AppNewser Appdata FishbowlNY FishbowlLA FishbowlDC TVNewser TVSpy LostRemote more UnBeige AgencySpy PRNewser 10,000 Words MediaJobsDaily SocialTimes AllFacebook AllTwitter semanticweb.com

When Creative Control to Authors in Hollywood Goes Sour

When movie mogul Philip Anschutz struck an unprecedented deal with Clive Cussler to adapt his bestselling Dirk Pitt novels for the screen – giving the author $10 million per movie, casting and director approval and the chance to write (and rewrite) the scripts – many in Hollywood raised eyebrows. And if the saga as laid out by the LA Times’ Glenn Bunting is to be believed, those eyebrow raises were entirely justified. Cussler sued first, claiming that the 2005 movie SAHARA was far from his original script and that the process violated the agreed-upon creative control. Anschutz has countersued. The trial starts next week.

By ceding so much authority to a novelist, Bunting writes, Anschutz broke a fundamental rule in the film business: Keep the author out of the screenwriting process. Now Anschutz finds himself cast in a movie mogul’s nightmare. Amazing stuff…

SPONSORED POST

Thursday May 23: Real Talk about Life after Publication

These days, writers aren’t just writers: They’re social-media mavens, seasoned public speakers, and one-person publicity machines. And they still have to find time to write their books! Find out what life is like once you've landed that dream book contract in a free web chat with young-adult authors Elizabeth Norris (Unraveling and Unbreakable) and Brodi Ashton (Everneath and Everbound) — plus special guest Kristin Rens, editor at HarperCollins imprint Balzer + Bray. Thursday, May 23 at 7:00 p.m. ET. on Figment.com.