Coordinator, Video and Live Production Job at LA 411 in El Segundo

This is a Full Time position in the field of Production Coordinator / Project Management, located in Los Angeles, CA.

Position Summary: This position will support our Manager in producing engaging in-game content and contributing to the overall fan experience. The ideal candidate will have a passion for basketball, strong storytelling instincts and proficiency in video editing software. This role also requires basic camera, lighting and audio knowledge to support on-location shoots, including media day and other team productions. Key metrics used to evaluate performance: Quantity/quality of new game entertainment ideas implemented, Feedback from fans, Overall run of show execution, Feedback from other department heads.

Essential Functions (Duties & Responsibilities)

• Content Creation, Ideation & Logging: Edit player features, hype videos, and milestone content for in-game presentation
• Collaborate with the Game Entertainment team to brainstorm and develop innovative content ideas
• Create compelling visual content that aligns with brand guidelines
• Log and organize broadcast highlight footage, including ongoing maintenance of game melts
• Help maintain our archive of historical Lakers video content, including metadata tagging, file naming, and team-wide accessibility
• Clip segments from the in-arena video board show for reuse and for internal/external distribution
• Fulfill content requests from internal teams (Marketing, Corporate Partnerships) and coordinate with outside vendors for external video needs
• Game Day Duties:
  • Support video and graphic content playback in the control room during home games
  • Prepare player highlight packages and stat graphics for live presentation
  • Assist with edit quality control, including resolution, color, and file type checks; use Adobe Media Encoder to resolve formatting issues and ensure proper delivery and file structure
  • Respond to last-minute content needs, such as tributes, milestone packages, or celebrity features that require quick-turn edits
• Camera & Audio Production:
  • Operate professional cameras for Media Day, behind-the-scenes shoots, and promotional content
  • Execute green screen productions with clean lighting and proper camera placement
  • Set up and balance lighting for interviews and branded content shoots
  • Handle and monitor audio equipment, ensuring clean capture and proper levels
  • Maintain production gear including cameras, lights, audio kits, and batteries
• Cross Department Collaboration & Technical Workflow:
  • Work across departments (Marketing, Sponsorship, Animation, Game Ops) to fulfill video needs
  • Share alpha channel exports and assets with animators and motion designers
  • Use a project management platform to track tasks, timelines, and approvals
  • Maintain organized workflows and shared drives for ongoing projects
  • Demonstrate professionalism when working around athletes, talent, and in high-pressure game day environments
• Responsibilities subject to change based on organizational needs and direction from management

Experience

• Education (Required/Preferred): Bachelor’s degree
• Previous experience: A minimum of two (2) years’ experience as a video editor, preferably in sports
• Technology: Proficiency in Adobe Premiere, After Effects and Photoshop
• Must be willing to wear a headset
• Knowledge, skills, abilities: A passion and understanding for live sports, NBA experience a plus
• Working knowledge of camera operation, lighting and audio setup
• Experience with green screen shots and studio interviews preferred
• Extremely organized with a high attention to detail and logistics
• Ability to thrive in a fast-paced, team-oriented environment
• Must be able to make quick, quality decisions
• Physical Demands: Must be able to lift a min of 25lbs. and walk significant distances in arena on game days
• Location: El Segundo (offices M-F), downtown Los Angeles (Crypto.com Arena for Laker home games), and other occasional off-site events
• Travel: Less than 5% of the time