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In Which We Seek Your Design News

If we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy task of plotting murder, thanks to our handy “Anonymous Tips” box nestled in the menu bar at right, below the search box. Simply type in your news—design happenings, movements of the Revolving Door, scandalous revelations, a designer’s hidden talent, or any newsy, design-y morsel—and click “Send.” And for those not inclined to clandestine tipping, we’re still just an e-mail away.

Wanted: Bookish Designer for Poised Promotions

cambridge.jpgWant to be the only designer on your block employed by a company founded by a 1534 royal charter? Well, here’s your ticket to legitimately name dropping Henry VIII at parties and more review copies than are prudent for an urban dweller. The New York City office of Cambridge University Press is searching for a senior designer to work his or her creative magic on promoting some of the around 1,200 new books it produces each year (and that’s not even counting its historic Bibles list!). The ideal candidate, who will will lead brainstorming, concept development, and design of integrated marketing campaigns for the English Language Teaching group, has advanced understanding of branding, typography, and grids/visual systems and is a pro on InDesign, Photoshop, and Illustrator.

Learn more about and apply for this Senior Designer, Cambridge University Press job or view all the current mediabistro.com design/art/photo jobs.

Hennessy and Pratt Reunite for ‘Wild Rabbit’ Competition

Writer Nancy Lazarus hops over to Pratt Manhattan Gallery for a creative collaboration between Pratt Institute and Hennessy V.S.

Eduardo Palma
Pratt MFA student Eduardo Palma’s winning project, an interactive poster. (All photos: Pratt Institute/Peter Tannenbaum)

Pratt Institute once again teamed with Hennessy for the “Wild Rabbit” contest. The third annual competition challenged nine Pratt students from six creative disciplines to create works of art based on Hennessy’s M.O., “never stop, never settle,” symbolized by the constantly striving bunny brand icon. A panel of seven industry judges recently viewed the works at Pratt’s Manhattan Gallery and selected the top three winners, who will fly to Los Angeles next week for an event where their works will be on display in conjunction with the launch of a Shepard Fairey-designed bottle of Hennessy V.S. Multi-layered approaches marked the common themes for the winners, though they hailed from different geographic areas and interpreted the assignment differently. Here’s a look at the winning projects.

Eduardo Palma_1First place ($10,000): Eduardo Palma (at right), from Bogota, Colombia, MFA in communications design
His wild rabbit: Impacting culture through language
Es Mejor ser Rich que Poor (“It’s better to be rich than poor”) is the statement on Palma’s wall-size poster, set in Friz Quadrata. The surface layer shows a Latin American map in the tones of American currency, divided into cutouts of heavy cardstock.

Palma invited viewers and judges to remove the postcards, uncovering another saying, Plata or Plomo (“Money or Lead”). The quote is from Colombian drug trafficker Pablo Escobar, who enforced a bribes-or-bullets program. The bottom newsprint layer shows images in red, yellow, and blue—the colors of the Colombian flag—and depicts Escobar becoming Donald Trump.
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Everything You Always Wanted to Know About Infographics (But Were Afraid to Ask)

daniel zeeviReady to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by veteran creative director Sascha Mombartz, whose resume includes stints at The New York Times and Google, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts on Tuesday, July 1. Learn more here.

Learn Infographics and Party Like a Chart Star

daniel zeeviReady to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by veteran creative director Sascha Mombartz, whose resume includes stints at The New York Times and Google, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts tomorrow. Learn more here.

Wanted: Art Director to Do a Capital Job

washingtonian mag coverThere’s more to Washington D.C. than monuments, symmetry, and Frank Underwood. Locals read all about it in the pages of Washingtonian, and as the magazine approaches its fiftieth anniversary is in want of a new art director for its flagship publication as well as the offshoots Washingtonian Bride & Groom, Washingtonian MOM, and Washingtonian Welcome Guide. Bring your strong editorial design experience, passion for magazines, and “the ability to balance multiple projects in a highly collaborative environment while problem-solving under tight deadlines.”

Learn more about and apply for this art director, Washingtonian magazine job or view all of the current mediabistro.com design/art/photo jobs.

Wanted: Graphic Designer Who Can Perform

The world’s leading performing arts center—that would be Lincoln Center— recently celebrated its 50th anniversary [cymbal flourish]. Some say that such a milestone calls for a gift of gold, but it’s actually a graphics maestro. That’s right, design fans, Lincoln Center for the Performing Arts, one of 12 organizations resident in the Lincoln Center complex (how many of the other 11 can you name?), is on the hunt for a graphic designer to “develop and create communications and advertising which promote Lincoln Center’s programmatic offerings and services and express the Lincoln Center brand.” Bring your portfolio of dazzling typography, design, and branding work but leave your stage fright at home.

Learn more about and apply for this graphic designer, Lincoln Center for the Performing Arts job or view all of the current mediabistro.com design/art/photo jobs.

Wanted: Designer Who May Already Have Won Ten Million Dollars!

While we can’t guarantee it will make you any more likely to receive an early morning visit from the Prize Patrol (and in all likelihood employees are ineligible for company sweepstakes), we did want to alert you to the fact that Publishers Clearing House, they of the plentiful pay-by-installment magazine subscriptions and cash prize promises, is looking for a senior web designer-slash-art director to join its Port Washington, New York office. The winning candidates’ responsibilities will include planning, designing, coding, and executing mobile and web-based material, emails, and interactive experiences (many of them probably depicting giant piles of cash!). And don’t forget to ask in advance to be paid by direct desposit rather than in giant novelty checks.

Learn more about and apply for this Senior Web Designer/Art Director, Publishers Clearing House job or view all the current mediabistro.com design/art/photo jobs.

Metropolitan Museum Debuts Roof Garden Commission: Dan Graham with Günther Vogt

Who needs a plain old terrace when you can have a Hedge Two-Way Mirror Walkabout? Nancy Lazarus heads to the roof of the Met to reflect on the matter.

met DG
(Photos: Hyla Skopitz, The Photograph Studio, The Metropolitan Museum of Art)

As the Metropolitan Museum of Art prepares to roll out the red carpet for its Costume Institute gala, it has rolled out a green carpet of grass turf for its annual roof garden exhibit: Two-Way Hedge Labyrinth Walkabout, a collaboration between American artist Dan Graham and Swiss landscape architect Günther Vogt.

“I designed the changing convex and concave pavilion as a funhouse for kids and a photo op for parents,” said Graham at Monday’s press preview. “The work relates to Central Park and to the earlier works in my collection.” Some of his prior projects are on view in a companion exhibit on the museum’s second floor. That multimedia display encompasses photos, architectural models, videos, and a smaller, triangular-shaped glass pavilion with circular cutouts.
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Tavern on the Green Reopens, with Central Park as Its Centerpiece

Following a brick-by-brick renovation, NYC restaurant Tavern on the Green is back, and its formerly over-the-top interiors have been transformed with a “robber-baron-meets-sheep-barn” aesthetic and the aspiration to be “food-centric.” We sent writer Nancy Lazarus to take a peek under the famous red canopy.

totg Central Park Room 2
The sunny Central Park room at the new Tavern on the Green was formerly known as the Crystal Room. (All photos courtesy Robin Caiola)

totg Bar Room Horse Mobile“Now we can be part of the park,” said restaurateur Jim Caiola, referring to the recently reopened landmark, Tavern on the Green. He and partner David Salama of Emerald Green Group were awarded a 20-year lease to the legendary restaurant, long associated with Broadway show parties, special family occasions, and a role serving as movie backdrop.

“Only the name, the beams and the shell of the Victorian building remain from the old Tavern”, said spokesperson Steven Hall. “Everything else was handpicked by Jim and David.” The pair renovated the interior, while the property’s New York City landlord worked on the exterior. Others involved in the restoration were architect Richard Lewis, lighting designer Ken Billington, and landscape architect Robin Key. It’s been a major investment and long haul.
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