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Posts Tagged ‘Michael Whelan’

Anne McCaffrey Tribute Book Coming in August

Smart Pop Books will publish Dragonwriter: A Tribute to Anne McCaffrey and Pern this August, a collection edited by the late science fiction author’s son, Todd McCaffrey.

McCaffrey died in 2011, earning tributes from around the publishing world. The new collection will feature both an essay and cover art (pictured) by Michael Whelan. Here’s more about the book, from the release:

Michael Whelan shares stories and 18 concept sketches—in a special color insert—from his longtime work on Pern cover art. Lois McMaster Bujold describes using McCaffrey as a model of the writer’s life. Mercedes Lackey discusses the Brainship universe, and what she learned about McCaffrey’s storytelling from working within it. Elizabeth Moon relates the lessons she learned from Pern’s Lessa (and from Lessa’s creator). David Brin pinpoints the primary characteristic of McCaffrey’s work: her steadfast belief that what is to come is better than what has past.

Mediabistro Course

Novel Writing: Editing Your Draft

Novel Writing: Editing Your DraftStarting July 16, workshop your novel in-progress with a published author! Erika Mailman's course will function as a workshop, with the emphasis on sharing your work for review and providing critiques for your peers. By the end of this class you'll have up to 75 pages of you novel workshopped and developed patterns to improve your writing. Register now! 

How a Fantasy Book Cover Gets Made

On his blog, artist Michael Whelan revealed how he painted the cover for A Memory of Light.

The blog article shares sketches, color tests and materials he used to create the action-packed cover. Darrell Sweet, the original cover artist for the series, passed away, so Whelan took over for the concluding cover of the epic series.

Here’s more from Whelan’s blog: “I digitized all the existing cave and figure visualizations I had accumulated. In Photoshop, I played around with combining them in ways that might work. On my studio laptop, I set up a slideshow of the more appealing approaches and painted the figures selected into the backgrounds I had chosen. These I sent to Irene Gallo at TOR books for selection as a cover approach. Some were more highly developed than others—I learned long ago that the powers that choose such things tend to favor more finished concepts than looser ones—so naturally I tended to favor the concepts I was most interested in developing into a full scale painting.”