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books

Quote of Note | Karl Lagerfeld on Large-Format Fashion Books

karl-sketch2“I must say, some are not very beautifully made. They’re coffee-table books for people who drink alcohol. I have nothing against coffee-table books as long as they are well done. They must not look like gravestones on a table. Sometimes they are too big, they come in boxes and things like this. No, a book has to be easy to open and you don’t have to be a bodybuilder to lift it. I like books I can read in bed. Those big tombstones would kill me.”

-Karl Lagerfeld in an interview with Miles Socha that appears in today’s issue of WWD. At his own bookshop, 7L, Lagerfeld gets 5% off retail prices. Notes the designer, “I am very much against the idea that you get it for free because it’s your bookshop.”

Mediabistro Course

Create Your Own Website Using WordPress

Create Your Own Website Using WordPressStarting September 22, learn how to build a WordPress site with themes, plugins, and basic coding! Through lectures, assignments, and interactive online discussions, students will learn how to use the platform to publish pages, articles, and multimedia content, improve site navigation, and connect with the WordPress community. Register now!

Quote of Note | Todd Hido

stieglitz“My photobooks are organized by genre, and they are definitely not alphabetized. They’re sequenced and clustered together based on my twenty-five-year knowledge of who taught who, and who preceded them. It’s almost a little family tree of lineage. I find it to be an interesting way of approaching the collection, because you can see patterns of influence and how they fan out into the world we adore….Believe it or not, I have a strange little hobby of leaving books out and open to certain pages, sometimes for years. One of my favorite books, which has remained opened on my table ever since the day I got it, is Alfred Stieglitz: The Key Set. It’s an exhaustive examination, which I believe includes every single Stieglitz photograph that Georgia O’Keeffe inherited and ultimately donated to the National Gallery of Art. Also, I often create sequences and juxtapositions between various open books; I’ve made some unique connections and combinations that way.”

-Photographer Todd Hido, who has amassed a personal collection of more than 3,200 photography books, in an interview with Aaron Schuman in The PhotoBook Review

Quote of Note | Bruce Sterling

OMNI_CVRS.indd“Genuine science-fiction art performs a social function for a tight-knit, ninety-year-old community. It exists to enable its viewers to achieve and maintain their highly valued otherworldly state of let’s pretend. Sci-fi art is a form of realist genre painting, like aviation art, like natural-history painting. Its cousins are comics and game design and set design, disciplines that prefer certain conventions to be respected: Comics fans require the canon, gamers like to enter the game world and play, theatergoers need set design as the backdrop of performance. Art that is too heavily freighted breaks the suspension of disbelief and leaves the sci-fi fan with the awkward realization that Martians have better taste than he does. [Omni publisher Bob] Guccione‘s effort to class-up sci-fi art was like trying to break-dance in a Vegas tuxedo, but he never saw the solecism there. Although he had a few veteran sci-fi illustrators within his mag—Michael Whelan, Frank Fazetta, Tim White, and glitzy-robot maestro Hajime Sorayama—it’s clear that these accomplished sci-fi professionals caught Guccione’s roving eye almost by accident.”

-Bruce Sterling on The Mind’s Eye: The Art of Omni (powerHouse Books) in the September issue of Artforum

Quote of Note | Michael Bierut

thoughtsondesignPaul Rand admitted all his life that he was insecure as a writer. It was his passion for the subject that made him such an effective one. In his day job on Madison Avenue, he had learned the virtues of saying more with less. As a result, Thoughts on Design is almost as simple as a child’s storybook: short, clear sentences; vivid, playful illustrations. Ostensibly it is nothing more than a how-to book, illustrated with examples from the designer’s own portfolio. But in reality Thoughts on Design is a manifesto, a call to arms, and a ringing definition of what makes good design good. This, perhaps, has never been said better than in the book’s most quoted passage, the graceful free verse that begin’s Rand’s essay ‘The Beautiful and the Useful.’ Graphic design, he says, no matter what else it achieves, ‘is not good design if it is irrelevant.’”

-Designer extraordinaire Michael Bierut in the foreword to the new edition of Paul Rand‘s Thoughts on Design, back in print for the first time since the 1970s and published by Chronicle Books

Now Read This: Rube Goldberg Redux

rube coverRube Goldberg (1883-1970) is synonymous with his elaborate chain-reaction approach to completing simple tasks, but he was also an established cartoonist, humorist, sculptor, and engineer. The master of contraptions and comics gets his due in the sumptuously illustrated pages of The Art of Rube Goldberg: (A) Inventive (B) Cartoon (C) Genius, published by Abrams ComicArts. Authored by Goldberg’s granddaughter, Jennifer George, the book delves into his long off-limits archives to reveal and celebrate the many (moving) parts of Goldberg’s astonishing career.

Like this post? Then you’ll love LiquidTreat, a weekly newsletter designed to quench your creative thirst. Sip generously from past issues and subscribe here.

Wanted: Bookish Designer for Poised Promotions

cambridge.jpgWant to be the only designer on your block employed by a company founded by a 1534 royal charter? Well, here’s your ticket to legitimately name dropping Henry VIII at parties and more review copies than are prudent for an urban dweller. The New York City office of Cambridge University Press is searching for a senior designer to work his or her creative magic on promoting some of the around 1,200 new books it produces each year (and that’s not even counting its historic Bibles list!). The ideal candidate, who will will lead brainstorming, concept development, and design of integrated marketing campaigns for the English Language Teaching group, has advanced understanding of branding, typography, and grids/visual systems and is a pro on InDesign, Photoshop, and Illustrator.

Learn more about and apply for this Senior Designer, Cambridge University Press job or view all the current mediabistro.com design/art/photo jobs.

Now Read This: David Zwirner’s Pop-Up Bookstore Returns

zwirnerbooksWhen the good people at David Zwirner e-mailed us with news of the gallery’s fifth annual summer pop-up bookstore, we briefly considered keeping the news to ourselves, so great is our obsession with admiration for many artists in the Zwirner stable (Luc Tuymans! Marlene Dumas! Richard Serra!). Somehow, we’ve managed to suppress our selfish impulses to let you know that for two weeks only—right this minute through Friday, August 1—Zwirner will offer up deals galore on a selection of rare and out-of-print books, signed artist catalogues, DVDs, and more. The David Zwirner Pop-Up Bookstore, hosted with ARTBOOK | D.A.P., will be open weekdays from 10 a.m. to 6 p.m., and you know we’ll be there bright and early to ensure first dibs on anything and everything related to Michaël Borremans. OK, and we’ll probably hoard all the Neo Rauch stuff, too. Because all’s fair in love and pop-up bookstores.

The David Zwirner Pop-Up Bookstore is located at 525 West 19th Street in NYC.

Dieter Rams (Monograph) Goes Digital

Just in time for vacation reading, Sophie Lovell‘s Dieter Rams: As Little Design As Possible (Phaidon) is making its debut in digital form. The iBooks edition of the best-selling hardcover is available tomorrow. Reformatted for iPad, the comprehensive monograph delves into the life, work, and succinct philosophy of the famed product designer, now 82, whose wildly influential designs for the likes of Braun and Vitsoe continue to sell briskly worldwide. Tap and scroll your way through many of Rams’ sketches and prototypes, as well as an interactive timeline, essays, and a foreword by Apple design guru and consummate Rams fan Jonathan Ive.

Like this post? Then you’ll love LiquidTreat, a weekly newsletter designed to quench your creative thirst. Sip generously from past issues and subscribe here.

NYHS Exhibit Fêtes Ludwig Bemelmans and Madeline on Her 75th Anniversary

Nancy Lazarus heads up Central Park West covered in vines, in search of twelve little girls in two straight lines, or at least the smallest one of the bunch: Madeline, and her creator.

Madeline at the Paris Flower Market
Madeline at the Paris Flower Market, 1955. Courtesy the Estate of Ludwig Bemelmans.

As a hotelier, cartoonist, and fabric designer, Ludwig Bemelmans was a jack of all trades, but Madeline, published in 1939, became his masterpiece. The New York Historical Society is marking the 75th anniversary with a retrospective of his career. “Madeline in New York: The Art of Ludwig Bemelmans,” is on view through October 19.

“He took any jobs that came along,” said exhibition curator Jane Bayard Curley of the Eric Carle Museum of Picture Book Art in Amherst, Massachusetts, the show’s organizer. Over 100 works are on display, reflecting Bemelmans’ many talents: drawings, paintings, manuscripts, photographs, and specially commissioned objects, including murals for the playroom of Christina, the Onassis yacht. Bemelmans’ family opened their archives to lend artwork and memorabilia.

“We created a faux Bemelmans’ Bar, but don’t tell the Carlyle,” joked Charles Royce, who along with his wife Deborah, lent murals from their luxury hotel, Ocean House in Watch Hill, Rhode Island. They acquired six plaster works, which had once graced the walls of Bemelmans’ La Colombe bistro in Paris. Royce was referring of course to New York’s Carlyle Hotel, where Bemelmans painted murals depicting the seasons of Central Park.
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Quote of Note | Kara Walker

(Paul Rocheleau)
The Andy Warhol Museum, installation, Skulls. ©AWF (Photo: Paul Rocheleau)

“The Warhol I’ve absorbed, the Warhol who saved me, is the ambivalent cynic. Yes, human beings are worthless and life is slavery, but there is grace to be had in accepting that, loving what makes up our empty capitalist souls, plus a little tiny bit of death.

There are a lot of angles and surfaces, but when it comes to Warhol, depth is a much harder read; it lasts longer.”

-Artist Kara Walker in Thank You Andy Warhol by Catherine Johnson (Glitterati)

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