When it comes to great men on the beach, our heart has always been with Einstein (and Robert Wilson, and Philip Glass). But where more literal beaches are concerned, we’re biased toward those in the south of France, particularly in the 1920s, when wealthy American expats Gerald and Sara Murphy frolicked on and off the sand with an eclectic group of friends that included a young Pablo Picasso. Back then the artist favored a less-the-breezy fedora to shield his cap of black hair from the sun, but by 1949, he had moved on to bolder Côte d’Azur chapeaux: a minotaur mask, here worn backward in a photo by Gjon Mili for LIFE magazine.
An 1870 map of Long Island and the southern part of Connecticut. (Photo: NYPL)
It’s the stuff that dreams are made of: unfettered access to a collection of more than 20,000 historical maps and atlases, oodles of urban data dating from the 19th century (think old NYC building footprints and the equivalent of ye olde white and yellow pages), and your own dedicated patch of the New York Public Library to make sense—and art—out of it all. Such is the premise and promise of the Net Artist Residency program dreamed up by NYPL Labs, the New York Public Library’s in-house digital innovation team, and Electric Objects, emerging maker of nifty computers-cum-digital canvases to display digital images on your walls. The residency, created to “explore the creative possibilities of historical collections and the potential of the EO platform,” is open for applications through August 20. Start thinking in 1080 x 1920 pixels (the slightly goofy extruded-portrait orientation that is the native resolution of the EO1 prototype frame) and browsing NYPL maps for inspiration.
If we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy task of plotting murder, thanks to our handy “Anonymous Tips” box nestled in the menu bar at right, below the search box. Simply type in your news—design happenings, movements of the Revolving Door, scandalous revelations, a designer’s hidden talent, or any newsy, design-y morsel—and click “Send.” And for those not inclined to clandestine tipping, we’re still just an e-mail away.
There’s a new set of design honors up for grabs, and those with a Y chromosome need not apply. Architectural Record is recognizing the design leadership of women architects with its Women in Architecture Awards, which will be presented on October 9 in Manhattan following the magazine’s Innovation Conference. The five inaugural recipients, selected by an independent panel of architects, scholars, and critics, and announced this week, are:
- Design Leader, honoring an architect with significant built work and influence: Merrill Elam of Mack Scogin Merrill Elam Architects
- New Generation Leader, honoring an architect who is rising in the profession: Jeanne Gang of Studio Gang
- Innovator, honoring an architect who has made a mark in innovative design, materials or building type: Sheila Kennedy of Kennedy & Violich Architecture
- Activist, honoring an architect who has used her skills to design for social change, effect the public realm or perform pro bono work: Erinn McGurn of SCALEAfrica
- Educator, honoring a professional who has helped the advancement of women: Elizabeth Plater-Zyberk, former dean of the University of Miami’s School of Architecture
This week, Pace University is hiring an associate art director, as well as a print project coordinator. Meanwhile, NCARB needs a visual designer, and the National School Boards Association is on the hunt for a graphic designer. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.
- Associate Art Director Pace University (New York, NY)
- Print Project Coordinator Pace University (New York, NY)
- Visual Designer NCARB (Washington, DC)
- Graphic Designer National School Boards Association (Alexandria, VA)
- Senior Graphic Designer Cedars-Sinai Medical Center (Miami, FL)
Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.
Any number of lines from the films of Quentin Tarantino (perhaps the Pulp Fictional: “Just because you are a character doesn’t mean that you have character” or “Personality goes a long way”?) would look swell sprawled out in Futura Bold Italic by Barbara Kruger. The artist and the filmmaker will come together on November 1 at the Los Angeles County Museum of Art as the honorees of its 2014 Art+Film Gala, the museum announced today. Further upping the Gucci-backed fete’s cinematic koan quotient will be Leonardo DiCaprio, who is chairing the event with LACMA trustee Eva Chow.
In other exciting film-related LACMA news, the museum is prepping the first major retrospective of the work of Pierre Huyghe. The exhibition, which is being “designed as a single, extraordinary environment,” opens November 23.
Pictured: Barbara Kruger, Untitled (You Are A Very Special Person), 1995
Admit it: Your seven-year-old nephew could out-HTML tag you any day and you think that a Cascading Style Sheet is something with a thread count. That’s where Mediabistro comes in. Our mothership has just confirmed its next online course in HTML and CSS, and it’s never too early to start planning ahead. Over four fun-filled weeks, web design design guru Laura Galbraith will guide you through a variety of web page production techniques, from column-based layouts and search engine optimization to semantic markup and advanced CSS styles. The online learning fun begins September 15, and by Halloween, you’ll have brought a pre-designed webpage to life through the magic of HTML. Preview the course syllabus and register here. Enter code SUN75 to save $75 if you register by Monday.
Sartorially speaking, the summer has belonged to the idiosyncratic, emotionally fraught fashion genius known as Charles James, the subject of exhibitions at both New York’s Metropolitan Museum of Art and the Menil Collection in Houston. The glamour continues next month, sans James, in Boston as the Museum of Fine Arts rolls out the red carpet for “Hollywood Glamour: Fashion and Jewelry from the Silver Screen.”
The exhibition will focus on how jewelry—something of an MFA specialty—and clothing contributed to the style of major stars of the 1930s and 1940s, from Gloria Swanson (pictured here in a 1927 photo by Edward Steichen) and Greta Garbo to Joan Crawford and Mae West, who at five feet tall, often got her kicks in nine-and-a-half-inch platform shoes. In addition to fashion (think designs by Adrian, Chanel, and enough satin to make Lanvin’s Alber Elbaz say assez!) and jewelry (including recently donated gems by Trabert & Hoeffer-Mauboussin), a “silver screen” in the gallery will play highlights from famous films. An equally star-studded companion exhibition, “Karsh Goes Hollywood,” will feature photographs by Yousuf Karsh from the 1940s through the 1960s.
“Hollywood Glamour: Fashion and Jewelry from the Silver Screen” is on view at the MFA Boston from September 9 through March 8, 2015.
“There actually is a prehistoric giant sloth on the campus of the college I went to, Ohio State. I think it was vandalized sometime in the last couple of years, but I think they repaired it since then. I can’t remember which school it’s a part of. I want to say it’s the geology school. Whatever museum it’s in, a lot of the signage and a lot of the exhibits kind of feel like these leftovers from the ’70s and ’80s. It just always felt a little out of step with modern times. It just kind of had this very particular vibe that really stuck with me. But I didn’t really have the idea for the actual story….There was always something about the giant sloth, just being this creature that its modern day equivalent is so puny and so inconsequential. It’s funny, when I mention the film to some people, they’re like, ‘Oh, that’s funny, like a giant sloth.’ I’m like, ‘No, there really were giant sloths.’ A lot of people aren’t even necessarily aware of them. They were these gigantic, huge, powerful things the size of bears. So there was always a metaphor there in the back of my head.”
-Paul Hornschemeier on the slothful inspiration for his animated feature-in-the-making, Giant Sloth, starring Paul Giamatti as an insane museum curator