaps not yet invented—but the focus these days is more on selling direct, on digital “product” and on POD.

Nelson’s larger point is a good one, but I suspect that emphasis already began quite a number of years ago, and not just at Random House. Most of those at the executive level – and by that I mean Publisher, CEO or something in between – tend to come up from the marketing, distribution and publicity sides, and yet if a new imprint is formed, it’s usually named after its founding editor (most recent examples: Spiegel & Grau at Doubleday/Broadway; Amy Einhorn Books at Putnam. At least Twelve, Jonathan Karp‘s imprint at Grand Central Publishing, was never going to be named after him.) Eponymous editorial imprints seem to follow a common trajectory: a big announcement spurring a flurry of news, commentary and speculation; an 18 month or so gestation marked by sprees of acquiring not out of place at 5th Avenue department stores; and after a few years – best personified by the fate of Rob Weisbach‘s imprint at William Morrow in the late 1990s – a near-permanent place in the loss-leading category for the publisher. Never mind the irony that the most successful eponymous imprint, ReganBooks, is no more, shuttered in favor of the more anonymous (and temporary) “HC” logo.

So if, as Nelson concludes, publishing houses’ energies are moving even more strongly towards the “less sexy” side of publishing, perhaps it may make sense to question the wisdom of imprints named after editors – especially when in the end – with the exception of one Ms. Judith Regan – they are just as anonymous to readers as are the marketing & distribution people. In other words (and keeping the elemental theme going) maybe it’s not a question of air or water but earth and fire.

Einhorn to Start New Imprint at Putnam

Publishers Marketplace reports that Amy Einhorn in moving to Putnam to start the eponymous imprint Amy Einhorn Books, where she will be vp and publisher, beginning July 9 and reporting to president Ivan Held. Einhorn will publish fiction, narrative nonfiction and commercial nonfiction, focusing on “intelligent writing with a strong narrative, always with great storytelling at its core.” Einhorn has been hardcover editor-in-chief at Grand Central, where she also founded and launched the Five Spot imprint.

Pulitzer Prize Winners

The Pulitzer Prize has announced its winners in a variety of categories, and while our Fishbowl siblings will be dissecting the journalism winners, we’ll look at the book-related winners:

FICTION: Cormac McCarthy, THE ROAD (Knopf)

  • Also nominated as finalists in this category were: AFTER THIS by Alice McDermott (Farrar, Straus and Giroux), and THE ECHO MAKER by Richard Powers (Farrar, Straus and Giroux)
  • HISTORY: Gene Roberts and Hank Klibanoff, THE RACE BEAT (Knopf)

  • Also nominated as finalists in this category were: “Middle Passages: African American Journeys to Africa, 1787-2005″ by James T. Campbell (The Penguin Press), and “Mayflower: A Story of Courage, Community, and War” by Nathaniel Philbrick (Viking).
  • BIOGRAPHY: Debby Applegate, THE MOST FAMOUS MAN IN AMERICA (Doubleday)

  • Also nominated as finalists in this category were: “John Wilkes: The Scandalous Father of Civil Liberty” by Arthur H. Cash (Yale University Press), and “Andrew Carnegie” by David Nasaw (The Penguin Press).
  • GENERAL NONFICTION: Lawrence Wright, THE LOOMING TOWER (Knopf)

  • Also nominated as finalists in this category were: “Crazy: A Father’s Search Through America’s Mental Health Madness” by Pete Earley (Putnam), and “Fiasco: The American Military Adventure in Iraq” by Thomas E. Ricks (The Penguin Press).
  • POETRY: Natasha Trethewey, NATIVE GUARD (Houghton Mifflin)

  • Also nominated as finalists in this category were: “The Republic of Poetry” by Martin Espada (W.W. Norton), and “Interrogation Palace: New & Selected Poems 1982-2004″ by David Wojahn (University of Pittsburgh Press).
  • The upshot is that some of the smaller university presses should be proud, the big winners were Knopf, FSG and the Penguin Press – and about the only prize Cormac McCarthy hasn’t earned is beatification, but who knows, that may follow in due course…