And now for something completely different: Baz Luhrmann‘s 21st century take on The Great Gatsby, recently released on DVD, gets a “supercut.” Editors at Tribeca Film scouted the latest cinematic adaptation of the classic F. Scott Fitzgerald novel to find all of the utterances of the “old sport” that peppers Gatsby’s speech, turned up at least 43 (for the record, we counted 45 in the book), and strung them together into this mesmerizing video. “After a while, the ‘old sports’ start to tell their own twisted tale of lost love, delusion, and desperation—or something,” say the editors. “Enjoy! Just don’t turn this into a drinking game.” Bottoms up, old sport.
As the talented and exceedingly charming gentleman of Rich Brilliant Willing (a.k.a. Theo Richardson, Charles Brill, and Alexander Williams) head across the pond for the London Design Festival, which kicks off on Saturday, join them for a video interview produced by our friends at Design Within Reach. Click below to watch the trio discuss their design process —which only occasionally calls for consensual “duking it out,” their way with materials, and how their own decidedly 21st century aesthetic resonates with that of midcentury masters.
Once upon a time, creating signage involved more than Microsoft Word, 72-point Comic Sans, and an inkjet printer. Everything from storefronts to street signs were hand-lettered—with brush and paint. But all is not lost. Even as staid (and quick-and-dirty DIY) signage proliferates, there’s a revival afoot in traditional sign painting. Dedicated practitioners get their close-up in Faythe Levine and Sam Macon‘s Sign Painters, published last fall by Princeton Architectural Press. But with a subject as scintillating as hand-lettered signage, why stop at a book? The anecdotal history of the craft and stories of sign painters working in cities throughout the United States comes to the big screen in a documentary that is now making the rounds (next up: screenings in Orlando, New York, and Seattle). The trailer is bound to inspire you to drop that die-cut vinyl lettering:
We hate to fly and yet love airplanes. We eschew airplane food yet can spend hours happily discussing the EPCOT-y optimism of the curvy blue plastic silverware favored by Icelandair, the smart lighting choices (and kooky liveries) of Virgin America, or the evolution of Delta’s increasingly unhinged pre-flight safety video. We wish that the short-lived dramatic series Pan Am had not been grounded after one season. And so it is with nostalgia for a “golden age of air travel” that we never actually experienced—and yet can get an intoxicating whiff of in the streamlined, space-age-polymer forms of Marc Newson—that we anticipate Keith Lovegrove‘s Airline: Style at 30,000 Feet, out next month from Laurence King. Charting a course through interior design and fashion (pass the Pucci), technicolor food, and logos a-go-go, the book shows how airborne culture has changed from the 1920s to today’s sweatpants-and-flip-flops milieu. Here’s a cinematic sneak peek made by Lovegrove and Andrew Lennox:
Alexander Calder and Jean Prouvé get a joint close-up in an exhibition at Gagosian Paris. Organized with Galerie Patrick Seguin, “Calder | Prouvé” mixes the biomorphic mobiles and stabiles of the former with the smooth yet strong furniture and architectural projects of the latter. Born three years and an ocean apart, the two met in the early 1950s, became pen pals (although we’re pretty sure they didn’t use that term), and later collaborated on the steel base of “La Spirale,” Calder’s mega-mobile for UNESCO HQ in Paris. Gagosian has created this virtual tour of the exhibtion, on view at its Le Bourget space through November 2:
Surely one of the most mesmerizing installations at this year’s Salone del Mobile was Ronan and Erwan Bouroullec‘s “Quiet Motion,” a quartet of cork platforms that rotated, slowly and silently, in the cloister of a Milanese monastery. The installation, presented in partnership with BMWi, was designed “as an allegorical interpretation of movement and contemplation,” according to the brothers, who interpreted the concept of sustainable mobility with materials including fabrics made of the sustainable wool yarn that will be used in the electric car’s seat upholstery and lightweight carbon columns created using renewable energy sources. Here’s a cinematic souvenir of the project: the Quiet Motion film, directed by Juriaan Booij:
Nope, not communism–it’s Kickstopper, a “website that raises funding to crush people’s dreams, at the exact moment when they need to be crushed.” The team from YouTube’s Universal Comedy channel imagines the anti-crowdfunding force with the help of a trio of floundering creative entrepreneurs: a guy who once yearned to make a semi-autobiographical film about his failed college romance (“set in the Jazz Age” and featuring “a wide variety of fedoras”), a young woman who looked to Kickstarter to make her glassblowing dreams come true, and an inventor of a killer smartphone accessory.
Taking a good photo of a great building is no easy task, as Flickr or Instagram can demonstrate. Meanwhile, even the most expansive Pinterest page of stunning architectural images is likely to feature the work of a relatively small group of photographers–those who have mastered the tricky art and science of capturing the utility, spirit, and beauty of the designed environment. Many of those names are followed by “Esto,” the firm built on the image collection of Ezra Stoller. Esto assignment photographer Albert Vecerka was on hand last week at the Cooper-Hewitt Design Center for the latest in the museum’s “Harlem Focus” series. “I look to tell a story about a place; a neighborhood, a building, a room,” Vecerka has said. “Looking for the right light, right day, or right time of day is a part of that narrative, and it is no different for commercial assignments than for personal projects.” Watch the event below and then mark your calendar for June 26, when architectural historian John Reddick will be joined by curators and gardeners from the Central Park Conservatory Gardens to talk “Garden Design: The Art of Color, Variety, and Form.”
“They kind of exist at the spiritual center of our lives, really,” says Dave Kapell of refrigerator magnets. And he should know. The Minneapolis-based musician-slash-inventor is the founder of Magnetic Poetry, which has sold over three million kits (that’s more than a billion word tiles) worldwide. Faith Salie chatted up Kapell and more magnet magnates–including Louise Greenfarb, who made the Guinness Book of Records for owning the most refrigerator magnets in the world (45,000, but who’s counting?)–for this recent CBS Sunday Morning segment, which concludes by considering the bane of magnet lovers everywhere: the stainless steel fridge.
Rick Owens, how do we love thee? Let us count the pricey bruise-hued t-shirts. The buyers at Italian boutique Antonioli caught up with the designer in Paris following his spring 2013 womenswear show to discuss inspiration, hairstyles inspired by the work of Gustav Klimt, and foam, which bubbled down in clouds along the back wall of the runway. Enjoy a few minutes of Owens’s musings on ferocity, serenity, islands, and “creating a hallucinogenic vision of warmth and loveliness.”