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Monday Nov 27, 2006
Building a Copywriting Portfolio II: Advice from Jennifer Solow
Years ago (while at Ogilvy & Mather) one of my good friends and his partner (fresh out of Art Center) did home-made commercials for a little unknown gym in the village called Crunch. Those ads shot for a few bucks made them famous, the ads famous, and put the gym on the path to glory. I also know a now-famous and successful copywriter who created a HYSTERICALLY FUNNY pencil-drawn writer's portfolio complete with stick figures and all. The portfolio became a cult classic-everyone wanted to see the guy who had the balls to do it. Needless to say he was snapped up by Wieden & Kennedy. He worked for a radio production company. He got coffee for people. His writing was brilliant. He needed nothing more than this. I went about it in a stupid, expensive, sanity-busting way that lead to misery, job change and divorce: As a career art director (closet copywriter) no one EVER believed I could write (like even on my very last day in advertising my boss said, "it wasn't like you were a real writer.") The way I did it was to claw my way up the ranks until I could give myself the writing assignments. I also married a great art director---so I had a built-in partner for all my writer-ly ideas (thus the eventual divorce). I also spent every penny I had publishing a magazine and did all the writing. Then I quit after 20 years and wrote a novel...I think there are easier-slash-more-efficient ways of going about it. The great copywriter is usually one of a great two-person team. Bosses LOVE strong teams who can stay up late together and get the job done. Pick an art director you could share a bottle of scotch with and forge a loyal team. Stay up late. Play haunting Indie music or possibly the Circle Jerks and eke out a fine portfolio. Send it to W & K and move to Amsterdam. And don't marry them." |
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