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Happy Labor Day from UnBeige

(Murat Gok)
Murat Gok, Border (Hammock), 2010

Après Labor Day, le déluge, a sunburnt French monarch once said. May your day off be festive, adventurous, restful, quiet, or productive, as you see fit. And in case you’ve already reached the bottom of your summer reading list, here are a few online morsels to peruse as you prepare for sweater weather.

•Yet to make a pilgrimage to Philip Johnson‘s Glass House in New Canaan, Connecticut? Pay a virtual visit, and start with the art (via VernissageTV and Vimeo).

Steven Heller remembers the colorful Deborah Sussman (via The Atlantic).

•Are these Eames-inspired Nikes the worst thing in the world? A point-counterpoint (via Fast Company).

•The reworked press photos now being discarded are unique objects and compellingly strange images. Rick Poynor takes a closer look at the accidental art of retouching (via Eye Magazine).

•The countdown to the reopening of Cooper Hewitt —née the Smithsonian’s Cooper-Hewitt, National Design Museum —is on! Tide yourself over with the museum’s Object of the Day blog.

•Comedian and designer Jill Shargaa implores humanity to put the “awe” back in awesome (via TED.com).

•Treat your iPad to 82 and Fifth, in which 100 curators from across the Museum talk about 100 works of art from the Metropolitan Museum of Art’s collection—one work, one curator, two minutes at a time.

Mediabistro Course

InDesign for Writers and Editors

InDesign for Writers and EditorsStarting September 4, become proficient in InDesign in our hands-on workshop! Nicole Alleyne, a multimedia designer, will give you the knowledge of Adobe InDesign for editing your projects.You'll learn how to use the toolbar and palettes, create and edit style sheets, import images, add colors, change colors, and more. Register now!

In Which the Smithsonian Is Yarn-Bombed

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If you’re spending this Labor Day weekend in our nation’s capital, stop by the Smithsonian Castle, which, along with the surrounding gardens, is presently ensnared in a thicket—approximately six miles worth—of cherry red yarn. The yarn bombing, revealed today (after two weeks of work by some 120 volunteers) and up through Tuesday morning, is a crafty way to draw attention to the Chiharu Shiota exhibition that opens tomorrow at the Freer Gallery of Art and Arthur M. Sackler Gallery. The Japanese artist has used 350 donated shoes and four miles of the same shade of red yarn used in the yarn bomb to create an installation that amasses personal memories of lost individuals and past moments. “The threads are woven together,” Shiota has said. “They become entangled. They tear. They unravel. They are a mirror of the emotions.” As for the fate of the post-bomb yarn, the Freer|Sackler is open to ideas: tweet your idea(s) to @FreerSackler or post the museum’s Facebook page.

Quote of Note | Bruce Sterling

OMNI_CVRS.indd“Genuine science-fiction art performs a social function for a tight-knit, ninety-year-old community. It exists to enable its viewers to achieve and maintain their highly valued otherworldly state of let’s pretend. Sci-fi art is a form of realist genre painting, like aviation art, like natural-history painting. Its cousins are comics and game design and set design, disciplines that prefer certain conventions to be respected: Comics fans require the canon, gamers like to enter the game world and play, theatergoers need set design as the backdrop of performance. Art that is too heavily freighted breaks the suspension of disbelief and leaves the sci-fi fan with the awkward realization that Martians have better taste than he does. [Omni publisher Bob] Guccione‘s effort to class-up sci-fi art was like trying to break-dance in a Vegas tuxedo, but he never saw the solecism there. Although he had a few veteran sci-fi illustrators within his mag—Michael Whelan, Frank Fazetta, Tim White, and glitzy-robot maestro Hajime Sorayama—it’s clear that these accomplished sci-fi professionals caught Guccione’s roving eye almost by accident.”

-Bruce Sterling on The Mind’s Eye: The Art of Omni (powerHouse Books) in the September issue of Artforum

Anonymous Tips: Because Sharing Is Caring

who could it be now.jpgIf we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy murder plot, thanks to our “Anonymous Tips” box, which the Mediabistro tech wizards have placed at the top right of this page. Your mission, should you choose to accept it: Type in your news—design happenings, gossip, movements of the Revolving Door, a designer’s hidden talent, or any newsy, design-y morsel—and click “send.” We’ll get the news, you’ll retain your air of mystery.

InStyle’s Rina Stone on Brand Evolution, Collaborations, and the September Mega-Issue

rina stoneThe latest Julia Roberts-fronted issue of InStyle is more than a fall fashion blockbuster—it’s also a celebration of the Time Inc. magazine-cum-brand’s twentieth anniversary. The 700+ page-September book is brimming with retrospective morsels along with expanded takes on signature features that strike the signature InStyle balance of inspirational and attainable. We recently sat down with creative director Rina Stone to discuss her (extensive) responsibilities, the evolving InStyle brand, and the making of the mega-issue. Snagging Roberts for the cover was “a real coup,” Stone told us. “Ariel [Foxman, InStyle editor-in-chief] felt there was no one better to celebrate our 20th anniversary. She’s such an InStyle girl. Putting that shoot together, we wanted to do a fashion story—obviously, because it’s the September issue—but we also wanted to make sure that we left with something that was iconic and memorable—some pictures that would last forever. She loved the concept, and she has such personality. I think some of these portraits, you can put them in a time capsule, take them out in 20 years, and they’ll still be relevant.”

Read the full interview on FishbowlNY: So What Do You Do, Rina Stone, Creative Director at InStyle?

Last Chance: Write a Haiku, Win a Pass to the Hopscotch Design Festival

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Time is running out to be tersely poetic and craft the haiku that will win you a free pass to the Hopscotch Design Festival, which runs September 3-4 in Raleigh, North Carolina. The designtastic new companion to the Hopscotch Music Festival boasts a speaker line-up that includes OMA’s Shohei Shigematsu, Kai-Uwe Bergmann of Bjarke Ingels Group (BIG), Casey Caplowe of GOOD, Alexander Isley, and other inspiring figures in the worlds of graphic design, user experience design, urban planning, technology, architecture, and more.

To be eligible to win one of the two run-of-the-festival passes ($150 each) that we’re giving away thanks to Moo.com, write a haiku—we’ll take the standard five-seven-five syllables—about the Hopscotch Design Festival presenter or session you’re most interested in seeing. E-mail your minimalist poem to unbeige@mediabistro.com with the subject “HOPSCOTCH” by 10 p.m. EST tonight (Wednesday, August 27th). Winners will be notified within 24 hours.

Watch: Casey Neistat Takes the Ice Bucket Challenge

In the wake of the global phenomenon of humans dousing themselves in ice water and donating to fight ALS, there are surely scores of people—those representing other charitable causes—bathed in envy and regret: Why didn’t we think of that, Jim? I told you we should have hired that weird intern with all the Instagram followers! Let’s figure out our own thing that involves buckets…what rhymes with “bucket”? Casey Neistat to the rescue. The intrepid filmmaker, who we last saw doling out advice for traveling avec skateboard, has created this expansive take on the ice bucket challenge, somehow managing to cordon off a Tribeca block to do so.

Wanted: Art Director to Pick Up the Pace (University)

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Pining for a back-to-school experience that is more invigorating than a trip to Staples and a fresh wardrobe of writing utensils? Consider a future that merges graphic design and higher education. Pace University is looking to add an associate art director to its NYC-based team of designers, editors, writers, and production staff that create all of the university’s marketing materials. The position entails handling multiple projects in an agency-style environment. Among the required school supplies: in-depth knowledge of print and web technologies, the ability to work across print and digital, and a strong portfolio that includes print and web work.

Learn more about and apply for this Associate Art Director, Pace University job or view all the current mediabistro.com design/art/photo jobs.

Twitter Along with UnBeige

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Famed literary critic Lionel Trilling once described Henry James as a “social twitterer.” Sure, he meant it as an insult, but it makes us feel better about having joined the tweeting masses. Look to the UnBeige Twitter feed for up-to-the-minute newsbites, event snippets, links of interest, design trivia, and our exclusive photo of Rem Koolhaas in mid-ponder—it makes for smashing smartphone wallpaper.

Design Jobs: Woodsmith Magazine, Carson-Dellosa Publishing, Green Olive Media

This week, Woodsmith Magazine is hiring a graphic designer, while Carson-Dellosa Publishing needs a designer. Green Olive Media is seeking a graphic designer, and Advertising Age is on the hunt for an art director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

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Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

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