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Learn HTML Online, Just as Nature Intended

html yo

Admit it: Your seven-year-old nephew could out-HTML tag you any day and you think that a Cascading Style Sheet is something with a thread count. That’s where Mediabistro comes in. Our mothership has just confirmed its next online course in HTML and CSS, and it’s never too early to start planning ahead. Over four fun-filled weeks, web design design guru Laura Galbraith will guide you through a variety of web page production techniques, from column-based layouts and search engine optimization to semantic markup and advanced CSS styles. The online learning fun begins September 15, and by Halloween, you’ll have brought a pre-designed webpage to life through the magic of HTML. Preview the course syllabus and register here. Enter code SUN75 to save $75 if you register by Monday.

Hollywood Glamour Coming to MFA Boston

(Edward Steichen)

Sartorially speaking, the summer has belonged to the idiosyncratic, emotionally fraught fashion genius known as Charles James, the subject of exhibitions at both New York’s Metropolitan Museum of Art and the Menil Collection in Houston. The glamour continues next month, sans James, in Boston as the Museum of Fine Arts rolls out the red carpet for “Hollywood Glamour: Fashion and Jewelry from the Silver Screen.”

The exhibition will focus on how jewelry—something of an MFA specialty—and clothing contributed to the style of major stars of the 1930s and 1940s, from Gloria Swanson (pictured here in a 1927 photo by Edward Steichen) and Greta Garbo to Joan Crawford and Mae West, who at five feet tall, often got her kicks in nine-and-a-half-inch platform shoes. In addition to fashion (think designs by Adrian, Chanel, and enough satin to make Lanvin’s Alber Elbaz say assez!) and jewelry (including recently donated gems by Trabert & Hoeffer-Mauboussin), a “silver screen” in the gallery will play highlights from famous films. An equally star-studded companion exhibition, “Karsh Goes Hollywood,” will feature photographs by Yousuf Karsh from the 1940s through the 1960s.

“Hollywood Glamour: Fashion and Jewelry from the Silver Screen” is on view at the MFA Boston from September 9 through March 8, 2015.

Quote of Note | Paul Hornschemeier on Giant Sloths

sloth

“There actually is a prehistoric giant sloth on the campus of the college I went to, Ohio State. I think it was vandalized sometime in the last couple of years, but I think they repaired it since then. I can’t remember which school it’s a part of. I want to say it’s the geology school. Whatever museum it’s in, a lot of the signage and a lot of the exhibits kind of feel like these leftovers from the ’70s and ’80s. It just always felt a little out of step with modern times. It just kind of had this very particular vibe that really stuck with me. But I didn’t really have the idea for the actual story….There was always something about the giant sloth, just being this creature that its modern day equivalent is so puny and so inconsequential. It’s funny, when I mention the film to some people, they’re like, ‘Oh, that’s funny, like a giant sloth.’ I’m like, ‘No, there really were giant sloths.’ A lot of people aren’t even necessarily aware of them. They were these gigantic, huge, powerful things the size of bears. So there was always a metaphor there in the back of my head.”

-Paul Hornschemeier on the slothful inspiration for his animated feature-in-the-making, Giant Sloth, starring Paul Giamatti as an insane museum curator

Watch: The Mesmerizing Making of Hand-Painted Street Ads

In a sea of glossy billboards and digital signage, a hand-painted mural can stop you in your tracks. Many of the most strikingly photorealistic ones are the work of Colossal Media, which has whipped out the paintbrushes and scaffolding for companies ranging from Disney and Pepsi to Marc Jacobs and Comme des Garçons. The Motion Picture Association of America’s The Credits has captured some of the company’s painters at work, as they use hand-painted murals to prepare the world for the second coming of the Teenage Mutant Ninja Turtles. We think both Leonardo and his namesake would approve.

Smells Like…Architects! Sneak Peek at New Scent from Arquiste

architects club

Lions travel in prides and coyotes in bands, while owls gather wisely in parliaments and crows take flight in murders that are only occasionally bloody. But what is the appropriate collective when referring to architects? A pilaster of architects, perhaps? Or a cantilever? A keystone, maybe, or a spandrel? Mexican-born, New York-based Carlos Huber has settled on club, presumably the kind for belonging to rather than brandishing. The architect-turned-fragrance entrepreneur, who holds a master’s in historic preservation from Columbia, is preparing to launch the latest addition to his Arquiste line of scents: “The Club of Architects,” a woody-vanilla blend created by perfumer Yann Vasnier. The fragrance, now available for pre-order from the fine-smelling people at Aedes De Venustas, is meant to evoke a group of architects gathering in days gone by for a drink (or six) in the Fumoir Bar at Claridge’s in London. Think Art Deco splendor—dark woods, leather, velvet—meets gin fizz, a splash of citrus, and peals of laughter at jokes in which curtain walls figure prominently.

Listen: Milton Glaser Talks ‘Global Dying’

glaser billboard“It’s easy to describe. It’s just a black dot with a little bit of green at the bottom,” said Milton Glaser when asked to translate his latest graphic design project for radio listeners. “Either Earth is dying or it’s beginning to grow again. My preference would be that it was beginning to grow again, but for the moment I have no evidence of that.” Glaser appeared today on WNYC’s The Brian Lehrer Show to discuss “It’s not warming, it’s dying,” his new campaign to bring awareness to the potentially world-destroying force of what is best known by the rosy-sounding terms “global warming” and “climate change.” As for how the black-to-green gradient orb could stand alone, in the form of a button, and still convey the message, Glaser explained, “In the relationship between dark and light, there’s always something that people implicitly know.”

Click below to listen to the full segment.

Design Jobs: PMC, MarketShare, heartYN

This week, PMC is hiring an associate art director, while MarketShare needs a digital graphic designer. HeartYN is seeking a photojournalism contributor, and Niche Media Holdings is on the hunt for a designer. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

PMC130

Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

Museum Masterpieces Head Outdoors with Art Everywhere’s U.S. Debut

Works by artists ranging from John Singleton Copley and Thomas Eakins to Jasper Johns and Cindy Sherman take to the streets this month with the launch of Art Everywhere U.S. Nancy Lazarus sizes up the coast-to-coast campaign that’s being billed as “the largest outdoor art show ever conceived.”

Art Everywhere Times Square Chuck Close Phil and Edward Hopper Nighthawks
Art Everywhere U.S. Times Square rendering, featuring Chuck Close’s Phil (1969) and Edward Hopper’s Nighthawks (1942).

Can’t make it to a museum this August? Fear not. The art is coming to you thanks to Art Everywhere U.S., an extensive outdoor art show highlighting the nation’s artistic heritage. Throughout the month, images of 58 selected U.S. artworks are being projected on billboards and public spaces such as buses, trains, airports, and movie theatres across the U.S. “This is an unconventional program to promote museum experiences and to encourage the discovery of art history so it becomes part of everyday life,” said Maxwell Anderson, director of the Dallas Museum of Art, at yesterday’s kickoff event. “The goal is to continue the enthusiasm every summer.”

Inspired by the success of the 2013 Art Everywhere UK campaign, Anderson enlisted the participation of four other major U.S. museums: New York’s Whitney Museum of American Art, Washington D.C.’s National Gallery of Art, the Art Institute of Chicago, and the Los Angeles County Museum of Art (LACMA). Aside from the five partnering museums, the Outdoor Advertising Association of America (OAAA) was also instrumental in launching the initiative, which marks the organization’s largest public service campaign to date.
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Wanted: Designer to Blind Them with Science

man of science.jpgDo you excel at explaining phenomena ranging from plate tectonics to nuclear fission using only a pen and a dinner napkin? Doodle double helices—and their accompanying nucleotides? Then listen up, because the American Association for the Advancement of Science (or “triple-A S,” as the cool kids call it) is looking for a new visual Einstein to join the creative marketing team for its flagship journal, Science, at its Washington, D.C., headquarters. Need you be able to tell xylem from phloem, ventricles from atria, a chupacabra from an exasperated kangaroo? Probably not, but be ready to describe how your “strong communication skills and excellent type sensibility” will react with your “ability to create effective, visually exciting print and electronic media” to keep the visual standards of Science as high as its impact factor. And don’t forget to balance your equation.

Learn more about this junior graphic designer, American Association for the Advancement of Science job or view all of the current mediabistro.com design/art/photo jobs.

Milton Glaser Versus Global Warming

glaser gwIf you, too, had the best of intentions but just couldn’t manage to sit through the PowerPoint deck-plus-Al-Gore-on-a-plane-B-roll that is An Inconvenient Truth, Milton Glaser has boiled down “global warming” and “climate change” into a new campaign that calls out these terms as the clumsy euphemisms they are. The bottom line: “It’s not warming, it’s dying.”

With his signature inform-and-delight tactics, Glaser pairs this grim yet clear-eyed slogan with a roiling green orb that suggests the planet Earth viewed from space—as its expanse of life-sustaining terrain recedes into blackness. On Friday the message debuted as a billboard at New York’s School of Visual Arts, where Glaser serves as a faculty member and acting chairman of the board (look for the billboard on the western exterior wall of SVA’s East 23rd Street building). Spread the word—and the orb—in button form: available in $5 sets of five here. SVA also plans to distribute free buttons on college campuses nationwide.

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