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Editor / Documentary Collaborator

NY 411 · New York, NY, USA ·

Pay:
60.000 - 80.000
Job type:
Full Time

This is a

Contracted

position in the field of

Post Production - Editing, Compositing, Motion Graphics, & Visual Effects , located in

Brooklyn, NY .

The position pays

$1,000.00 — $15,000.00 per job .

The employer is

Life Force Films .

Clicking "Apply" will direct you to apply through ProductionHUB.

I’m looking for a smart, collaborative editor to help shape a behind-the-scenes documentary/featurette about my daughter’s senior thesis short film production. The material: ~2.5 hrs of 4K Sony FX3 footage, interviews with cast, crew, producers, and director, vérité/BTS set footage, hundreds of BTS stills. Target runtime: approximately 15–25 mins. I’m aiming for something more cinematic, thoughtful, funny/human where appropriate, and genuinely process-oriented — a portrait of young artists trying to make something real under actual production conditions. Technical notes: Audio is a bit of an adventure: camera-mounted shotgun, wireless lavs, occasional split-channel chaos. Strong organizational and dialogue/audio editing skills matter. Workflow matters too: I use Final Cut Pro, so FCP workflow compatibility is preferred. I want the project fully organized and transparent throughout: labeled media, synced timelines, clean project structure, incremental saves/backups. I’d like the ability to review, jump into the timeline if necessary, or take over the project in an emergency without needing an archaeological team. Creative control ultimately stays with me, but I’m looking for a real collaborator — someone with documentary instincts, taste, rhythm, emotional intelligence, and ideally a sense of humor about the absurdity of filmmaking. Budget: Low-budget but serious project. Approx. $1,000-$1,500 max total. NYC-based preferred. There may also be opportunities for additional paid editorial work beyond the initial featurette/doc cut, including: EPK/promotional edits, social media cutdowns, teaser/trailer material, archival/festival assets. Those would be discussed separately and are not assumed within the initial scope/budget. Please send: samples/reel (documentary/interview/process-oriented work preferred), editing platform, brief workflow overview, availability/rates. Bonus points if you’ve worked in academic arts environments, indie film, or know how to make people look brilliant without making everything look like a perfume commercial.

Experience

Documentary or interview-driven editing instincts

Strong sense of story, rhythm, pacing, and emotional structure

Ability to shape vérité/BTS material into something cinematic and coherent

Audio syncing, cleanup, dialogue balancing, and general sound wrangling

Comfortable navigating mildly chaotic multi-source indie-film audio setups

Strong media organization habits (PLEASE)

Final Cut Pro proficiency/compatibility preferredThoughtful use of music, silence, atmosphere, and texture

Good eye for integrating still photography into moving-image storytelling

Collaborative temperament and low-drama communication style

Ability to take notes without spiraling into existential despair

Reliable project management and deadline follow-through

Experience with indie film, documentary, student productions, arts organizations, or similarly resourceful environments

Taste

Restraint

A sense of humor helps

Bonus: If you secretly enjoy watching talented young artists try to pull off something wildly ambitious on too little sleep and not enough money, this may be your genre.

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