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Wednesday Apr 13, 2005
Hot for Teaching
"The trick has been figuring out why certain things work on the page, and then trying to crystallize that into rules - or at least into suggestions. In a writing class for something specific like travel writing (or pitch writing, in fact) I'm much more focused on imparting specific advice that gets student articles into print," says James Sturz, who teaches, um, pitch writing and travel writing for Mediabistro. I spoke with Lynn Harris, MB humor writing instructor, who had no prior experience before she began teaching the ha-ha for MB. She advises one thing in particular: "PLAY THE NAME GAME. Your students will hate you at first, then love you. I promise. Works every time. What you do: make them go around and say their first name and one simple thing about why they're taking the class. Person 1 just does themselves. Then Person 2 has to say "that's Person 1, and she's taking the class because TK." Person 3 has to do him/herself, then the other 2. (Yes, Person 11 is hosed.) Tell the students to not even THINK about taking notes so they'll "get it right"; the point is to listen. Sounds goofy, but here are the results, all of which are crucial in a class where everyone's gonna need to work together (for a bigger lecture, I still do the first part, but I don't make them repeat it all back. This gives me -- and them -- a sense of who all's in the room and brings them together in a way, kind of like the opening "om" in a yoga class."): Manoush Zomorodi, BBC writer and Mediabistro instructor, weighs in with some additional tips on being a good instructor: -Think back to every professor or instructor you ever had-what made them good/interesting? |
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