“My photobooks are organized by genre, and they are definitely not alphabetized. They’re sequenced and clustered together based on my twenty-five-year knowledge of who taught who, and who preceded them. It’s almost a little family tree of lineage. I find it to be an interesting way of approaching the collection, because you can see patterns of influence and how they fan out into the world we adore….Believe it or not, I have a strange little hobby of leaving books out and open to certain pages, sometimes for years. One of my favorite books, which has remained opened on my table ever since the day I got it, is Alfred Stieglitz: The Key Set. It’s an exhaustive examination, which I believe includes every single Stieglitz photograph that Georgia O’Keeffe inherited and ultimately donated to the National Gallery of Art. Also, I often create sequences and juxtapositions between various open books; I’ve made some unique connections and combinations that way.”
A photo from Patricia Dinu’s “Desert of Souls” project, for which she is seeking to raise money through Fotofund.
For photographers who seek dollars but don’t want to get lost in the vast sea of Kickstarter projects, there is Fotofund, a new crowdfunding platform exclusively for photo-based works. The site is the latest initiative of the non-profit Lucie Foundation, which is dedicated to supporting, honoring, and cultivating photographic talent.
Fotofund was created “to provide financial backing to photographic projects through online contributions and to support photography worldwide by bringing photographers’ visions to life.” Distinct from other crowdfunding sites, the platform offers two models: a flexible funding model in which the project creator receives all donations whether or not their full funding goals are met or alternatively, they can select to only receive funding if the full amount of their goal is reached. Among the first campaigns to hit Fotofund are those aiming to create an official archive of the late Jerry Stoll’s photography from the California jazz era, a documentary project showcasing men and women who live off the grid throughout Europe, and a personal interpretation of the music and lyrics of Tom Waits—we suspect “Picture in a Frame” will figure prominently.
IKEA is going head-to-head to Apple with its latest launch. “At only 8mm thin, and weighing in at less than 400g, it comes pre-installed with thousands of home furnishing ideas,” boasts the Swedish furniture juggernaut. And not only is no charging required, but it can be instantly shared and recycled. Also, it’s free. The user-friendly, intelligently designed device in question? The latest IKEA catalogue. Singapore’s BBH created this video—part gentle satire, part homage—to tell the world about it, through the exuberant narration of a black t-shirted Swede.
Famed literary critic Lionel Trilling once described Henry James as a “social twitterer.” Sure, he meant it as an insult, but it makes us feel better about having joined the tweeting masses. Look to the UnBeige Twitter feed for up-to-the-minute newsbites, event snippets, links of interest, design trivia, and our exclusive photo of Rem Koolhaas in mid-ponder—it makes for smashing smartphone wallpaper.
Make way for the chairman. Vitra’s Rolf Fehlbaum is the winner of the 2014 Collab Design Excellence Award, bestowed annually by a collaboration of design professionals supporting the modern and contemporary design collections at the Philadelphia Museum of Art. Past winners of the award include Marc Newson, Paula Scher and Seymour Chwast, Zaha Hadid, Marcel Wanders, and Frank Gehry.
Hadid (designer of the Vitra Fire Station) and Gehry (who worked his magic for the Vitra Design Museum and offices) are old chums of Feldbaum, who currently serves as chairman emeritus at Vitra, the legendary design firm founded in 1950 by his parents. The family-owned Swiss firm was quick to make inroads stateside, in part by becoming a licensee of Herman Miller (enter George Nelson and the Eameses). Feldbaum will give a lecture and pick up his award, a silver and laser-etched rubber swoop (pictured) designed by Kate Reynolds and fabricated by jewelry designer Maria Eife, on November 21, which will also mark the opening of “Vitra: Design, Architecture, Communication: A European Project with American Roots,” an exhibition that will be on view through April 26.
The inaugural Hopscotch Design Festival gets underway today in Raleigh, North Carolina. Attending gratis on the strength of their ways with terse verse are Sophia Hitchcock and April Siese, the winners of our contest sponsored by the paper-savvy people at Moo.com. We’ll also be sending out prizes to our three runners-up: Julianna Thomas, Nancy Parisi, and Maura McDonald. Congratulations one and all. And now, without further ado, the winning haikus:
By Sophia Hitchcock, a motion graphics designed based in Raleigh whose haiku was inspired by Hopscotch presenter Annie Atkins
Muted palette, dusted cover
By April Siese, a writer, editor, and photographer based in New Orleans:
lines intersect from
elements of style and space
more after the big jump
This week, Innovative Kids is hiring a designer/art director, while Niche Media Holdings needs a promotions art designer. McKinsey & Company is seeking a senior designer, and Sterling-Rice Group is on the hunt for an art director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.
- Designer/Art Director Innovative Kids (Norwalk, CT)
- Promotions Art Designer Niche Media Holdings (New York, NY)
- Senior Designer McKinsey & Company (Atlanta, GA)
- Art Director Sterling-Rice Group (Boulder, CO)
- Graphic Designer Elements Behavioral Health (Long Beach, CA)
Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.
The September issue of Elle Decor arrived in a flourish of silvery hues and starchitect selfies, looking ahead to the future of design with no fear of the past (or of a bold red armchair). At the editorial helm of the Hearst shelter magazine is Michael Boodro, who predicts that over the next quarter century, “the print version of the magazine will become more of a luxury object and we’ll see increases in e-edition sales. I think people will continue to turn to Elle Decor for inspiration and resources. We’re always going to have a passion for finding new talent and peoples’ homes will continue to be a refuge that reflects their tastes.” We managed to catch Boodro between the September issue unveiling and the launch of the magazine’s new book to chat about the big 2-5, what he read this summer, and the best advice Anna Wintour ever gave him.
Elle Decor turns 25 this year. How are you celebrating?
We have celebrated throughout the year with special stories looking back, but it all culminates with our big 25th anniversary issue, out now. It is full of projects by quintessential Elle Decor designers, including Steven Gambrel and Darryl Carter, as well as a celebration of silver—the traditional 25th anniversary gift—and a special section on the future of design, because Elle Decor has always looked ahead and sought out new talents. We also have our third book, The Height of Style: Inspiring Ideas from the World’s Chicest Rooms, coming out later this month [September 16] from Abrams.
How do you describe the editorial mission/philosophy of the magazine?
I actually think our most important mission is to inspire. Sure, we want to keep our readers informed as to the latest projects and trends, but our readers are passionate about design, and they want to know the stories behind the room, behind the product. They are just as interested in design history as in what is new. They are open to new ideas and want to see all kinds of interiors from around the world—even if it’s not the way they want to live themselves. We try to keep them engaged and surprised, on everything from interiors to art to food to travel.
Murat Gok, Border (Hammock), 2010
Après Labor Day, le déluge, a sunburnt French monarch once said. May your day off be festive, adventurous, restful, quiet, or productive, as you see fit. And in case you’ve already reached the bottom of your summer reading list, here are a few online morsels to peruse as you prepare for sweater weather.
Steven Heller remembers the colorful Deborah Sussman (via The Atlantic).
Are these Eames-inspired Nikes the worst thing in the world? A point-counterpoint (via Fast Company).
The reworked press photos now being discarded are unique objects and compellingly strange images. Rick Poynor takes a closer look at the accidental art of retouching (via Eye Magazine).
The countdown to the reopening of Cooper Hewitt —née the Smithsonian’s Cooper-Hewitt, National Design Museum —is on! Tide yourself over with the museum’s Object of the Day blog.
Comedian and designer Jill Shargaa implores humanity to put the “awe” back in awesome (via TED.com).
Treat your iPad to 82 and Fifth, in which 100 curators from across the Museum talk about 100 works of art from the Metropolitan Museum of Art’s collection—one work, one curator, two minutes at a time.
If you’re spending this Labor Day weekend in our nation’s capital, stop by the Smithsonian Castle, which, along with the surrounding gardens, is presently ensnared in a thicket—approximately six miles worth—of cherry red yarn. The yarn bombing, revealed today (after two weeks of work by some 120 volunteers) and up through Tuesday morning, is a crafty way to draw attention to the Chiharu Shiota exhibition that opens tomorrow at the Freer Gallery of Art and Arthur M. Sackler Gallery. The Japanese artist has used 350 donated shoes and four miles of the same shade of red yarn used in the knit-splosion to create an installation that amasses personal memories of lost individuals and past moments. “The threads are woven together,” Shiota has said. “They become entangled. They tear. They unravel. They are a mirror of the emotions.” As for the fate of the post-bomb yarn, the Freer|Sackler is open to ideas: tweet your craftiest suggestion(s) to @FreerSackler or post on the museum’s Facebook page.