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In Which We Seek Your Design News

If we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy task of plotting murder, thanks to our handy “Anonymous Tips” box nestled in the menu bar at right, below the search box. Simply type in your news—design happenings, movements of the Revolving Door, a bit of gossip, a designer’s hidden talent, or any newsy, design-y morsel—and click “Send.” And for those not inclined to clandestine tipping, we’re still just an e-mail away.

Wanted: Designer Who May Already Have Won Ten Million Dollars!

While we can’t guarantee it will make you any more likely to receive an early morning visit from the Prize Patrol (and in all likelihood employees are ineligible for company sweepstakes), we did want to alert you to the fact that Publishers Clearing House, they of the plentiful pay-by-installment magazine subscriptions and cash prize promises, is looking for a senior web designer to join its Port Washington, New York office. The winning candidates’ responsibilities will include planning, designing, coding, and executing mobile and web-based material, emails, and interactive experiences (many of them probably depicting giant piles of cash!). And don’t forget to ask in advance to be paid by direct desposit rather than in giant novelty checks.

Learn more about and apply for this Senior Web Designer, Publishers Clearing House job or view all the current mediabistro.com design/art/photo jobs.

Put the ‘Fun’ in ‘HTML Fundamentals’

Admit it. Your seven-year-old nephew could out-HTML tag you any day and you think that a Cascading Style Sheet is something with a thread count. That’s where the Mediabistro mothership comes in. They’ve asked us to tell you about the online course in HTML and CSS that kicks off next week. Over four fun-filled sessions, web designer (and illustrator) Laura Galbraith will guide you through a variety of web page production techniques, from column-based layouts and search engine optimization to semantic markup and advanced CSS styles. And you’re bound to ace the typography sections. The online learning fun begins April 1 (make of that what you will). Preview the course syllabus and register here.

Snuff Bottles and Moon Jars! Five Must-See Asia Week New York Exhibits

Writer Nancy Lazarus heads to the Far East without leaving Manhattan as she takes in the sixth annual Asia Week and offers up five highlights.

Kaneko Toru Blue Rust #1 2009
Kaneko Toru’s Blue Rust #1 (2009) is on view during Asia Week at Lesley Kehoe Galleries.

Spring marks the arrival of Asia Week New York. The nine-day event (March 14-22), a marathon of 47 gallery shows and 19 auction sales, along with museum exhibitions and special events, offers the opportunity to admire a wealth of ancient and modern treasures. We’ve picked five exhibits where the themes, settings, timeless works, contemporary pieces, or unique techniques reward close looking. They’re listed by location, starting in midtown.

Lesley Kehoe Galleries (Melbourne, Australia-based gallery specializing in Japanese art; has Asia Week gallery space in Fuller Building at 41 East 57th Street, 5th floor)
The Transcendent Spirit, a special Asia Week exhibit, highlights works of seven Japanese artists. Owner Lesley Kehoe believes “there’s not another culture with the patience and self-discipline to master these complex techniques.” Mitsuo Shoji creates paintings, calligraphy, and objects. He’s inspired by Buddhist chanting and fascinated with fire, using traditional Japanese foils to fire canvases. Kaneko Toru and Kidera Yuko specialize in metalworks. Yoku hammers flat metal sheets to create spirited female forms of dance and song. Toru uses copper oxide and enameled metals to craft colorful tin-plated decorative vessels with exotic textures.

Ralph M. Chait Galleries (specializes in Chinese art; 730 Fifth Avenue at 57th Street, Crown Building, 12th floor)
For Asia Week, the oldest U.S. firm dealing in Chinese art is focusing on porcelain, silver sculpture, root carvings, and a collection of 20 snuff bottles dating from the 18th-20th centuries. Though miniature in size, the bottles were quite eye-catching, especially given the variety of animal and botanical motifs, shapes, and design types. Some were inlaid, while others were carved, painted, or embellished. Among the gemstones were lapis, jasper, jade, rhodonite, and moss agate. A stopper in a matching or contrasting color sat atop each bottle.
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Wanted: Graphics Pro Who Can Perform

The world’s leading performing arts center—that would be Lincoln Center— recently celebrated its 50th anniversary [cymbal flourish]. Some say that such a milestone calls for a gift of gold, but it’s actually a graphics maestro. That’s right, design fans, Lincoln Center for the Performing Arts, one of 12 organizations resident in the Lincoln Center complex (how many of the other 11 can you name?), is on the hunt for a graphic designer to “develop and create communications and advertising which promote Lincoln Center’s programmatic offerings and services and express the Lincoln Center brand.” Bring your portfolio of dazzling typography, design, and branding work but leave your stage fright at home.

Learn more about and apply for this graphic designer, Lincoln Center for the Performing Arts job or view all of the current mediabistro.com design/art/photo jobs.

Eight Years B.C.: Bill Cunningham Exhibit Opens at NY Historical Society

Intrepid blue-smocked street photographer Bill Cunningham turned 85 yesterday, and the New York Historical Society marked the occasion with a press preview of an exhibit of his photographs. We dispatched writer Nancy Lazarus—via bicycle, of course—to take in the architectural riches and fashion history of New York through Cunningham’s lens. The show opens to the public today.

bill c top
(All photos courtesy New York Historical Society)

billWhile his images don’t depict biblical times, Bill Cunningham did delve back to the Civil War, Victorian era, and Gilded Age for his eight-year-long project, Facades. From 1968-1976, the New York Times photographer who documented social, architecture, and fashion trends collected over 500 outfits and shot more than 1,800 locations around New York City. Editta Sherman, his friend, neighbor and fellow photographer, served as project collaborator and frequent subject.

Cunningham donated 88 black-and-white images from his photo essay to the New York Historical Society in 1976, and 80 gelatin silver prints and enlarged images are on display through June 15. Valerie Paley, NYHS historian and vice president for scholarly programs, curated the exhibit, and she said assistant curator Lilly Tuttle, found the photos in the museum’s archives. “We have so many undiscovered treasures, and we’re delighted to rediscover them,” said Paley.

Although Cunningham wasn’t on hand for yesterday’s preview, Paley said he was enthusiastic about the exhibit and had pitched in to locate details of specific photos. Many of his quotes accompany the exhibit highlights. The display is arranged by historic era, and additional photos in the collection are projected onto the walls of the museum’s side entrance rotunda.
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Wanted: Designer with Good Taste

food+wine

Are you a die-hard Top Chef fan? Do you have strong views about “flavor profiles”? Were you able to enjoy Julie & Julia without becoming distracted by the hideous costume choices for the Julie character? Then clear your plate for this job opportunity: the epicureans over at Food & Wine are looking for a new cook—and by cook, we mean editorial production assistant—to join their New York-based team. Ingredients of a successful candidate include two cups of “proficiency in InDesign, Photoshop, Acrobat, Bridge, and Microsoft Office,” one cup of solid editorial production experience, and two heaping tablespoons of technical curiosity, all sprinkled with an abiding faith in squash. Interested in user experience and evolving digital production processes? That’s icing on the Black Sesame Chocolate-Banana Loaf Cake.

Pack your knives and apply for this production assistant (design/editorial), Food & Wine job or view all current mediabistro.com design/art/photo jobs.

New U.S. Embassy in London to Showcase 007-Level Security and Style

Having outgrown its home in the Eero Saarinen-designed London Chancery Building, the Embassy of the United States in London is getting a new home. Nancy Lazarus sizes up the project, a transparent, crystalline cube now taking shape on London’s South Bank.

View from northeast
(Renderings courtesy of KieranTimberlake/Studio amd.)

“The U.S. government is taking their design seriously again,” said David Sprouls, president of the New York School of Interior Design. His proof? Under the State Department’s Excellence in Diplomatic Facilities program, the American government is commissioning noted architects and designers to build embassies and consulates worldwide. He spoke briefly at NYSID’s “Design Diplomacy” event last week, where plans for the new London embassy were previewed.

Currently 31 international projects are in the design or construction phase, and these facilities have evolved beyond the purpose-built or modern compounds of earlier U.S. embassies, according to Jerry Withers, project manager at the State Department’s Bureau of Overseas Buildings Operations that manages the program. They’re part of the 2010 Embassy Design and Security Act, whose flexible design standards encourages more local influences and cultures.

“Showcasing and representing America well abroad while still being functional, sustainable and safe”: those are the tall tasks of the embassy design program, Withers said. One of the toughest design challenges is to convey U.S. openness since security requirements have tightened in the wake of overseas incidents.

The new U.S. embassy in London is the most high-profile project, and it began about six years ago, when Kieran Timberlake was awarded the architectural design after an international competition. November 2013 marked the groundbreaking and the opening is slated for 2017.
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Wanted: Designer Who’ll Give Peace a Chance

peaceReady to use your design skills to resolve violent international conflict and increase peacebuilding capacity? You’re in luck, because those are among the goals of the United States Institute of Peace. The independent, quasi-federal institution is in need of a graphic designer to join its Washington, DC-based team of problem solvers. Your quasi-diplomatic mission, should you choose to accept it: establish and maintain consistent design standards, create web- and print-ready publication designs, and design high-quality products that communicate ideas effectively with branding consistency and within budget.

Click to apply for this graphic designer, United States Institute of Peace job or view all of the latest Mediabistro design jobs.

Infographics for Fun and Profit

Ready to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by veteran creative director Sascha Mombartz, whose resume includes stints at The New York Times and Google, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts February 11th. Learn more here.

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