In a stroke of good fortune for design-minded gift givers with a charitable bent, Target is linking up with TOMS for a holiday collection of home goods, apparel, and accessories for women, men, and children. All items, from a scented candle and wool blanket to a denim jacket and, of course, classic slip-ons, will be under $50 each. Los Angeles-based TOMS, a past winner of the Cooper Hewitt People’s Design Award, is adapting its buy-one-give-one model for the Minneapolis mega-retailer: for each item purchased from the collection, Target is donating a blanket, meals, or shoes in partnership with TOMS and American Red Cross Disaster Relief, Canadian Red Cross Disaster Relief, Feeding America, and Food Banks Canada. Target estimates that “TOMS for Target” has the potential to provide more than 11 million meals, blankets, and shoes to those in need. The collection is set to launch on November 16 at all Target stores in the U.S. and Canada, as well as Target.com.
“I must say, some are not very beautifully made. They’re coffee-table books for people who drink alcohol. I have nothing against coffee-table books as long as they are well done. They must not look like gravestones on a table. Sometimes they are too big, they come in boxes and things like this. No, a book has to be easy to open and you don’t have to be a bodybuilder to lift it. I like books I can read in bed. Those big tombstones would kill me.”
-Karl Lagerfeld in an interview with Miles Socha that appears in today’s issue of WWD. At his own bookshop, 7L, Lagerfeld gets 5% off retail prices. Notes the designer, “I am very much against the idea that you get it for free because it’s your bookshop.”
“I’m not obsessed with myself….But as a woman, you want to look good in pictures. When I go to the shows, I try to smile. It makes you more beautiful and I think the photographers are nicer to you if you try to make their work easier. At the show, the photographers know you. They call you by name. You get very close to them. One time I was coming out of Marc Jacobs and I missed one step, and I fell but no one took a picture. That’s chic. It’s maybe because I was nice with them, too. I think it’s better to make your relationships with them nice. I will never forget this.”
-Carine Roitfeld, founder and editor-in-chief of CR Fashion Book and global fashion director of Harper’s Bazaar, in an interview with Alexandra Steigrad that appears in today’s issue of WWD
Backstage at Maison Martin Margiela’s fall 2012 haute couture show. (Photo: Tyrone Lebon)
If you know fashion, you know Fashion Television. Hosted by the indefatigable Jeanne Beker, the Toronto-based fashion news show ceased production in 2012 after 27 seasons of designer interviews and from-the-collections reports. (In many American markets, it aired before or after its Canadian counterpart, Fashion File, prompting viewers to wonder why stateside networks jettisoned the newsy angle on fashion after the CNN run of Elsa Klensch.) Beker is now making her curatorial debut with “Politics of Fashion | Fashion of Politics,” an exhibition that opens September 18 at Design Exchange in Toronto.
The Canadian design museum will showcase more than 200 works that reveal fashion as a powerful tool of expression, including the (relatively) scandalous non-gown worn by Margaret Trudeau to the White House in 1977, a gold leopard print burqa from Jeremy Scott‘s spring 2013 “Arab Spring” collection, and an artisanal leather poncho from the fall 2013 Maison Martin Margiela collection. Fashion designer Jeremy Laing is masterminding the exhibition design, while Design Exchange curator Sara Nickleson worked with Beker on organizing the show. The bold and often subversive pieces, which span from the 1960s (a star-spangled Bobby Kennedy-for-president paper dress) to today (an androgynous Rad Hourani jacket) are organized around five themes: Ethics/Activism, War/Peace, Consumption/Consumerism, Campaign/Power Dressing, and Gender/Sexuality.
It started with 30 carefully selected design students from 16 countries. Divided into eight design teams, with three footwear designers and one color and materials designer in each, they took an original design idea from concept to finished design over the course of four weeks as competitors in the World Sneaker Championship. Part footwear design master class and part sneaker smackdown, the event is organized by Pensole, the footwear design academy founded in 2010 by Nike veteran D’Wayne Edwards, and after Friday’s presentations to industry pros, the finalists (in eight categories and for eight sponsoring brands) have been chosen. Head to the online home of Sports Illustrated by 6 p.m. EST Wednesday to cast your online vote for the overall winning design as the finalists head to Vegas to present their designs at the FN Platform trade show. The big winner, to be announced late Wednesday, will be presented with the coveted (and pencil-studded) Pensole World Sneaker Championship belt (pictured) and the possibility of seeing their design sold at retail.
Looks from the fall 2014 Moschino collection
“I like to think of my work and the way people approach it in the same way people approach a Lichtenstein painting. You can write a one-hundred-page dissertation about why he used comics. Or it could be like, ‘This is cute!’”
-Fashion designer Jeremy Scott, creative director of Moschino
Sartorially speaking, the summer has belonged to the idiosyncratic, emotionally fraught fashion genius known as Charles James, the subject of exhibitions at both New York’s Metropolitan Museum of Art and the Menil Collection in Houston. The glamour continues next month, sans James, in Boston as the Museum of Fine Arts rolls out the red carpet for “Hollywood Glamour: Fashion and Jewelry from the Silver Screen.”
The exhibition will focus on how jewelry—something of an MFA specialty—and clothing contributed to the style of major stars of the 1930s and 1940s, from Gloria Swanson (pictured here in a 1927 photo by Edward Steichen) and Greta Garbo to Joan Crawford and Mae West, who at five feet tall, often got her kicks in nine-and-a-half-inch platform shoes. In addition to fashion (think designs by Adrian, Chanel, and enough satin to make Lanvin’s Alber Elbaz say assez!) and jewelry (including recently donated gems by Trabert & Hoeffer-Mauboussin), a “silver screen” in the gallery will play highlights from famous films. An equally star-studded companion exhibition, “Karsh Goes Hollywood,” will feature photographs by Yousuf Karsh from the 1940s through the 1960s.
“Hollywood Glamour: Fashion and Jewelry from the Silver Screen” is on view at the MFA Boston from September 9 through March 8, 2015.
The indefatigable Bill Cunningham has been prowling the streets for stylish types since World War II, child, when his camera of choice was a Brownie. Come September 3, the 85-year-old aesthete will pedal up to the 92nd Street Y—not to snap photos but to join Fern Mallis on stage for a rare interview. The event, announced today, will kick off the fourth year of Mallis’s “Fashion Icons” series, during which she has interviewed everyone from André Leon Talley and Bruce Weber to Tom Ford and Vera Wang with a surgical, this-is-your-life approach that inevitably reveals all manner of fun facts (did you know that Penelope Tree was a college classmate of Wang’s? Or that she herself had seven wedding dresses, in a nod to Chinese tradition?). Those interested in getting a peek at the man behind the blue French work jacket should grab tickets here, and fast. They’re likely to be gone in a flash.
From left, looks from the fall 2014 collections of Wes Gordon and Tanya Taylor.
The Council of Fashion Designers of America and Vogue have announced the new crop of finalists for the CFDA/Vogue Fashion Fund initiative. Now in its eleventh year, the program provides financial support and business mentorship for emerging designers. Among the past winners are Joseph Altuzarra, Alexander Wang,and Jack McCollough and Lazaro Hernandez of Proenza Schouler. The 2014 finalists are:
• Edie Parker – Brett Heyman
• Eva Fehren – Eva Zuckerman
• Gigi Burris Millinery – Gigi Burris
• Grey Ant – Natalie Levy and Grant Krajecki
• Orley – Matt Orley, Alex Orley, and Samantha Florence
• Paul Andrew – Paul Andrew
• Ryan Roche – Ryan Roche
• Simon Miller – Daniel Corrigan and Jake Sargent
• Tanya Taylor – Tanya Taylor
• Wes Gordon – Wes Gordon
The finalists were selected by a committee of fashion power players that includes Vogue‘s Anna Wintour, whose tireless championing of the initiative has resulted in similar prizes across the globe, and CFDA President Diane von Furstenberg. Over the next few weeks, the group will meet with each of the finalists to review their current collections and conduct in-depth interviews (with $300,000 up for grabs, there’s no pressure) before embarking on site visits to their design studios (again, no pressure). A design project with Maybelline New York. is in the works, and a Fashion Fund Finalists’ fashion show is planned for October is Los Angeles. The winner(s) will be announced in New York City on November 3.
“I have a little bit of the heebie-jeebies by ‘art inspired by fashion’—or art printed on fashion,” said designer Zac Posen during a recent on-stage conversation at the Metropolitan Museum of Art. Look no further than H&M’s new “fashion loves art collaboration” for an example of what Posen meant.
Last night the Swedish fast fashion juggernaut, the lead sponsor of the Whitney’s Jeff Koons-o-rama, inaugurated its new 57,000-square-foot Fifth Avenue flagship by plastering the place with images of the artist’s monumental Balloon Dog (Yellow) (1994-2000). H&M has also printed an image of the celebrated Celebration series sculpture on a black leather handbag that it touts as “the ultimate art-meets-fashion statement from the ultimate post-pop artist.”
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