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Design Jobs: National Audubon Society, Duggal Visual Solutions, Meredith

This week, the National Audubon Society is hiring a graphic designer, while Duggal Visual Solutions is seeking a retoucher. Meredith needs an assistant art director for More, and Zinio is on the hunt for a graphic designer. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

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Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

On the Art of the #Artselfie

artselfie“In deciding how a picture should look, in preferring one exposure to another, photographers are always imposing standards on their subjects,” wrote Susan Sontag in On Photography. “Although there is a sense in which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are.” But what about when the subject is the photographer, with his or her face jutting into the frame alongside a painting, drawing, or other work of art? Then you’ve entered the meta-interpretative world of the #artselfie. The keen cultural observers over at DIS Magazine peg the birth of this self-portrait-with-artwork phenomenon, now ubiquitous at most any museum or gallery exhibition, to 2012, “right as the recent photographic phenomenon known as the selfie reached its tipping point.” Having seized upon the #artselfie as an “aggregated mode of art-tourism and documentation” with a dedicated Tumblr, DIS teamed with Mathieu Cénac and David Desrimais‘s Jean Boîte éditions to publish a book full of them. Recently feted at Galerie Yvon Lambert in Paris, the volume includes an introduction by Douglas Coupland and a discussion between Swiss Institute director Simon Castets and DIS. Order a copy here and then take a photo of yourself reading it for an #artselfieselfie.

Quote of Note | Frank Gehry

frank g“I’ve always talked to artists about designing art museums. I’ve always heard the same thing, which is the opposite of what Glenn Lowry [of MoMA] and those people always push for: the white pristine box. I guess they don’t know any better. Most of the artists I know complain about that, and younger artists today are refusing to be in that white box—it’s imposing a ‘purity’ that is in fact intrusive. You can see that those galleries at MoMA have failed; they have to redo them now….I’ve been listening to artists for 40 years about what galleries they want. Every artist I know loved Bilbao. Every museum director I know hated Bilbao.”

Frank Gehry, in a recent interview with Jori Finkel for The Art Newspaper

Now Read This: Alphabetabum

alphaThe standard alphabet book takes a turn for the nostalgic—and slightly creepy—in Vladimir Radunsky and Chris Raschka‘s Alphabetabum, new from the New York Review Children’s Collection. The benevolent ghost of Edward Gorey hovers over the book’s faux-weathered pages, on which vintage photos of children (from Radunsky’s vast collection of antique black-and-white photographs) are joined by playfully alliterative names and rhymes penned by Raschka. Among the questions posed by the playful tome: Are these children our great-great-great grandparents? We knew “Excellent Edwin Eugene” looked familiar!

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Mark Your Calendar: Beautiful Users

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The countdown continues to the December 12th reopening of the Cooper Hewitt, Smithsonian Design Museum. Among the exhibitions that will welcome visitors to the freshly renovated Andrew Carnegie Mansion on Fifth Avenue, which has gained 60% more gallery space in the overhaul, is Beautiful Users. Located in the sparkling new first-floor “Design Process Galleries,” the show will explore the shift toward designs that are based on observations of human anatomy and behavior, from Henry Dreyfuss‘s “human factors” to hacking. Get a sneak peek on Friday, November 21, when curator Ellen Lupton visits New York’s 92nd Street Y (tickets here) to discuss the exhibition and how users are increasingly affecting the design of objects.

Twitter Along with UnBeige

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Famed literary critic Lionel Trilling once described Henry James as a “social twitterer.” Sure, he meant it as an insult, but it makes us feel better about having jumped on the microblogging bandwagon. Look to the official UnBeige Twitter feed, for up-to-the-minute newsbites, event snippets, links of interest, design trivia, and free candy (OK, we’re still working on the physics of that last one). The Mediabistro tech wizards have added to the sidebar at right a handful of our most recent word bursts, but you can sign up to follow all of our twittering here.

Mark Your Calendar: Passport to the Arts

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An installation view of Master Slave System (afterglow), an exhibition of the work of German artist Klaus Merkel that is on view through December 7 at Joe Sheftel Gallery.

The New Yorker‘s Passport to the Arts is back. The venerable magazine and its promotions department have organized a gallery crawl, evening cocktail party, and silent auction (to benefit Creative Time) on Saturday, November 8. A $55 ticket gets you a “limited-edition passport” that each of the 25 SoHo and Lower East Side galleries and venues on the self-guided tour will stamp with a replica of a featured work of art. And with a list of participating galleries that includes Joe Sheftel, Laurel Gitlen, and Invisible-Exports, this year’s Passport to the Arts promises to be quite a trip.

Quote of Note | Marc Newson on Carlo Mollino

mollino bisiluro 1955

“I discovered the work of Carlo Mollino at the beginning of my career, about twenty-five years ago. The piece that really got me excited was the ‘Bisiluro’ (pictured), which was essentially a racing car that looked like a four-wheeled motorcycle, like two motorcycles bolted together. It was a fantastically brilliant thing: two pontoons joined by a metallic membrane. He raced them. They were his obsession, though he designed them not merely to look cool, but also to be functional and aerodynamic. What subsequently attracted me to his work, more than the furniture, was his general multitasking ability. Aviation, architecture, automotives, photography, furniture—he created all of those things, and he practiced across several disciplines at a time when not many other people were doing that. He eluded any job description.”

-Multitasking designer Marc Newson in the fifth (fall/winter 2014) issue of CR Fashion Book

Editions/Artists’ Books Fair Returns

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As you bid Archtober adieu with a Halloween-themed candy binge weekend, ready your sturdiest tote bag and a swath of shelf space for New York’s Editions/Artists Books Fair. The extravaganza of contemporary art publishers and dealers gets underway Thursday evening with a festive preview (tickets here) and then runs through Sunday, November 9, at the newly-renovated Art Beam building in Chelsea. Back after a brief hiatus (see also: “Sandy, Hurricane”), this marks the sixteenth installment of the fair, which has lined up 44 exhibitors, from Michael Steinberg Fine Art and the paper maestros at Dieu Donné to Bartleby & Co. and Purgatory Pie Press (“a sanctuary for artists, designers and typographers who are seduced by the kiss of type and the touch of metal”), presenting works by hundreds of emerging and established artists. Speaking of the latter category, Enoc Perez has whipped up a limited-edition benefit print for the fair—Fontainebleau, Miami—that looks ahead to the next big event on the global art calendar: Art Basel Miami Beach.

Restoration of Alvar Aalto’s Viipuri Library Wins World Monuments Fund Modernism Prize

RUS-Viipuri-glass-facadeThe 21-year-long project to restore Alvar Aalto‘s Viipuri Library in Vyborg, Russia (né Viipuri, Finland, before Stalin and co. took a fancy to it) has clinched the 2014 World Monuments Fund/Knoll Modernism Prize, awarded biennially to an innovative architectural or design solution that has preserved or enhanced a modern landmark. The award will be made to the Finnish Committee for the Restoration of Viipuri Library with Vyborg’s Central City Alvar Aalto Library. Previous winners of the prize—$10,000 and a limited-edition Barcelona chair created by Knoll especially for the occasion—include an architectural consortium that restored typhoon-ravaged Hizuchi Elementary School on Japan’s Shikoku Island and the team effort of Bierman Henket Architecten and Wessel de Jonge Architects to restore the Zonnestraal Sanatorium in the Dutch town of Hilversum.

The Aalto-designed library was completed in 1935. “An icon of twentieth-century architecture—with its distinctive sky-lighted roof, undulating wood-slatted lecture hall ceiling, and glass façade-enclosed staircase—the library at Viipuri is one of Aalto’s most important buildings from the years in which he was adventurously exploring a new modernist vocabulary; indeed, photographs of the building soon made him known around the world,” said jury chairman and MoMA veteran Barry Bergdoll, professor of Art History and Archaeology at Columbia University, in a statement issued today by the WMF. “The restoration organized and executed an impressive international campaign that has ensured the survival and revival of Aalto’s masterpiece by restoring it to its original function as a vibrant municipal library.” The prize will be presented at New York’s Museum of Modern Art on December 1 followed by a free public lecture.

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