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Vik Muniz Designs Perrier-Jouët Bottle

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From left, Perrier-Jouët’s Cellar Master Hervé Deschamps and Vik Muniz.

pj vm bottleVik Muniz has demonstrated his range with raw materials that range from diamonds and caviar to dust and recyclables plucked from the world’s largest garbage dump. The Brazilian artist’s latest project returned him to the luxe end of the spectrum, via Art Nouveau flourishes and blush-hued bubbles. Muniz designed the bottle for the 2005 vintage of Perrier-Jouët’s Cuvée Belle Epoque Rosé. The limited edition, released this month, began as a scene crafted from scraps of gold: a dreamy meeting of a gilded hummingbird and the Perrier-Jouët anemone that has graced every Belle Epoque bottle for more than a century. The scene was photographed and applied by Muniz to the Belle Epoque bottle via a gold plate on which the hummingbird—seemingly, depending on how much of the salmon-hued wine one has consumed to that point—flies toward the anemones in the foreground. Notes the artist, “Much as Perrier-Jouët has long embraced Art Nouveau’s love of nature and enchantment, I took the idea of captivation in a natural setting as the inspiration for this motif.”

Inside Louise Fili’s Elegantissima Exhibit

Before we could say “Gelato Fiasco,” Elegantissima: The Design and Typography of Louise Fili had opened and closed at the Art Directors Club in NYC. If you missed the show’s two-week run, which wrapped up Friday in a evening pleasant prosecco haze, all is not perso. The series of thematic interiors, designed by the incomparable Kevin O’Callaghan and sure to inspire a run on violet-hued fainting couches, live on in a short film (below). We suggest following this taste of Fili’s brand of la dolce vita with her stunningly beautiful new book, Grafica della Strada: The Signs of Italy, published earlier this month by Princeton Architectural Press.

In Which We Seek Your Design News

If we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy task of plotting murder, thanks to our handy “Anonymous Tips” box nestled in the menu bar at right, below the search box. Simply type in your news—design happenings, movements of the Revolving Door, scandalous revelations, a designer’s hidden talent, or any newsy, design-y morsel—and click “Send.” And for those not inclined to clandestine tipping, we’re still just an e-mail away.

Quote of Note | David Chipperfield

(Mattias Kunz)“There are no indigenous materials anymore. You can find yourself in Italy being offered Indian marble because it’s cheaper, and that’s…it’s just very confusing. Or else the marble is Italian, but it’s being sent to India to be cut, and then shipped back to Italy. It means that unless you’re up in the Swiss mountains, or in the Cotswolds in England, where there are pre-described architectural languages that you should clearly respect, it’s a conceptual rather than practical issue. I do think it’s the case that because of industrialization and globalization everything is gradually starting to look the same, and the question is how can you stop buildings looking like each other? We just made a small office building (pictured) by the railway lines at King’s Cross in London, where they’ve recently dismantled the cast iron gasometers. I was inspired by all that Victorian architecture, which led to us making the columns from cast iron, which is actually a fantastic material. So in one sense, it’s a predictable and arbitrary connection to history, which is not necessarily right or wrong, but it’s a clue as to why you make a building different to others.”

-Architect David Chipperfield in an interview in The Travel Almanac. Chipperfield’s “Sticks and Stones,” an exhibition-cum-renovation prologue goes on view October 2 at the Neue Nationalgalerie in Berlin.

Now Read This: Collector’s Edition

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At a time when nearly everything is available in bits, bytes, and pixels, print lives on in inspired packaging. Stuart Tolley brings together the most innovative examples in Collector’s Edition, new from Thames and Hudson. The book spans the worlds of music, book publishing, and magazines to reveal extraordinary analog artifacts, from limited-edition box sets and deluxe editions made from specialist materials to handmade packaging and sculptural objects that incorporate digital technologies. Sprinkled among the inspiring work are interviews with the likes of Alec Soth, Dinos Chapman, and Stefan Sagmeister.

Watch: At Home with Pablo Bronstein

Why settle for an ordinary vacation home when you can have a “baroque event”? Frieze recently visited artist Pablo Bronstein—who you may recall from the mythical architectural history of the Metropolitan Museum of Art that he conjured in 2009—on the east coast of Kent, England, where he is embracing a “mid-century, slightly granny” aesthetic and the “pleasurable mess” of baroque architecture. “I think that it has no shame,” he says. “Baroque architecture does everything it possibly can to appeal, to amuse, to impress, to show off, to seem heavy or grand or important. It’s really sort of desperate architecture.” Watch Bronstein discuss art, architecture, taste, and the playful pathos of postmodernism.

Alison Bechdel, Rick Lowe Among 2014 MacArthur Fellows

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(Courtesy of the John D. & Catherine T. MacArthur Foundation)

Cartoonist and graphic memoirist Alison Bechdel (Fun Home, Are You My Mother?) and artist Rick Lowe (Project Row Houses) are among this year’s MacArthur fellows, the annual mix of thinkers, writers, artists, mathematicians, and materials scientists awarded $500,000 in no-strings-attached “genius grants” over five years. “Those who think creativity is dying should examine the life’s work of these extraordinary innovators who work in diverse fields and in different ways to improve our lives and better our world,” said MacArthur Fellows Program vice president Cecilia Conrad, in a statement issued today. “Together, they expand our view of what is possible, and they inspire us to apply our own talents and imagination.” Other 2014 fellows include documentary filmmaker Joshua Oppenheimer, translator and poet Khaled Mattawa, playwright Samuel D. Hunter, and computer scientist Craig Gentry. Meet all 21 MacArthur fellows here.
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Quote of Note | Ryan McGinley

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A 2007 work by Ryan McGinley.

“I love shooting at sand dunes because people can be at their most playful there, and everything that I was someone to do in a photo that you can do safely and really freely in sand dunes. I like them because of the spatial relationship—you can tell how big the people are and how big the dunes are. I also like them because it’s like blocks of color—ranging from really tan to really white. It’s in your DNA to act extremely childish and be really playful in that environment. You want to roll down them, you want to run around with your hands like you’re an airplane, you want to play tag, and just be free. You want to take your shoes off and feel the sand in your toes. That type of experience is sort of the essence of what I’m trying to capture in all of my photographs.”

-Artist Ryan McGinley in an interview in The Travel Almanac. “Yearbook,” an exhibition of McGinley’s work, is on view through October 12 at Team Gallery in New York.

Design Jobs: MoMA, Kostow Greenwood Architects, LACSD

This week, Kostow Greenwood Architects is hiring a marketing/administrative assistant, while the Museum of Modern Art needs an assistant creative director for MoMa Retail. LACSD is seeking a graphic artist specialist, and Portland Monthly magazine is on the hunt for an associate art director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

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Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

Mark Your Calendar: Open House New York

(Mikiko Kikuyama)Whether you live in the NYC area or need an excuse for a fall visit, check out Open House New York weekend on October 11 and 12. The event, now in its twelfth year, invites the public to explore architecture, design, and cultural sites throughout the five boroughs. Among the more than 200 sites that will open their doors (many typically closed to the public) are the 425-square-foot “Manhattan Micro-Loft” atop an Upper West Side brownstone, the meticulously restored Williamsburgh Savings Bank building at the foot of the Williamsburg Bridge, and Kickstarter’s new Brooklyn headquarters, located in the remnants of the historic Eberhard Faber Pencil Factory. Listings of all OHNY Weekend sites will be posted on the OHNY website on September 30, and reservations can be made beginning at 11 a.m. on October 1. Be quick, because once the event guide hits newsstands on October 2 as an insert in Time Out New York, the waitlists—and disappointments—are bound to follow.

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