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Quote of Note | Jerry Saltz on Kanye West

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“’Bound 2′ is certainly a piece of work—as bizarrely gonzo and creepily asexual as Jeff Koons‘s hyperrealistic 1991 paintings of himself having sex with his then-wife Cicciolina, John Currin‘s 1989 paintings of Breck girls, and Marina Abramovic’s staring at spectators at MoMA in 2010. “Bound 2” is different: a freakish act of creation and destruction by appropriation. It stars Kanye and his fiancée, Kim Kardashian, and we see (along with the two of them) wild horses running in rivers, eagles flying to the sky, sunsets, purple mountain majesties, redwood forests, and gulfstream waters. It’s a teenage girl’s bedroom’s idea of romance crossed with Richard Prince‘s Cowboy photographs, American Romanticism, Celestial Seasonings packages, shampoo commercials, Iranian music videos, Thomas Kinkaid, beer ads, Jeff Koons, The Onion, Lars von Trier, the House of Fendi, and Jeffrey Deitch and his own uncanny 1992 prophecy ‘The Freudian model of the psychological person is dissolving…freed of the constraints of one’s past.” The New Uncanny is un-self-consciousness filtered through hyper-self-consciousness, unprocessed absurdity, grandiosity of desire, and fantastic self-regard.”

-New York art critic Jerry Saltz on Kanye West‘s “Bound 2” video, directed by Nick Knight

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