While we can’t guarantee it will make you any more likely to receive an early morning visit from the Prize Patrol (and in all likelihood employees are ineligible for company sweepstakes), we did want to alert you to the fact that Publishers Clearing House, they of the plentiful pay-by-installment magazine subscriptions and cash prize promises, is looking for a senior web designer to join its Port Washington, New York office. The winning candidates’ responsibilities will include planning, designing, coding, and executing mobile and web-based material, emails, and interactive experiences (many of them probably depicting giant piles of cash!). And don’t forget to ask in advance to be paid by direct desposit rather than in giant novelty checks.
Starting April 28, this online event will show you the best way to start your freelancing career, from the first steps of self-advertising and marketing, to building your schedule and managing clients. By the end of this online boot camp you will have a plan for making a profitable career as a freelancer, and the skill set to devote yourself to it. Register now!
“From the very beginning we decided—my co-founders and I—that we would never sell, never go public. We viewed Kickstarter as a public trust. This is a place of opportunity for anyone to make their thing happen, and it’s our job to be the stewards of it and to honor it. We were looking at growing this into a living, breathing cultural institution that’s there to represent the interests of everybody. And we think the best way to do that is to be a privately held, independently controlled organization—and that’s exactly what we are.”
-Kickstarter co-founder and CEO Yancey Strickler in an interview with Charlie Rose for Bloomberg Businessweek.
“Ford changed the game this week when it unveiled its aluminum-intensive pickup truck, the 2015 F-150, that is as much as 700 pounds lighter than a comparable steel-bodied vehicle. To the casual observer, the anticipated 3 mpg (20%) increase gained by Ford’s high-tech ‘light-weighting’ (a term of art) may seem marginal, but I assure you it is a figure of immediate and national consequence.
[Gives example of fuel economy gain and resulting net efficiency of Toyota Prius, which averages 50 mpg, with that of low-mpg vehicles like pickups, in which the fuel-saving effect is multiplied: to nearly four times that of the Prius, in his example.] Now reckon with the Big Multiplier: 763,000. That is the number of F-series trucks Ford sold last year, a figure that on its own would make the F-series the seventh largest vehicle company in the U.S. market. By virtue of the hundreds of millions of miles rolled up by the F-series annually, you are looking at the single biggest real-world advance in fuel economy in any vehicle since the Arab oil embargo.”
-Dan Neil, in his “Rumble Seat” column in this weekend’s Wall Street Journal
From print to web to…retail. That’s the path taken by Dwell Media, which has parlayed its modern design expertise into e-commerce. The recently launched Dwell Store is stocked with products from the likes of Kartell, Flos, the Bouroullec Brothers, and Grain Design. The site will also showcase designs developed exclusively for Dwell. “Our audience constantly asks us, ‘Where can I buy that?’” says Dwell president Michela O’Connor Abrams. “I am so pleased to now say ‘at dwell.com!’” Start the new year off with a few Delfonics wooden pens from Japan ($10 each) and an Eames notebook (pictured, $20).
Watch out, Google Glass, there’s an Intel-powered bracelet on the horizon, and it will be designed in collaboration with Opening Ceremony (founders Carol Lim and Humberto Leon are pictured at right) and make its retail debut at Barneys New York. The in-the-works “smart bracelet” is part of a broader wearable technology initiative announced by Intel at the International Consumer Electronics Show (CES), which runs through Friday in Las Vegas.
In addition to the product partnership, the company outlined its plan to work with the Council of Fashion Designers of America “to create a community for technology developers and fashion designers to network, match-make, cultivate, and exchange ideas on wearable technology.” The alliance will connect the CFDA’s 400 members with hardware and software developers. “The collaborations we announced today will merge the expertise of two very distinct disciplines of technology and fashion, essential in realizing the vision of prolific adoption of wearable technology,” said Intel’s Ayse Ildeniz in a statement. “Intel’s aim is to initiate sustainable, long-term cooperation between the technology and fashion worlds beginning with today’s announcements.”
Watch your back, Richard Estes. A photo and, at right, the resulting Pixelist painting.
Make 2014 the year that your Instagram masterworks break free of their pixellated prisons and start a new life as…photorealist oil paintings! That’s the transformative promise of Pixelist. The startup offers handmade oil paintings of any image you can capture or create, with “commissions” starting at $150. How? A bunch of willing and able Chinese painters sourced by founder Will Freeman, an Emory grad now based in Hong Kong. He made time to answer a few questions about the burgeoning business.
How did you get the idea to start Pixelist?
Pixelist came from a love of all things custom and creative. We’ve spent years designing our own clothes, shoes, furniture, and art and hunting for the best craftspeople to bring them to life. So we were naturally attracted to the idea of harnessing the popularity of Instagram to revive commissioned painting.
That part really describes me and my years in China and Hong Kong. But my business partner, Conor Colwell, originally came up with the idea. Conor and I used to work together and would always bat around startup ideas on our lunch break. I took him to visit one of China’s “art villages” in Shenzhen and he was hugely impressed by the painting quality. Conor has always been into Instagram, so he thought it would be a great way to immortalize photos people already loved. I loved the idea because I was already deeply into getting things custom made.
Your Sunday is about to get a lot less visually stimulating: Arem Duplessis has decided to leave his post as design director of The New York Times Magazine [muffled sobbing]. Come February, he’ll begin his new position as a creative director at Apple, where he’ll lend his creative genius to the internal marketing team. Word of the move follows the recent announcement that Facebook has tapped Apple advertising veteran Scott Trattner to serve as its executive creative director. We asked Duplessis a few questions as he prepares to relocate to the promised land of Cupertino.
Why is it the right time for you to make this move?
I’ve been at The New York Times Magazine for almost ten years. I have worked with some of the smartest people on the planet and it’s been one of the most rewarding experiences of my life. I feel very fortunate to have been able to experience such a great gig. With that said, it’s time for a new chapter and a new challenge.
What will you miss most about working at The New York Times Magazine?
Without question the people. I have made so many great friends over the years and I will miss them dearly.
Bonus question: What’s the best gift you received this holiday season?
Hearing my son proclaim “THIS IS THE BEST CHRISTMAS EVER!” No way to beat that, right?
Still got it. A private, curator-led tour of the Clyfford Still Museum in Denver is among the experiences now up for grabs on Gavel&Grand.
Did Santa (or UPS) fail to deliver for you this year? Still in search of a worthy cause for an under-the-wire 2013 charitable donation? Head straight to Gavel&Grand. The recently launched site expands Paddle8‘s online platform, rounding up philanthropic auctions that are studded with extraordinary experiences. Hurry to get your bids in for the Aspen Art Museum’s Freestyle auction, which runs through tomorrow evening on the site. The big-ticket items include a stay at a private chalet and a membership at The Caribou Club, but we’re coveting the Inez and Vinoodh commissioned portrait, private tour of the breathtaking Clyfford Still Museum, and a San Francisco art junket that promises an intimate look at Ai Weiwei‘s forthcoming Alcatraz Island installation.
Oh, the weather outside is frightful, but Saks Fifth Avenue’s latest holiday (and possibly last) collaboration with Marian Bantjes is so delightful. This year Makerbot and Mastercard join the mix, offering shoppers at Saks’ New York City flagship the chance to take home a 3D-printed snowflake.
Illustrated by Bantjes and printed on a MakerBot Replicator 2 (pictured), the snowflakes are a gift with purchase for those who spend $150 on their Mastercard through December 24. Stop by to watch the Replicator work its magic Wednesday through Friday from 4:00 p.m. to 9:00 p.m. and on weekends from 10:00 a.m. to 9:00 p.m. Can’t make it to New York this holiday season? Bantjes’s work is just as entrancing in 2D. Pick up a copy of her stunning new monograph Pretty Pictures (Metropolis Books) and then buy five more as stocking stuffers.
Lippincott worked to unify the brands of merged airlines Avianca and TACA. The three-year project culminated in the recent unveiling of a bold new visual identity.
With a client list that includes 3M, Delta Air Lines, Hyatt, Samsung, Starbucks, and Walmart, Lippincott has spent the last seven decades combining strategy and creativity. (The recent brand face-lifts of Stanley and eBay? All Lippincott.) At the helm of the firm, which is part of Marsh & McLennan-owned Oliver Wyman, is Rick Wise, who oversees innovation in Lippincott’s design and strategy practices while also advising clients on their branding issues. The Wharton alum made time to chat with us about some recent Lippincott projects as well as his branding pet peeve, what’s on his desk, and why the Taj Mahal never gets old.
Lippincott turns 70 this year. How are you celebrating?
It’s a big year for us. We’re celebrating by both looking back on how the industry has evolved, honoring the moments Lippincott has influenced and the iconic brands we built, as well as looking ahead to what the next 70 years will bring. For instance, in May of this year, we designed “Pencil to Pixel” in collaboration with Monotype—an exhibit documenting the past, present and future of typography. As part of this, Lippincott developed an exhibit of its own—curating artifacts and designs throughout our history. As part of that we also moderated a roundtable discussion on the future role of design and brand expression with executives from Coach, Warby Parker, Virgin America, Chipotle, and eBay.
Tell us about a recent Lippincott project that you are particularly proud of and why?
We are very proud of the work we did for Avianca, the Latin American airline formed by the merger of Avianca and TACA airlines. We worked hand in hand with Avianca for three years to create a new unified brand, developing the new logo, aircraft livery, plane interior, visual system and frequent flyer program. It’s a really beautiful system for an airline that aspires to be the regional leader. But what we’re most proud is our work helping build a unified brand from the inside out—making sure the cultures were aligned, the employees were energized, and most importantly the customer experience could live up to the promise of a unified pan-Latin American airline.
As a specialist in brand strategy, what brand (aside from your current or past clients) would you single out as an emerging brand to watch?
I’m a huge music fan, and it’s been really interesting to watch the growth of Beats by Dr. Dre. It’s pretty amazing to see the brand they have created in just a few years, focusing on the overall music experience. They have taken a page out of Apple’s playbook by focusing on innovation delivered in great packaging and design, and took a product many thought might be obsolete and made it relevant again.
NEXT PAGE >>