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In one of the most inspiring design stories to come our way in a long time, Richard Turley‘s poetic account of sloshing through the Glastonbury Festival with a slimy laptop is about the best way to experience the mind-crushing rush of creativity on command. The Guardian art director was charged with creating a 20-page special issue of the G2 magazine on-site (read: in a field, in the mud) during the three-day event, and he chronicles the challenge of collecting and editing down thousands upon thousands of potential images and words into one sticky, sleep-deprived narrative that truly captures the festival vibe. It’s devastating, triumphant, messy, loud and every bit as satisfying as a good rock show.