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<title>ThrillerFest - GalleyCat</title>
<link>http://www.mediabistro.com/galleycat</link>
<description>The First Word On the Book Publishing Industry</description>
<copyright>Copyright 2013</copyright>
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<title>How to Write a Better Villain</title>
<description><![CDATA[<p><img class="alignleft size-medium wp-image-33740" title="247660_10150210521484313_156794164312_6582939_250178_n" src="http://www.mediabistro.com/galleycat/files/2011/07/247660_10150210521484313_156794164312_6582939_250178_n-202x300.jpg" alt="" width="163" height="242" />How do you create a villain? We&#8217;ve rounded up some handy tips from around the literary world.</p>
<p>1. During her <a href="http://www.mediabistro.com/galleycat/?p=33878">talk at CraftFest</a>, suspense author <strong>Gayle Lynds</strong> said that &#8220;without a great villain, your hero has no one to play against.&#8221; She felt that all characters should be fully-developed human beings;  heroes have to have flaws and &#8220;villains aren&#8217;t necessarily total  monsters.&#8221;</p>
<p><em></em>2. Writer <strong>Kari Allen</strong> <a href="http://twitter.com/#!/Kari_D_Allen/status/83341326296432642">tweeted</a> with this bit of advice on writing villains: &#8220;I heard <strong>Katherine Patterson</strong> speak recently and she said if you can&#8217;t find yourself in your villains, rewrite.&#8221;</p>
<p> <a href="http://www.mediabistro.com/galleycat/how-to-create-a-villain_b33739#more-33739" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Maryann Yin</dc:creator>
<comments>http://www.mediabistro.com/galleycat/how-to-create-a-villain_b33739#disqus_thread</comments>
<link>http://www.mediabistro.com/galleycat/how-to-create-a-villain_b33739</link>
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		<category><![CDATA[Authors]]></category>
		<category><![CDATA[Writer Resources]]></category>
		<category><![CDATA[Adolph Hitler]]></category>
		<category><![CDATA[advice]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[CraftFest]]></category>
		<category><![CDATA[Gayle Lynds]]></category>
		<category><![CDATA[Harry Potter]]></category>
		<category><![CDATA[He-Who-Must-Not-Be-Named]]></category>
		<category><![CDATA[J.K. Rowling]]></category>
		<category><![CDATA[Kari Allen]]></category>
		<category><![CDATA[Katherine Paterson]]></category>
		<category><![CDATA[Lord Voldemort]]></category>
		<category><![CDATA[ThrillerFest]]></category>
		<category><![CDATA[Veronica Roth]]></category>
		<category><![CDATA[villain]]></category>
		<category><![CDATA[villainous]]></category>
<pubDate>Thu, 28 Jul 2011 14:23:30 +0000</pubDate>
</item>
<item>
<title>5 Tips on How To Write Smart Thrillers</title>
<description><![CDATA[<p><img class="alignleft size-full wp-image-33998" title="tf logo" src="http://www.mediabistro.com/galleycat/files/2011/07/tf-logo.jpg" alt="" width="251" height="57" />A <a href="http://www.thrillerfest.com/" target="_blank">ThrillerFest</a> panel last week tackled this question: &#8220;Can a thriller be both exciting and smart?&#8221; Participants included authors <strong>Linwood Barclay, Joseph Finder, Kathleen George, Andrew Gross, Andrew Pyper </strong>and <strong>Matt Richtel</strong>. <strong>David Liss</strong> moderated the panel.</p>
<p>During the discussion, the participants picked <strong>Dennis LeHane</strong>&#8216;s <em>Shutter Island</em>,<strong> Joseph Conrad</strong>&#8216;s <em>Heart of Darkness</em>, and <strong>William Landay</strong>&#8216;s upcoming <em>Defending Jacob </em>as their favorite smart thrillers.</p>
<p>Below, we&#8217;ve included five tips for writing smart thrillers from the discussion.</p>
<p> <a href="http://www.mediabistro.com/galleycat/5-tips-on-how-to-write-smart-thrillers_b33994#more-33994" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Maryann Yin</dc:creator>
<comments>http://www.mediabistro.com/galleycat/5-tips-on-how-to-write-smart-thrillers_b33994#disqus_thread</comments>
<link>http://www.mediabistro.com/galleycat/5-tips-on-how-to-write-smart-thrillers_b33994</link>
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		<category><![CDATA[Authors]]></category>
		<category><![CDATA[Andrew Gross]]></category>
		<category><![CDATA[Andrew Pyper]]></category>
		<category><![CDATA[David Liss]]></category>
		<category><![CDATA[Dennis Lehane]]></category>
		<category><![CDATA[discussion]]></category>
		<category><![CDATA[exciting]]></category>
		<category><![CDATA[Joseph Conrad]]></category>
		<category><![CDATA[Joseph Finder]]></category>
		<category><![CDATA[Kathleen George]]></category>
		<category><![CDATA[Linwood Barclay]]></category>
		<category><![CDATA[Matt Richtel]]></category>
		<category><![CDATA[panel]]></category>
		<category><![CDATA[smart]]></category>
		<category><![CDATA[thriller]]></category>
		<category><![CDATA[ThrillerFest]]></category>
		<category><![CDATA[William Landay]]></category>
<pubDate>Mon, 11 Jul 2011 14:23:25 +0000</pubDate>
</item>
<item>
<title>Gayle Lynds &amp; The Steps To Suspense</title>
<description><![CDATA[<p><img class="alignleft size-full wp-image-33885" title="Gayle Lynds" src="http://www.mediabistro.com/galleycat/files/2011/07/Gayle-Lynds.jpg" alt="" width="120" height="164" />At CraftFest, the writing school component of <a href="http://www.thrillerfest.com/craftfest-2/faq/">ThrillerFest</a> in New York City, novelist <strong>Gayle Lynds</strong> shared &#8220;The Seven Steps to Suspense&#8221; in fiction.</p>
<p>For one step, Lynds (pictured, <a href="http://www.gaylelynds.com/about.html">via</a>) focused on mood and description in a novel. She advised authors to always be aware of a story&#8217;s mood, warning that &#8220;writers sometimes ruin a book by adding a lighthearted mood at the wrong moment.&#8221;</p>
<p>Lynds also offered two pieces of advice for mastering the thriller mood. First, read and study 50 suspense novels. Then grab another twenty books from different genres (i.e. romance, historical, literary, etc.) and pay special attention to the opening scenes. You will soon recognize the specific mood of each genre.</p>
<p> <a href="http://www.mediabistro.com/galleycat/gayle-lynds-on-creating-suspense_b33878#more-33878" class="more-link">continued&#8230;</a></p>
<p>New Career Opportunities Daily: The <a href="http://www.mediabistro.com/joblistings/?c=rss">best jobs in media</a>. </p>]]></description>
<dc:creator>Maryann Yin</dc:creator>
<comments>http://www.mediabistro.com/galleycat/gayle-lynds-on-creating-suspense_b33878#disqus_thread</comments>
<link>http://www.mediabistro.com/galleycat/gayle-lynds-on-creating-suspense_b33878</link>
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		<category><![CDATA[Authors]]></category>
		<category><![CDATA[CraftFest]]></category>
		<category><![CDATA[finale]]></category>
		<category><![CDATA[Gayle Lynds]]></category>
		<category><![CDATA[mood]]></category>
		<category><![CDATA[plot]]></category>
		<category><![CDATA[structure]]></category>
		<category><![CDATA[suspense]]></category>
		<category><![CDATA[ThrillerFest]]></category>
<pubDate>Fri, 08 Jul 2011 08:23:07 +0000</pubDate>
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