This week, Dan’s Papers is looking for an art director/department manager, while King.com is hiring a 3D artist. CQ Roll Call is in need of an art director, and NBC Universal is seeking an art director for its E! and G4 networks. Get the details on these jobs below, and find more just-posted gigs on mediabistro.com.

• Art Direct/Dept. Manager Dan’s Papers (Southampton, NY)
• 3D Artist King.com (Stockholm, Sweden)
• Art Director CQ Roll Call (Washington, DC)
• Art Director NBC Universal (Los Angeles, CA)
• Art Production Associate, Whole Living Martha Stewart Living Omnimedia (New York, NY)

For more job listings, go to the Mediabistro job board, and to post a job, visit our employer page. For real-time openings and employment news, follow @MBJobPost.

We’re not entirely sure how it’s played, and at least just a few days ago you’d have to travel to Amsterdam to buy a copy (and making sure to call first so they know you’re coming), but now that we know about it, we’re in desperate lust for NEXT Architects‘ “The Modern Architecture Game.” Launched earlier this month, it’s the second edition of the board game, first developed in 1999 between the partners at the firm and the Delft University of Technology. The most recent update includes a translation into English and spreads its questions more internationally, ranging “right across the breadth of modern world history.” For now it’s available from NEXT themselves, but only if you do that calling ahead first (they write that they’re not able to ship one off in the mail). We’ve also found it at Architectura & Natura Booksellers in the Netherlands, and it can be purchased here. Granted, it isn’t cheap, particularly with the dollar-to-euro difference, but how often do you get to play a board game with pieces like Koolhaus’ CCTV Tower, or Foster’s Gherkin? Here’s a short trailer.

Sure to boost compliance in double-blinded clinical trials the world over are these streamlined pill keepers from Sabi, a new company that is looking “to transform life’s small tasks into moments of joy” through lifestyle and wellness products designed by Yves Behar and his Fuseproject team. “We designed the Sabi brand, products, and packaging to express smarter ergonomic functionality, and instill pride of use rather than the stigma of being singled out by daily physical challenges,” says Behar. “I believe Sabi will make sense to an older generation in need of solutions, but also to a younger set of users that simply expect good design everywhere.”

Named for the Japanese aesthetic construct (think “wabi-sabi”), the Palo Alto-based company was founded by Assaf Wand, who points to Method, Bang & Olufsen, OXO, and Dyson as brands that inspire him. His idea for Sabi came as he watched his then-pregnant wife struggle to find an easy-to-use and visually appealing prenatal vitamin case. Pill organizers and related accessories (vitamin pulverizers, sleek carafes) comprise the company’s first line of products, Vitality. In the works are Agility, products designed to alleviate the pain and inconvenience of lifting, reaching, and carrying everyday items around the house, as well as Mobility, a line of travel accessories and gadgets that assist in transporting health and wellness essentials. Grab a Sabi Holster ($8.99) and take a chill pill, as the second two lines—including, at long last, a shower caddy that you won’t be ashamed to show houseguests—will debut later this year.

Which states have the most LEED-certified building square footage per capita? The U.S. Green Building Council has crunched the numbers, and the results are in, with the District of Columbia leading the country in LEED-certified commercial and institutional green buildings (per capita, based on 2010 Census data). In 2011, our nation’s capital boasted more than 31 square feet of LEED-certified space per person, including the Treasury Building (how green can you get?), which happens to be the oldest LEED-certified project in the world. Of course, it helps that the District has a low residential population and all those government buildings: nearly a third of all LEED projects are government-owned or occupied LEED buildings, and the federal government alone owns and operates some 500,000 buildings. “But, hey! D.C. isn’t a state!” You say, with a disenfranchised gleam in your eye. Quite right. The top state is Colorado (2.74 square feet per capita and home to the LEED Platinum Casey Middle School in Boulder), followed closely by Illinois (2.69), Virginia (2.42), and Washington (2.18, did you know that Seattle’s Hard Rock Café is LEED Silver?). The Empire State cracks the top ten at 1.89, barely bested by California’s 1.92. According to the USGBC, there are roughly 44,000 commercial projects participating in LEED, comprising more than 8 billion square feet of construction space in all 50 states and 120 countries. Admire photos of LEED-certified buildings such as the undulating, Douglas Cardinal-designed National Museum of the American Indian, Discovery Channel HQ, and Denver’s Gold Museum of Contemporary Art on Flickr here.

“The most tragic moment of my life was the first show I ever designed for. I had been asked to make shoes for Ossie Clark‘s show in the early ’70s. I was so inexperienced that I didn’t put the steel in the heels of the shoes, which is required to support the shoe and the wearer. So the girls came out walking very strangely in these rubber, bendy high-heeled shoes I had made. I thought ‘Oh dear god! This is the end of me.’ But after the show, even David Hockney and Cecil Beaton said to me ‘It was so interesting that the girls were moving in such a different way.’”

-Manolo Blahnik, in an interview with Tina Gaudoin in The Wall Street Journal

Pictured: Blahnik’s first shoe, designed for Ossie Clark in 1970. (Courtesy Manolo Blahnik)

From left, spring looks from Eighteenth, James Long, Wes Gordon, and Mary Katrantzou.

Paris couture week wrapped up on Wednesday evening at Hôtel Salomon de Rothschild, where Valentino’s Maria Grazia Chiuri and Pier Paolo Piccioli sent out a breathtaking collection inspired by Enlightenment philosophes (Rousseau lovely!). Now it’s full speed ahead to the New York shows, which kick off on February 8, followed by fashionfests in London, Milan, and then back to Paris. The latest crop of awards provides a handy cheat sheet of emerging—and in some cases, downright emerged—designers to watch this season:

After surviving a very rough and tumble summer, starting around mid-October, things were began looking tough again for both the Abu Dhabi Guggenheim and the Louvre wing that was also set to go up in the Middle Eastern cultural hub, and it only got worse from there. First, there was a semi-innocuous delay on the Frank Gehry-designed Guggenheim there, blamed originally on some government contract disputes. Then, as more news was released about a mass of unpaid bills and the entire United Arab Emirates quickly pulling their money out of any and all cultural projects to focus instead on Arab Spring-related matters, it was sounding like both projects might be entirely abandoned. So dire did it seem that the Guggenheim was quick to ramp back up their interest in building a new arm in Helsinki (though this could have been just convenient and beneficial timing). However, it now seems like perhaps both the Guggenheim and the Jean Nouvel-designed Louvre extensions have been placed back on track and all the worry may have been for naught. Yesterday, the Abu Dhabi Tourism Development and Investment Company announced that work will soon resume on the projects, as well as the surrounding Saadiyat Cultural District in which both will call home. The only thing changed will now be the opening dates, pushed back by a number of years. The Louvre, originally set to open sometime next year, is now slated for 2015. The Guggenheim, also originally set to open in the next year or two, has been pushed back to 2017. A long time to wait, for sure, but both institutions must be breathing a sigh of relief in knowing that, at least for now, the projects haven’t been abandoned.

What started as but a rumor back in 2008, and followed by the slow progression of hiring an architect and then hunting for donations, is finally all starting to come into factual fruition for London’s Design Museum. This week the organization unveiled a first look (pdf) at what will become their new home sometime in 2014. Build upon the former home of a government-funded research institute, the new space has been designed by John Pawson and is estimated to cost somewhere in the $100 million range to develop. The move is set to not only give them “three times more space” but also put the Design Museum closer to the city’s other cultural touchstones, like the V&A, the Royal College of Art and the Serpentine Gallery. In addition to this first batch of official details, the museum has also released this quick video tour of their soon-to-be new digs:

Pruitt-Igoe. Cabrini-Green. Mellifluous hyphenates that have evoked, in turn, hope, pride, fear, terror, shame, and utter disappointment in utopias, razed. In The Pruitt-Igoe Myth, filmmaker Chad Friedrichs wades through the thicket of emotions aroused by the infamous public housing project, built in the early 1950s by the St. Louis Housing Authority, to examine what comes between optimism—for 33 pristine, Minoru Yamasaki-designed high-rises that promised to solve the problems of overcrowding in a then-booming inner city—and disillusionment, with a vertical ghetto that, just two decades later, was leveled and declared unfit for habitation. This documentary is complex and fascinating: a chilling clash of Modernist zeal, postwar urban decline, and racial tensions that plays out through an incredibly rich (and masterfully edited) collage of archival footage and the individual stories of a handful of former Pruitt-Igoe residents, who share their memories against a backdrop of optic white. “So much of our collective understanding of cities and government and inequality are tied up in those thirty-three high-rise buildings, informed by the demolition image,” notes Friedrichs in his notes on the film, now playing at the IFC Center. “Too much of the context has been overlooked, or willfully ignored, in discussions of public housing, public welfare, and the state of the American city. Pruitt-Igoe needs to be remembered and understood—in a different way that it has been—because the city will change again.”

The Pruitt-Igoe Myth is now playing at New York’s IFC Center. Click here for a schedule of upcoming screenings nationwide.

Brad Goreski wasn’t always the beacon of style he is today. In our Media Beat interview, the star of It’s a Brad, Brad World revealed that he had to overcome a lack of access (he’s originally from a tiny town in Canada) and the doubts of others to climb to the top. One college career counselor, in particular, was quite taken aback by a young Goreski’s outsize ambition.

“She’s like, ‘Okay, so what do you wanna do?’ And I’m like, ‘I’m gonna get an internship at Vogue in New York.’ And she was like, ‘Excuse me?’ And I’m like, ‘I’m gonna get an internship at Vogue. Is that possible for me to get credit and go to New York?’ And she was like, ‘If you get the internship…’ And I was like, ‘Okay!’” Goreski told us. “And I came back later with all my paperwork, and she was like, ‘Are you really going to New York?’ I’m like, ‘Yeah! I’m going to work at Vogue!’”

Now, with a hit show on Bravo and Born to Be Brad: My Life in Style So Far due in bookstores in March, the taste maker credits those early work experiences for his success.

“Internships are so instrumental but, not only do you need to get them, you need to work at them,” he said.

Part 1: Breakout Styling Star Brad Goreski Takes Us Inside His Brad, Brad World
Part 2: Brad Goreski Sets the Record Straight on His Relationship with Rachel Zoe