“I simply loathe the crude 1960s distinctions between commerce and art. For me, Warhol and pop obliterated all of those separations—that was the whole point of ‘Brillo Boxes’ and ‘Campbell’s Soup Cans.’ And believe it or not, moronic journalists are still saying to me, ‘Your work is so commercial.’ Didn’t we cover that 50 years ago? Where have you been? It’s so pathetic. If you do a museum, that’s sacred, and if you do a store, that’s profane. I just say, ‘Oh, please, get over it. I don’t know what rock you’ve been living under, but you have to crawl out.’ So, in a sense, I do have a Warholian thing going on. I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that’s very pop. I don’t want to discuss abstract transparencies with a bunch of kooks.” -Architect Peter Marino
Distillers List is looking for a Digital Producer Position. next job ASME is looking for a Art & Production Designer. next job Forbes is looking for a Associate Designer. next job Levine/Leavitt is looking for a Studio Manager. next job Daily Mail Online U.S. is looking for a Evening Photo Editor. next job Education Week is looking for a Web Designer. next job Verso Advertising, Inc. is looking for a Art Director. next job Digital Agency is looking for a Graphic Designer. see all
Starting October 30, learn how translate your written work into multi-dimensional and editorially relevant digital content! In this course you'll learn how to navigate a CMS, crop, resize, and optimize photos, create graphics, enhance static text through HTML/CSS, and measure the effectiveness of your content using analytics. Register now!