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Hagy Belzberg, Paola Navone Among New Members of Interior Design Hall of Fame

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An interior view of the Los Angeles Museum of the Holocaust, designed by Belzberg Architects. The subterranean building, topped by an insulated roof of green-landscaped park ground, has received LEED Gold certification. (Photo: Iwan Baan)

Interior Design magazine is gearing up to add four members to its Hall of Fame: Hagy Belzberg of Santa Monica-based Belzberg Architects, architects David Lake and Ted Flato of San Antonio-based design firm Lake|Flato, and Paola Navone, the shape-shifting Italian architect, designer, art director, interior decorator, critic, teacher, exhibition organizer, and self-described “little bit of an anthropologist.” Andrea Woodner will receive a special leadership award for her work as founder and board president of the Design Trust for Public Space, an incubator that transforms and evolves the New York City landscape with city agencies and community collaborators. They’ll be honored at a gala on December 3 at New York’s Waldorf-Astoria Hotel, where the inductees will join the storied ranks of ID Hall of Famers such as Thierry Despont, Frank Gehry, Albert Hadley, and Andree Putman. Proceeds from the event will benefit the Council for Interior Design Accreditation and the Alpha Workshops. Meanwhile, in a first for the magazine, the December issue of Interior Design will be dedicated to Hall of Famers (150 members and growing) and how they have shaped the design world.

Wanted: Designer Who May Already Have Won Ten Million Dollars!

While we can’t guarantee it will make you any more likely to receive an early morning visit from the Prize Patrol (and in all likelihood employees are ineligible for company sweepstakes), we hereby alert you to the fact that Publishers Clearing House, they of the plentiful pay-by-installment magazine subscriptions and cash prize promises, is looking for a senior web designer-slash-art director to join its Port Washington, New York office. The winning candidates’ responsibilities will include planning, designing, coding, and executing mobile and web-based material, emails, and interactive experiences (many of them probably depicting giant piles of cash!). And don’t forget to ask in advance to be paid by direct desposit rather than in giant novelty checks.

Learn more about and apply for this Senior Web Designer/Art Director, Publishers Clearing House job or view all the current mediabistro.com design/art/photo jobs.

Vik Muniz Designs Perrier-Jouët Bottle

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From left, Perrier-Jouët’s Cellar Master Hervé Deschamps and Vik Muniz.

pj vm bottleVik Muniz has demonstrated his range with raw materials that range from diamonds and caviar to dust and recyclables plucked from the world’s largest garbage dump. The Brazilian artist’s latest project returned him to the luxe end of the spectrum, via Art Nouveau flourishes and blush-hued bubbles. Muniz designed the bottle for the 2005 vintage of Perrier-Jouët’s Cuvée Belle Epoque Rosé. The limited edition, released this month, began as a scene crafted from scraps of gold: a dreamy meeting of a gilded hummingbird and the Perrier-Jouët anemone that has graced every Belle Epoque bottle for more than a century. The scene was photographed and applied by Muniz to the Belle Epoque bottle via a gold plate on which the hummingbird—seemingly, depending on how much of the salmon-hued wine one has consumed to that point—flies toward the anemones in the foreground. Notes the artist, “Much as Perrier-Jouët has long embraced Art Nouveau’s love of nature and enchantment, I took the idea of captivation in a natural setting as the inspiration for this motif.”

Inside Louise Fili’s Elegantissima Exhibit

Before we could say “Gelato Fiasco,” Elegantissima: The Design and Typography of Louise Fili had opened and closed at the Art Directors Club in NYC. If you missed the show’s two-week run, which wrapped up Friday in a evening pleasant prosecco haze, all is not perso. The series of thematic interiors, designed by the incomparable Kevin O’Callaghan and sure to inspire a run on violet-hued fainting couches, live on in a short film (below). We suggest following this taste of Fili’s brand of la dolce vita with her stunningly beautiful new book, Grafica della Strada: The Signs of Italy, published earlier this month by Princeton Architectural Press.

In Which We Seek Your Design News

If we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy task of plotting murder, thanks to our handy “Anonymous Tips” box nestled in the menu bar at right, below the search box. Simply type in your news—design happenings, movements of the Revolving Door, scandalous revelations, a designer’s hidden talent, or any newsy, design-y morsel—and click “Send.” And for those not inclined to clandestine tipping, we’re still just an e-mail away.

Quote of Note | David Chipperfield

(Mattias Kunz)“There are no indigenous materials anymore. You can find yourself in Italy being offered Indian marble because it’s cheaper, and that’s…it’s just very confusing. Or else the marble is Italian, but it’s being sent to India to be cut, and then shipped back to Italy. It means that unless you’re up in the Swiss mountains, or in the Cotswolds in England, where there are pre-described architectural languages that you should clearly respect, it’s a conceptual rather than practical issue. I do think it’s the case that because of industrialization and globalization everything is gradually starting to look the same, and the question is how can you stop buildings looking like each other? We just made a small office building (pictured) by the railway lines at King’s Cross in London, where they’ve recently dismantled the cast iron gasometers. I was inspired by all that Victorian architecture, which led to us making the columns from cast iron, which is actually a fantastic material. So in one sense, it’s a predictable and arbitrary connection to history, which is not necessarily right or wrong, but it’s a clue as to why you make a building different to others.”

-Architect David Chipperfield in an interview in The Travel Almanac. Chipperfield’s “Sticks and Stones,” an exhibition-cum-renovation prologue goes on view October 2 at the Neue Nationalgalerie in Berlin.

Now Read This: Collector’s Edition

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At a time when nearly everything is available in bits, bytes, and pixels, print lives on in inspired packaging. Stuart Tolley brings together the most innovative examples in Collector’s Edition, new from Thames and Hudson. The book spans the worlds of music, book publishing, and magazines to reveal extraordinary analog artifacts, from limited-edition box sets and deluxe editions made from specialist materials to handmade packaging and sculptural objects that incorporate digital technologies. Sprinkled among the inspiring work are interviews with the likes of Alec Soth, Dinos Chapman, and Stefan Sagmeister.

Twitter Along with UnBeige

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Famed literary critic Lionel Trilling once described Henry James as a “social twitterer.” Sure, he meant it as an insult, but it makes us feel better about having jumped on the microblogging bandwagon. Look to the official UnBeige Twitter feed, for up-to-the-minute newsbites, event snippets, links of interest, design trivia, and free candy (OK, we’re still working on the physics of that last one). The Mediabistro tech wizards have added to the sidebar at right a handful of our most recent word bursts, but you can sign up to follow all of our twittering here.

Watch: At Home with Pablo Bronstein

Why settle for an ordinary vacation home when you can have a “baroque event”? Frieze recently visited artist Pablo Bronstein—who you may recall from the mythical architectural history of the Metropolitan Museum of Art that he conjured in 2009—on the east coast of Kent, England, where he is embracing a “mid-century, slightly granny” aesthetic and the “pleasurable mess” of baroque architecture. “I think that it has no shame,” he says. “Baroque architecture does everything it possibly can to appeal, to amuse, to impress, to show off, to seem heavy or grand or important. It’s really sort of desperate architecture.” Watch Bronstein discuss art, architecture, taste, and the playful pathos of postmodernism.

Everything You Always Wanted to Know About Infographics (But Were Afraid to Ask)

daniel zeeviReady to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by digital communications pro Amanda McCormick, whose resume includes projects with New York City Ballet, Bitly, and Bertlesmann, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts on Tuesday, October 7. Learn more here.

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