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At Chanel, Le Corbusier Inspires Concrete Couture

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At left, a view of the Paris apartment designed by Le Corbusier that inspired Chanel’s latest haute couture collection and runway show. (Photos from right: © FLC/ADAGP, Olivier Saillant)

chanel fw coutureHaving recently tapped into markets high (fine art) and low (the grocery store) to inspire his collections for the megahouse of Chanel, Karl Lagerfeld looked to the work of Le Corbusier to fire up his creativity for the fall couture. With the blessing of the Fondation Le Corbusier, he transformed the Grand Palais to resemble the paradoxical outdoor living room, complete with fireplace, of the long-demolished Champs-Elysées apartment that Corbu designed in 1929 for one Charles de Beistegui. “All white concrete, with some baroque elements,” said Lagerfeld yesterday in a post-show interview, as he described his architectural inspiration.

The modern material found its way into the collection via tiny tiles of gray and white concrete (pink and green are in the works) that Lagerfeld used for elaborate or starkly geometric mosaic-style embroideries that accented bodices, traced hems, and encrusted entire dresses, all shown with flat sandals and hairstyles that evoked plumage—in a nod to the rara avis who is the twenty-first century couture customer. “What I liked about this collection is that it’s really flawless, impeccable shapes,” said Lagerfeld of the 70 looks he sent down the grandly scaled runway. “They’re light, they float, they don’t walk heavily…and I think that makes it more modern.”
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Quote of Note | Ed Ruscha

hans memling“I can’t stop looking at this guy, because he looks like somebody on the street, like somebody I know. If you cut his hair a little different, he might be a baseball player—I don’t know. He could be José Canseco. He’s got a certain look that puts him into the twenty-first century. Most paintings of people do not, so it’s really unusual. Especially with Memling’s pictures, they sort of cross centuries. And I like to be aware of that. Every so often I’ll see someone on the street that looks to me like they’re from 1950—they’re dressed like they are today, in today’s clothing, but they still have a 1950 face. And this man has a twenty-first century face somehow.”

-Artist Ed Ruscha on Hans Memling‘s Portrait of a Man, c.1470, during a recent event at the Frick Collection

Design Jobs: Emerald Expositions, Yodle, Kveller.com

This week, Emerald Expositions is hiring a graphic designer, while Yodle needs a visual designer. Kveller.com is seeking a graphic designer, and Trapeze is on the hunt for an art director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

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Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

NYHS Exhibit Fêtes Ludwig Bemelmans and Madeline on Her 75th Anniversary

Nancy Lazarus heads up Central Park West covered in vines, in search of twelve little girls in two straight lines, or at least the smallest one of the bunch: Madeline, and her creator.

Madeline at the Paris Flower Market
Madeline at the Paris Flower Market, 1955. Courtesy the Estate of Ludwig Bemelmans.

As a hotelier, cartoonist, and fabric designer, Ludwig Bemelmans was a jack of all trades, but Madeline, published in 1939, became his masterpiece. The New York Historical Society is marking the 75th anniversary with a retrospective of his career. “Madeline in New York: The Art of Ludwig Bemelmans,” is on view through October 19.

“He took any jobs that came along,” said exhibition curator Jane Bayard Curley of the Eric Carle Museum of Picture Book Art in Amherst, Massachusetts, the show’s organizer. Over 100 works are on display, reflecting Bemelmans’ many talents: drawings, paintings, manuscripts, photographs, and specially commissioned objects, including murals for the playroom of Christina, the Onassis yacht. Bemelmans’ family opened their archives to lend artwork and memorabilia.

“We created a faux Bemelmans’ Bar, but don’t tell the Carlyle,” joked Charles Royce, who along with his wife Deborah, lent murals from their luxury hotel, Ocean House in Watch Hill, Rhode Island. They acquired six plaster works, which had once graced the walls of Bemelmans’ La Colombe bistro in Paris. Royce was referring of course to New York’s Carlyle Hotel, where Bemelmans painted murals depicting the seasons of Central Park.
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Watch: Marina Abramovic Teams with Adidas on New Film

Opposing bunches of talented young people shuttle purposefully from one side of a rectangular surface to another. Sound familiar? No, it’s not the World Cup—sorry, the 2014 FIFA World Cup™—but Marina Abramovic‘s restaging of her 1978 performance Work Relation. And hold on to your Sambas, because the film (below), which was shot in Brooklyn by Dustin Lynn and debuted today on Nick Knight‘s Showstudio, was made in collaboration with Adidas. And so the eleven performers, wearing not only white lab coats bearing the monogram of the Marina Abramovic Institute but also Adidas kicks as they go about their competitive task, evoke a team of clinically precise athletes, with Abramovic in the role of wise—and presumably very well-compensated—referee.

Wanted: Bookish Designer for Poised Promotions

cambridge.jpgWant to be the only designer on your block employed by a company founded by a 1534 royal charter? Well, here’s your ticket to legitimately name dropping Henry VIII at parties and more review copies than are prudent for an urban dweller. The New York City office of Cambridge University Press is searching for a senior designer to work his or her creative magic on promoting some of the around 1,200 new books it produces each year (and that’s not even counting its historic Bibles list!). The ideal candidate, who will will lead brainstorming, concept development, and design of integrated marketing campaigns for the English Language Teaching group, has advanced understanding of branding, typography, and grids/visual systems and is a pro on InDesign, Photoshop, and Illustrator.

Learn more about and apply for this Senior Designer, Cambridge University Press job or view all the current mediabistro.com design/art/photo jobs.

Friday Photo: Tadao Ando Takes a Picture

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(Photo: UnBeige)

Clark Center from Reflecting Pool 7Tadao Ando first visited the Clark Art Institute, located in Williamstown, Massachusetts, in 2001, having emerged as the clear winner in the competition to develop an architectural master plan for the institution, known for its top-notch collection of Old Masters and Impressionists as well as a hub for art historical research and conferences. On his most recent visit from Osaka, just last week, Ando surveyed the nearly finished project, camera in hand. Trailed by a scrum of journalists and museum staff, he regarded with approval and personal snapshots the expanded Clark and its transformed 140-acre campus, which opens to the public today.

The multi-phase project combined Ando’s talents with that of Annabelle Selldorf (who expanded and renovated the Clark’s original 1955 museum building), Gary Hilderbrand (responsible for the sweeping and sustainable redesign of the Clark’s grounds), and Gensler (which served as executive architect). Ando’s 42,560-square-foot Clark Center, the new stone, concrete, and glass centerpiece of the campus, serenely fulfills an astounding array of functions spread between two levels—reception, exhibition space, dining, retail—while uniting the new with the old and the built environment with natural wonders—verdant hills, trails, and a new three-tiered reflecting pool that later this year will become an epic skating rink. In describing the project, Ando emphasized the theme of continuity: “The continuity of the Clark family, the continuity of history, the continuity of the seasons,” he said. “There really is this continuity throughout the site.”

Quote of Note | Tomas Koolhaas

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Rem Koolhaas in Venice at sunset. (Photo: Tomas Koolhaas)

“Usually architecture documentaries really only appeal to viewers with a deep understanding of architectural concepts and jargon. I think by taking a more humanistic approach my film will appeal to anyone who can relate to other people….I don’t think it’s as black and white as either ‘architecture people’ or ‘general public.’ I think there are a lot of gradations in between. For example, creative people who can appreciate architecture but maybe are not interested enough to be very well versed in technical jargon or abreast of every element of architectural discourse. I think those people make up quite a large group and most architecture documentaries fail to engage them. It’s those kinds of people that my film could manage to reach. I don’t presume to think that a large portion of my audience is going to be people who don’t care about architecture at all, but I want there to be elements of the film that anyone can enjoy.”

-Tomas Koolhaas on the anticipated audience for the documentary (view trailer below) he is making about his father, architect Rem Koolhaas. Read the full interview in the new Rem-themed issue of CLOG.
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Elle Decor Celebrates 25 Years, 1 Red Chair

issue 1It’s not easy to wish yourself happy birthday in an engaging video, but Elle Decor pulls it off with the help of a cherry red armchair. Paradoxically named for another magazine, Poltrona Frau’s “Vanity Fair” chair graced the cover of the very first stateside issue of Elle Decor (pictured) alongside coverlines including “The Simplicity of American Wood” and “America’s Love Affair with Wildflowers.” That was nearly twenty-five years ago, and the magazine rounded up some of its favorite people—from interiors all-stars such as Bunny Williams and Robert Couturier to fashion designer Carolina Herrera and longtime contributor Daniel Boulud—to celebrate the impending quarter-century milestone.

A special anniversary issue is planned for the September edition. As for that red armchair, it’s safely ensconced in the Elle Decor offices, where it will be forever be compared to its younger self. “It has more alizarin in it,” says interior designer Alessandra Branca in the video, pointing to the actual chair before turning back to one depicted in the vintage magazine in her lap. “That has more cadmium.”

Learn HTML Online, Just as Nature Intended

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Admit it: Your seven-year-old nephew could out-HTML tag you any day and you think that a Cascading Style Sheet is something with a thread count. That’s where Mediabistro comes in. Our mothership has just confirmed its next online course in HTML and CSS, and it’s never too early to start planning ahead. Over four fun-filled weeks, web design design guru Laura Galbraith will guide you through a variety of web page production techniques, from column-based layouts and search engine optimization to semantic markup and advanced CSS styles. The online learning fun begins September 15, and by Halloween, you’ll have brought a pre-designed webpage to life through the magic of HTML. Preview the course syllabus and register here. Enter code SUN75 to save $75 if you register by Monday.

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