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Monday, Mar 28
Help a Frustrated Reader
I am a prop stylist and set designer for advertising, catalog as well as editorial clients. I am often confronted with a confounding issue with my editorial clients: the still photography world operates in a very different manner than commercial or film industry. There are many more rules and standards of practice set in place for film and commercials and of course, such as unions that are able to enforce laws of practice. As a freelancer working in the editorial world, I do not receive advances for expenses put out on behalf of producing the job. I am often expected to front several thousands of dollars of my own money until I submit an invoice and have to wait until an undisclosed time to receive the money, often 60 days. This position creates a lot of financial difficulty in my life, yet it is expected of all stylists working for editorial clients. There is no organization in my business to protect the stylist from having to use their money, interest free, to get a job produced. There are several other aspects on the job that leave the stylist completely unprotected and with no recourse for collecting their money, such as no contract is ever processed before the job begins, so if the client decided not to pay, there is no evidence that they hired you for the job or agreed to allow you to spend money on behalf of the job. I would like to see the business become more standardized so that stylists are protected from these financial burdens and jobs are systematically sealed with a contract from the beginning of the project. Email This Post |
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