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Favorite Thing: Jack Headphone Stand

Nancy Lazarus journeyed to the Javits Center for the summer 2014 edition of NY NOW, the Market for Home + Lifestyle (formerly NYIGF) as the UnBeige judge for the Bloggers’ Choice Awards, which highlights “urgent, odd, and delightful design” from among the more than 150 exhibitors in the Accent on Design category. Here’s her pick.

jackWhile scouring the Accent on Design aisles of the NY NOW trade show, which wraps up today, we came across a product that literally stood out: the Jack Headphone Stand, our choice for the Bloggers’ Choice awards. Designed by Brooklyn-based ModProducts (a.k.a. ModKo), the Jack Headphone Stand is the optimal storage and recharging station for headphones and small mobile devices when it’s high time for a digital break. It’s made from polypropylene and rubber in orange, yellow, white, or gray, to fit the color scheme of any desk or night table. All wires remain hidden behind a cable pass-through, leaving you with a clutter-free space. The Jack will make its first stand at retail in time for the holiday shopping season.

Have a suggestion for our next Favorite Thing? E-mail unbeige@mediabistro.com.

Learn Infographics and Party Like a Chart Star

daniel zeeviReady to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by tech-meets-branding whiz Amanda McCormick, whose resume includes work with organizations such as New York City Ballet, Bitly, and SocialFlow, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts October 7. Learn more here.

In Which We Seek Your Design News

If we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy task of plotting murder, thanks to our handy “Anonymous Tips” box nestled in the menu bar at right, below the search box. Simply type in your news—design happenings, movements of the Revolving Door, scandalous revelations, a designer’s hidden talent, or any newsy, design-y morsel—and click “Send.” And for those not inclined to clandestine tipping, we’re still just an e-mail away.

Museum Masterpieces Head Outdoors with Art Everywhere’s U.S. Debut

Works by artists ranging from John Singleton Copley and Thomas Eakins to Jasper Johns and Cindy Sherman take to the streets this month with the launch of Art Everywhere U.S. Nancy Lazarus sizes up the coast-to-coast campaign that’s being billed as “the largest outdoor art show ever conceived.”

Art Everywhere Times Square Chuck Close Phil and Edward Hopper Nighthawks
Art Everywhere U.S. Times Square rendering, featuring Chuck Close’s Phil (1969) and Edward Hopper’s Nighthawks (1942).

Can’t make it to a museum this August? Fear not. The art is coming to you thanks to Art Everywhere U.S., an extensive outdoor art show highlighting the nation’s artistic heritage. Throughout the month, images of 58 selected U.S. artworks are being projected on billboards and public spaces such as buses, trains, airports, and movie theatres across the U.S. “This is an unconventional program to promote museum experiences and to encourage the discovery of art history so it becomes part of everyday life,” said Maxwell Anderson, director of the Dallas Museum of Art, at yesterday’s kickoff event. “The goal is to continue the enthusiasm every summer.”

Inspired by the success of the 2013 Art Everywhere UK campaign, Anderson enlisted the participation of four other major U.S. museums: New York’s Whitney Museum of American Art, Washington D.C.’s National Gallery of Art, the Art Institute of Chicago, and the Los Angeles County Museum of Art (LACMA). Aside from the five partnering museums, the Outdoor Advertising Association of America (OAAA) was also instrumental in launching the initiative, which marks the organization’s largest public service campaign to date.
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Wanted: Designer to Blind Them with Science

man of science.jpgDo you excel at explaining phenomena ranging from plate tectonics to nuclear fission using only a pen and a dinner napkin? Doodle double helices—and their accompanying nucleotides? Then listen up, because the American Association for the Advancement of Science (or “triple-A S,” as the cool kids call it) is looking for a new visual Einstein to join the creative marketing team for its flagship journal, Science, at its Washington, D.C., headquarters. Need you be able to tell xylem from phloem, ventricles from atria, a chupacabra from an exasperated kangaroo? Probably not, but be ready to describe how your “strong communication skills and excellent type sensibility” will react with your “ability to create effective, visually exciting print and electronic media” to keep the visual standards of Science as high as its impact factor. And don’t forget to balance your equation.

Learn more about this junior graphic designer, American Association for the Advancement of Science job or view all of the current mediabistro.com design/art/photo jobs.

Wanted: Bookish Designer for Poised Promotions

cambridge.jpgWant to be the only designer on your block employed by a company founded by a 1534 royal charter? Well, here’s your ticket to legitimately name dropping Henry VIII at parties and more review copies than are prudent for an urban dweller. The New York City office of Cambridge University Press is searching for a senior designer to work his or her creative magic on promoting some of the around 1,200 new books it produces each year (and that’s not even counting its historic Bibles list!). The ideal candidate, who will will lead brainstorming, concept development, and design of integrated marketing campaigns for the English Language Teaching group, has advanced understanding of branding, typography, and grids/visual systems and is a pro on InDesign, Photoshop, and Illustrator.

Learn more about and apply for this Senior Designer, Cambridge University Press job or view all the current mediabistro.com design/art/photo jobs.

Wanted: Designer Who May Already Have Won Ten Million Dollars!

While we can’t guarantee it will make you any more likely to receive an early morning visit from the Prize Patrol (and in all likelihood employees are ineligible for company sweepstakes), we did want to alert you to the fact that Publishers Clearing House, they of the plentiful pay-by-installment magazine subscriptions and cash prize promises, is looking for a senior web designer-slash-art director to join its Port Washington, New York office. The winning candidates’ responsibilities will include planning, designing, coding, and executing mobile and web-based material, emails, and interactive experiences (many of them probably depicting giant piles of cash!). And don’t forget to ask in advance to be paid by direct desposit rather than in giant novelty checks.

Learn more about and apply for this Senior Web Designer/Art Director, Publishers Clearing House job or view all the current mediabistro.com design/art/photo jobs.

Put the ‘Fun’ in ‘HTML Fundamentals’

Admit it. Your seven-year-old nephew could out-HTML tag you any day and you think that a Cascading Style Sheet is something with a thread count. That’s where the Mediabistro mothership comes in. They’ve asked us to tell you about the upcoming online course in HTML and CSS that kicks off just in time for you to rationalize shopping for new school supplies. Over four fun-filled sessions, web designer (and illustrator) Laura Galbraith will guide you through a variety of web page production techniques, from column-based layouts and search engine optimization to semantic markup and advanced CSS styles. And you’re bound to ace the typography sections. The online learning fun begins September 15. Preview the course syllabus and register here.

Hennessy and Pratt Reunite for ‘Wild Rabbit’ Competition

Writer Nancy Lazarus hops over to Pratt Manhattan Gallery for a creative collaboration between Pratt Institute and Hennessy V.S.

Eduardo Palma
Pratt MFA student Eduardo Palma’s winning project, an interactive poster. (All photos: Pratt Institute/Peter Tannenbaum)

Pratt Institute once again teamed with Hennessy for the “Wild Rabbit” contest. The third annual competition challenged nine Pratt students from six creative disciplines to create works of art based on Hennessy’s M.O., “never stop, never settle,” symbolized by the constantly striving bunny brand icon. A panel of seven industry judges recently viewed the works at Pratt’s Manhattan Gallery and selected the top three winners, who will fly to Los Angeles next week for an event where their works will be on display in conjunction with the launch of a Shepard Fairey-designed bottle of Hennessy V.S. Multi-layered approaches marked the common themes for the winners, though they hailed from different geographic areas and interpreted the assignment differently. Here’s a look at the winning projects.

Eduardo Palma_1First place ($10,000): Eduardo Palma (at right), from Bogota, Colombia, MFA in communications design
His wild rabbit: Impacting culture through language
Es Mejor ser Rich que Poor (“It’s better to be rich than poor”) is the statement on Palma’s wall-size poster, set in Friz Quadrata. The surface layer shows a Latin American map in the tones of American currency, divided into cutouts of heavy cardstock.

Palma invited viewers and judges to remove the postcards, uncovering another saying, Plata or Plomo (“Money or Lead”). The quote is from Colombian drug trafficker Pablo Escobar, who enforced a bribes-or-bullets program. The bottom newsprint layer shows images in red, yellow, and blue—the colors of the Colombian flag—and depicts Escobar becoming Donald Trump.
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Everything You Always Wanted to Know About Infographics (But Were Afraid to Ask)

daniel zeeviReady to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by veteran creative director Sascha Mombartz, whose resume includes stints at The New York Times and Google, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts on Tuesday, July 1. Learn more here.

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